Daily Dose Of Jazz…
Masahiko Satoh was born on October 6, 1941 in Tokyo, Japan and the family home contained a piano. He started playing at the age of five, and twelve years later he began playing professionally accompanying singers, magicians, and strippers at a cabaret in the Ginza district.
By 1959 Satoh began playing in Georgie Kawaguchi’s band, together with alto saxophonist Sadao Watanabe and tenor saxophonist Akira Miyazawa. After graduating from Keio University, at the age of 26 he moved to the United States to study at the Berklee College of Music. During those two years of study, he read about composing and arranging, earned money working in a food shop, and played the piano in a hotel.
1968 had Masahiko writing and conducting the music for a series of pieces that were combined with dance and performed around New York City. After returning to Japan, he recorded Palladium, his first album as a leader, and appeared on a Helen Merrill album.
In the late 1960s and early 1970s, his career led him to perform in a free, percussive style. Masahiko played at the 1971 Berlin Jazz Festival as part of a trio, using at the time an unusual ring modulator to alter the sound. During that period he recorded with Attila Zoller, Karl Berger, and Albert Mangelsdorff. He wrote the psychedelic music for the 1973 anime film Belladonna of Sadness.
He went on to write arrangements for recordings led by, among others, Helen Merrill, Kimiko Itoh, and Nancy Wilson. He arranged for strings and quartet on Art Farmer’s 1983 album Maiden Voyage, formed a large group, named Rantooga, that combined various forms of folk music from around the world, and composed for film, television, and advertisements. By the early 1990s pianist, composer, and arranger Masahiko Satoh composed music for a choir of 1,000 Buddhist monks and now spends 70% of his time arranging and composing, the rest on playing and recording.
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Daily Dose Of Jazz…
Fred Norman was born on October 5, 1910 in Leesburg, Florida and started out playing trombone when he was 14. After working with local bands in Florida, until moving to Washington, D.C. in 1930. There he worked with Duke Eglin’s Bell Hops, Booker Coleman, and Elmer Calloway (Cab’s younger brother). When he joined Claude Hopkins’ Orchestra in 1932, he doubled as a singer and contributed many arrangements.
Norman was with the Hopkins Big Band during its key years (1932-37), and when he departed, gave up the trombone and stuck exclusively to writing. Norman wrote arrangements for many big bands including those of Benny Goodman (1938), Bunny Berigan, Gene Krupa, Lionel Hampton, Jack Teagarden, Glenn Miller, Harry James, Artie Shaw, and Tommy Dorsey.
Landing the position of staff arranger for Krupa from 1940 to 1943, he spent periods writing exclusively for Dorsey and Charlie Spivak. In the 1950s, Fred started working closely with MGM and Carlton record labels, among others, and often as a musical director for singers such as Dinah Washington, Sarah Vaughan, and Brook Benton.
Although his orchestra backed numerous singers, he led his own orchestra record date, producing Norman Plays Novello. Trombonist, vocalist, and arranger Fred Norman, who spent most of the swing era as a busy arranger, passed away on February 19, 1993 in New York City, New York.
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Daily Dose Of Jazz…
Skip Hall was born Archie Hall on September 27, 1909 in Portsmouth, Virginia and studied piano under his father. He lived in New York from age eight and in the late twenties, he relocated to Cleveland, Ohio where he led his own band for most of the 1930s.
He worked as an arranger on contract, arranging for Jay McShann from 1940 to 1944. During World War II he played with Don Redman and in 1943 he entered military service and played in a band while stationed in England.
He would eventually work with Hot Lips Page around the year 1945 and then joined the Sy Oliver band, who was his brother-in-law. Following this he worked with Wynonie Harris, Thelma Houston, and Jimmy Rushing before joining Buddy Tate’s group in 1948. He worked with Tate for twenty years both as a performer and arranger.
In the 1950s and 1960s, he performed with Dicky Wells, Emmett Berry, and George James, as well as working solo and with his own small groups. Arranger, pianist, and organist Skip Hall passed away in November 1980, Ottawa, Ontario, Canada.
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Daily Dose Of Jazz…
Bill DeArango was born William Louis DeArango on September 20, 1921 in Cleveland, Ohio. A self-taught on guitar, while attending Ohio State University, he played with Dixieland bands at night. After serving in the Army from 1942–44, he moved to New York City and worked first with Don Byas and Ben Webster.
A year later, Bill was playing on an album with Sarah Vaughan, Charlie Parker, and Dizzy Gillespie. Working as a sideman with Eddie “Lockjaw” Davis, Ike Quebec, Slam Stewart, he then led his own band with Terry Gibbs.
In 1947, DeArango returned to Cleveland and performed locally for two decades, recorded an album with pianist John Williams in 1954. By the 1960s had opened up a guitar store, taught guitar lessons, and late in the decade, he managed the rock band Henry Tree. Performing regularly in the Seventies at Cleveland’s Smiling Dog Saloon working with Ernie Krivda and Skip Hadden, mixing hard rock and free jazz.
His next recording was on the album Another Time/Another Place by Barry Altschul, then 298 Bridge Street by Kenny Werner, and Names by Jamey Haddad. In 1993, he released his second solo album, Anything Went, with Joe Lovano.
He entered a nursing home in 1999 and suffered dementia until his death seven years later, although he continued performing locally until late 2001. Guitarist William DeArango passed away on December 26, 2005 in his hometown.
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Daily Dose Of Jazz…
Don D.T. Thompson was born in Drumheller, Alberta on September 19, 1932. He played saxophone and clarinet at twelve and began promoting his own jazz concerts, Jammin’ the Blues, in Edmonton at 17. Moving to Toronto, Canada in 1952, he toured Canada and the United States from 1954 to 1958 with Anne Marie Moss.
Save for a period in 1965 and 1966 with the Lionel Hampton Orchestra in the United States, Thompson was a mainstay of the Toronto jazz scene through the 1960s. During the early 1960s, he led singer Tommy Ambrose in a big band ensemble. He appeared regularly at the First Floor Club with small groups and a big band from 1959 until 1965, and was seen in the NFB’s Toronto Jazz with a quintet.
He performed on many CBC TV pop music shows, Club Six and Music Hop and played in several Toronto studio orchestras. In 1961 he recorded as a member of the Pat Riccio Big Band in Ottawa and 1963 saw him with pianist Wray Downes and trombonist Rob McConnell. He also released a record as part of a quintet that included trumpeter Fred Stone.
After touring for ten years beginning in 1971 and recording with pop singer Anne Murray, he returned to jazz. In 1981 moving away from his early bebop-based style he landed on a simpler, full-toned, melodic approach in the manner of a Stanley Turrentine. D.T. wrote and recorded several jazz themes; his pop-song arrangements appear on albums by Murray, John Allan Cameron and Gordon Lightfoot.
Saxophonist, composer, and arranger Don D.T. Thompson passed away in Vancouver, Canada on March 21, 2004.
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