Daily Dose Of Jazz…
Rozanne Levine was born on October 19, 1945 in New York City, New York. She was introduced to the jazz/new music community as a performer with William Parker and Patricia Nicholson Parker’s Centering Music/Dance Ensemble during the late Seventies.
Throughout the 1980’s and 1990’s Levine performed in saxophonist/clarinetist Mark Whitecage’s Glass House Ensemble, playing both clarinet and Whitecage’s sound sculptures. In 1993 she rejoined the Parkers as a founding member of their New York-based Improvisors Collective, performing in the Collective Orchestra and with Collective members in smaller ensembles. During her three year tenure with the Collective she formed two ensembles, Crystal Clarinets and the Clarinet Choir, which performed in New York City and Connecticut.
In 1999 Rozanne and Whitecage formed a touring duo, RoMarkable, to showcase their acoustic and electronic forays. They performed at numerous clubs and festivals around the country. She led Chakra Tuning, with Mark Whitecage, clarinetist Perry Robinson and violinist/vocalist Rosi Hertlein. Her compositions form the thematic material from which the musicians improvise, each artist adding their distinct voice to the mix. The group released their highly-praised debut album, Only Moment, in 2009, on her and Whitecage’s label, Acoustics.
Levine performed with Mark Whitecage and The Bi-Coastal Orchestra, Anthony Braxton, The New Reed Quartet, Jason Kao Hwang, Jackson Krall, Theo Jorgensmann, Blaise Siwula, and Who Knows?, among others.
Alto clarinetist, bamboo flutist and composer Rozanne Levine, who became a noted photographer that were incorporated into her performances, transitioned in Morristown, New Jersey on June 18, 2013.
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Daily Dose Of Jazz…
Douglas Ewart was born on September 13, 1946 in Kingston, Jamaica and emigrated to the United States in 1963. Settling in Chicago, Illinois he became associated with the Association for the Advancement of Creative Musicians (AACM) in 1967, studying with Joseph Jarman and Roscoe Mitchell. He served as that organization’s president from 1979 to 1986.
Douglas recorded eight albums as a leader and has performed or recorded fifteen with J. D. Parran, Muhal Richard Abrams, Art Ensemble of Chicago, Anthony Braxton, Alvin Curran, Anthony Davis, Robert Dick, Von Freeman, Joseph Jarman, Amina Claudine Myers, Roscoe Mitchell, James Newton, Rufus Reid, Wadada Leo Smith, Cecil Taylor, Richard Teitelbaum, Henry Threadgill, Hamid Drake, Don Byron, Malachi Favors Maghostut, Muhal Richard Abrams, Spencer Barefield, Tani Tabbal, Jean-Luc Cappozzo, Joëlle Léandre, Bernard Santacruz, Michael Zerang, Chico Freeman, Dennis González, Yusef Lateef, Adam Rudolph,
In 1992 he collaborated with Canadian artist Stan Douglas on the video installation Hors-champs which was featured at Documenta 9 in Kassel, Germany. The installation features Ewart in improvisation of Albert Ayler’s Spirits Rejoice with musicians George Lewis, Kent Carter, and Oliver Johnson.
Douglas Ewart has lived in Minneapolis, Minnesota since 1990 and plays sopranino and alto saxophones, clarinets, bassoon, flute, bamboo flutes, panpipes, and didgeridoo; as well as Rastafarian hand drums.
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Daily Dose Of Jazz…
Yusef Lateef was born William Emanuel Huddleston on October 9, 1920 in Chattanooga, Tennessee and by the time he was five his family moved to Detroit. Throughout his early life Lateef came into contact with many Detroit-based jazz musicians who went on to gain prominence, including vibraphonist Milt Jackson, bassist Paul Chambers, drummer Elvin Jones and guitarist Kenny Burrell.
Proficient on saxophone by graduation from high school at the age of 18, he launched his professional career and began touring with a number of swing bands. In 1949, he was touring with Dizzy Gillespie and his orchestra. In 1950, Lateef returned to Detroit and began his studies in composition and flute at Wayne State University. It was during this period that he converted to Islam.
Lateef began recording as a leader in 1957 for Savoy Records overlapping with Prestige Records subsidiary label New Jazz, collaborating with Wilbur Harden and Hugh Lawson among others. By 1961, with the recording of Into Something and Eastern Sounds his dominant presence within a group context had emerged and his ‘Eastern’ influences are clearly audible in all of these recordings.
Along with trumpeter Don Cherry, Yusef can lay claim to being among the first exponents of the world music as sub-genres of jazz. He played on numerous albums, was a member of Cannonball Adderley’s Quintet during the early Sixties, was a major influence on John Coltrane, he began to incorporate contemporary soul and gospel phrasing into his music, founded his own label YAL Records and was commissioned by the WDR Radio Orchestra to compose the African American Epic Suite.
Lateef has written and published a number of books including two novellas and Yusef Lateef’s Flute Book of the Blues. He has received the Jazz Master Fellowship Award from the National Endowment for the Arts, and has had aired a special-documentary program for Lateef, titled A Portrait of Saxophonist Yusef Lateef In His Own Words and Music. He has recorded nearly six-dozen records as both a leader and sideman and continued to compose, perform, record and tour until his transition at age 93 on December 23, 2013 in Shutesbury, Massachusetts.
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