Daily Dose Of Jazz…
William Moore, Jr., better known as Billy Moore was born on December 7, 1917 in Parkersburg, West Virginia. Chiefly known as an arranger for most of his jazz career, Billy wrote charts for Jimmie Lunceford, Charlie Barnet, Jan Savitt, and Tommy Dorsey in the 1940s. He also worked for publishing companies in New York City.
In the 1950s he relocated to France, where he accompanied and wrote for The Peters Sisters from 1953 to 1960. Following this, he worked from 1960 to 1963 as an arranger for Berliner Rundfunk and then accompanied the Delta Rhythm Boys on tour.
He formed his own music publishing company in order to combat the then prevalent habit of band leaders taking credit for the work of their arrangers and composers. Amongst his uncredited works is the famous countermelody to Barnet’s million-selling hit Skyliner. Moving to Copenhagen, Denmark in the 1970s, he remained active as an arranger. Being friends with Leonard Feather, he sometimes used Moore’s name for songwriting credits.
In his later years in Denmark, he was the administrator of the music foundation established in Ben Webster’s name and for whom he also worked as a business aide. He was also the manager and musical director for the European tours of the Peters Sisters. Pianist and arranger Billy Moore passed away on February 28, 1989 in Copenhagen, Denmark.
Daily Dose Of Jazz…
Joe Britton was born on November 28, 1903 in Birmingham, Alabama and following his student days under the guidance of Fess Whatley, he went to work with Bessie Smith who took him on the road from 1924 through 1926 as a member of her backing group, followed with the Fred Longshaw Orchestra and then the Bill Woods Orchestra. The next year, he jumped to Frank Bunch & the Fuzzy Wuzzies, most likely the most obscure name in the list of the groups he played for.
Settling in New York in the ’30s and immediately got into the fast-paced jazz scene working with Ellsworth Reynold’s Bostonians, Teddy Hill, the band of classic jazz drummer Kaiser Marshall, Charlie Johnson, Edgar Hayes, and the Vernon Andrade Orchestra. In the ’40s: he worked with Benny Carter from 1940-1941 and Dizzy Gillespie, while at the same time collaborating on older styles of jazz.
In the 1940s Britton worked and recorded with Jelly Roll Morton, Jay McShann, and Lucky Millinder in 1942. He would go on to be employed by Wynonie Harris showing up on a half-dozen of her R&B records, and also recorded with Sister Rosetta Tharpe.
He performed and recorded with pianist Earl Hines. The trombonist dabbled into orchestra arrangements and his work in this field is highlighted on the album Breaks, Blues and Boogies by fellow bone-man Vic Dickenson. retired from full-time professional playing in the 1950s, however, he gigged off and on into the Sixties, including a regular stint in a band led by saxophonist Wesley Fagan. Trombonist Joe Britton passed away on August 12, 1972 in New York City, New York.
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Daily Dose Of Jazz…
Johnny Richards was born Juan Manuel Cascales on November 2, 1911 in Querétaro, Mexico. His father immigrated to the United States into Laredo, Texas in 1919, the family settling first in Los Angeles, California and then in San Fernando, California where he attended and graduated from San Fernando High School. From there he went to Fullerton College in 1930.
Working in Los Angeles, California from the late 1930s to 1952 when he moved to New York City. He had been arranging for Stan Kenton since 1950 and continued to do so through the mid~Sixties while leading his own bands throughout his career. Additionally, he composed the music for the popular song Young at Heart in 1953, made famous by Frank Sinatra. He recorded nine albums as a leader and as a sideman/arranger working with Charlie Barnet, Harry James, Stan Kenton, and Hugo Lowenstern recorded another eight.
Arranger, composer, and bandleader Johnny Richards, who was a pivotal arranger for some of the more adventurous performances by Stan Kenton’s big band in the 1950s and early 1960, passed away from a brain tumor in New York, New York on October 7, 1968.
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Daily Dose Of Jazz…
Edgar Melvin Sampson, born October 31, 1907 in New York City, he started playing violin at the age of six and picked up the saxophone in high school. He started his professional career in 1924 with a violin-piano duo with Joe Colman and through the rest of the 1920s and early ’30s, he played with many bands, including those of Charlie “Fess” Johnson, Duke Ellington, Rex Stewart and Fletcher Henderson.
1933 saw him joining Chick Webb’s band. It was during his tenure with Webb that he created his most enduring work as a composer, writing Stompin’ at the Savoy and “Don’t Be That Way“. Leaving the Webb band in 1936 with a reputation as a composer and arranger, he was able to freelance with Benny Goodman, Artie Shaw, Red Norvo, Teddy Hill, Teddy Wilson, and Chick Webb.
Becoming a student of the Schillinger System in the early 1940s, Edgar continued to play saxophone through the late ’40s and led his own band from 1949 to 1951. Through the Fifties, he worked as an arranger for Latin performers Marcelino Guerra, Tito Rodríguez and Tito Puente.
He recorded one album under his own name, Swing Softly Sweet Sampson, in 1956. Due to illness, he stopped working by the late 1960s. Saxophonist, violinist, composer, arranger Edgar Sampson passed away on January 16, 1973 at the age of 65 in Englewood, New Jersey.
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Daily Dose Of Jazz…
David Friedrich Dallwitz was born on October 25, 1914 in Freeling, South Australia. He studied violin as a child and after moving with his family to Adelaide, South Australia in 1930, he developed an aptitude for jazz piano. Beginning in 1933 for two years he studied concurrently at the South Australian School of Art and the North Adelaide School of Fine Art.
He led the Southern Jazz Group, a Dixieland band that performed at the first Australian Jazz Convention. Abandoning jazz for a period, he studied at the Elder Conservatorium of Music, composing symphonic and chamber music and taking up bassoon and cello. He became involved in composing and arranging music for revues, leading to the formation of the Flinders Street Revue Company, for which he also directed and played piano.
Returning to jazz in 1970, he resumed recording. He worked with Australian progressive musicians such as John Sangster, Bob Barnard, and Len Barnard. He led the Dave Dallwitz Ragtime Ensemble.
Pianist, bandleader, composer, and arranger, painter, and art teacher Dave Dallwitz, who led jazz, Dixieland and ragtime bands, passed away on March 24, 2003 in Adelaide after finishing the artwork for his album The Dave Dallwitz Big Band live at Wollongong, December 1984.
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