BRANDEE YOUNGER
The sonically innovative harpist, Brandee Younger, is revolutionizing harp for the digital era. Over the past fifteen years, she has worked relentlessly to stretch boundaries and limitations for harpists. In 2022, she made history by becoming the first black woman to be nominated for a Grammy Award for Best Instrumental Composition. That same year, she was also nominated for an NAACP Image Award. Ever-expanding as an artist, she has worked with cultural icons including Common, Lauryn Hill, John Legend, and Moses Sumney. Her current album, Brand New Life, builds on her already rich oeuvre, and cements the harp’s place in pop culture. As the title of the album suggests, Brand New Life is about forging new paths–artistic, personal, political, and spiritual. On this album, Younger salutes her musical foremother, the trailblazing harpist Dorothy Ashby, while also speaking to the sentiments of more recent generations. “We’re bringing new life to Dorothy Ashby’s popular and previously unreleased compositions. We’re creating new life…for the instrument,” Younger said. Brand New Life is an album about living fully, in neon bright color.
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JAZZMEIA HORN
Named by her jazz loving grandmother, Jazzmeia Horn was born in Dallas, Texas, in 1991. She grew up in a close church-going family singing gospel music.
Ms. Horn graduated from Booker T. Washington High School for the Performing and Visual Arts, which was attended by other great artists such as Roy Hargrove, Norah Jones, and Erykah Badu. In 2009, she enrolled at The School of Jazz at The New School in New York City.
Ms. Horn won the 2013 Sarah Vaughan International Jazz Vocal Competition and the 2015 Thelonious Monk Institute International Jazz Competition and, shortly after, was signed by Concord Records. In 2017, she released her debut album, A Social Call, which was nominated for a Grammy Award.
Ms. Horn continued to tour nationally and internationally, honing her vocal, performance and writing skills, to get across her message about the global need for love and social change in the world. In 2019, she released Love and Liberation which also received a Grammy nomination. The following year, she published her book, Strive From Within: The Jazzmeia Horn Approach, while recording her big band album, Dear Love.
Dear Love, an album of encouragement through poetry and spoken word addressing the aspects of her community, her love and herself, was released in September 2021.
All while performing, writing, and preparing for a fall 2023 release of her new album, Ms. Horn is teaching students and conducting outreach programs across the globe through The Jazz Horn International Vocal Initiative.
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OLATUJA
Acclaimed vocalist Alicia Olatuja and bassist Michael Olatuja come together for this groove-heavy mix of Afro-Beat, jazz, funk, and soul, as heard on their new self-titled album. “A singer with a strong, lustrous tone and an amiably regal presence onstage” (The New York Times), Alicia Olatuja has been held up by no less than Dianne Reeves as one of the finest singers on the scene today.
The St. Louis native first gained national attention as a featured soloist with the Brooklyn Tabernacle Choir at Barack Obama’s 2013 presidential inauguration ceremony.
But in the past few years she’s created a powerful buzz in jazz circles through her work with GRAMMY Award-winning pianist/arranger Billy Childs and the late legendary Hammond B-3 organist Dr. Lonnie Smith. Increasingly visible as a bandleader, Olatuja led three increasingly accomplished sessions including her most recent project celebrating women composers, Intuition: Songs From the Minds of Women.
Born in London and raised in Lagos, Nigeria, Michael Olatuja is a first-call bassist on the New York scene who has lent his inventive musicianship to Stevie Wonder, Terence Blanchard, José James, Kurt Elling, and Shakira. His newest solo release, Lagos Pepper Soup, features guests Angelique Kidjo, Brandee Younger, Joe Lovano, and Dianne Reeves, among others.
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MARQUIS HILL
Winner of the 2014 Thelonious Monk International Trumpet Competition, Chicago-born trumpeter Marquis Hill has, in a comparatively short time, established his well-deserved reputation as a leading figure among today’s crop of most adventurous jazz musicians. He returns with compositions from his new album and band project, Composers Collective, featuring an all-star ensemble that includes keyboardist Mike King, bassist Junius Paul, vibraphonist Joel Ross, and drummer Makaya McCraven.
A singular artist with a warm, soul-drenched sound and an advanced command of composition, Hill accepted the prestigious Monk honor as an acknowledgment of a major career already in progress rather than the first spark from a neophyte, with four albums as a leader already under his belt, and a distinctive ensemble approach firmly established.
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