Daily Dose Of Jazz…

Paul Hession was born on September 19, 1956 in Leeds, West Yorkshire, England where his parents bought him a guitar when he was seven and encouraged his musical development by getting him in the church choir. His first paid gigs were weddings. He started playing drums around fourteen and was mainly self taught working himself through the different musical genres until he reached jazz.

After several years of playing jazz he turned to free improvisation and formed Art, Bart & Fargo with saxophonists Alan Wilkinson and Peter Malham. While living in London, England he played with numerous improvisers and formed a trio with Chris Green and Roberto Bellatalla. Returning to Leeds in the mid-Eighties he continued playing and running music workshops.

By the time he turned thirty he made a solo recording and tour and continued to play and record solo. He started working with electroacoustic dimensions as a soloist. Hession went on to run the Improvised Music Workshop in the late 1980s and a decade later founded Improvised Music Leeds, a workshop that was founded to teach drumming to youth.

Paul created his next trio, Hession/Wilkinson/Fell which became his most prolific group. They recorded for the Canadian Broadcasting Corporation and broadcast on the radio program Two New Hours. He toured the United States and parts of Canada before returning to Europe and playing several cities and festivals.

In 2018 he received his doctorate from the University of Leeds for research into augmenting solo percussion with analogue and digital electronics. Another trio later with Hans Peter Hilby and Michael Bardon, he remains active.

CALIFORNIA JAZZ FOUNDATION

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Daily Dose Of Jazz…

Earl Klugh was born September 16, 1953 in  Detroit, Michigan. At the age of six he started training on the piano but switched to the guitar at ten. By 13, he was captivated by the guitar of Chet Atkins when he made an appearance on the Perry Como Show.

His first recording was at age 15 on Yusef Lateef’s Suite 16. He played on George Benson’s White Rabbit album and two years later, in 1973, joined his touring band. He has performed as a guest on several of Atkins’ albums, who has reciprocated as well, joining Klugh on his Magic In Your Eyes album.

He and Bob James received a Grammy for Best Pop Instrumental Performance in 1981 for their album One on One. Klugh has recorded over 30 albums, including twenty-three top ten charting records, with five hitting No. 1 on Billboard’s Jazz Album chart.

Each spring, Klugh hosts an event called Weekend of Jazz, featuring jazz musicians at the Broadmoor Hotel & Resort in Colorado Springs, Colorado. The weekend attracts a host of famous musicians and vocalists.

Guitarist and composer Earl Klugh, who was influenced by Bob James, Ray Parker Jr, Wes Montgomery and Laurindo Almeida, has received 13 Grammy nominations, continues to compose, perform and record.

CALIFORNIA JAZZ FOUNDATION

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WYCLIFFE GORDON & ERIC REED WORKSHOP

The duo will present a workshop for musicians and jazz lovers at the Hammonds House Museum. Registration is required. To reserve your spot, click HERE.

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BOBBY BROOM: TRIBUTE TO RUSSELL MALONE

Born in Harlem and raised on the Upper West Side of NYC, Bobby Broom took up guitar at 12 and five years later, in 1977, made his first appearance with Sonny Rollins at Carnegie Hall. Even prior to that auspicious start, he had dedicated himself to the art, culture, and life of jazz, with the goals of learning to express himself within the idiom, while honoring its historical traditions and spirit.

Nearly 50 years later, Bobby has amassed a formidable jazz pedigree, working closely with historic figures such as Rollins, Miles Davis, Art Blakey, Stanley Turrentine and Kenny Burrell, as well as many of his contemporaries. To date he has made fifteen leader recordings and has traveled to perform, as an accompanying musician and with his own ensembles, in countries on five continents.

Broom is a tenured Associate Professor at Northern Illinois University and has devoted much of his career to jazz education. He began teaching at the tertiary level under the direction of NEA Jazz Fellow and saxophone great Jackie McLean at University of Hartford. Bobby has also worked with high school students through the Herbie Hancock (formerly Thelonious Monk) Institute and currently, with the Ravinia Jazz Mentor Program.

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WYCLIFFE GORDON & ERIC REED

Wycliffe Gordon and Eric Reed are veteran members of the Wynton Marsalis Septet and original members of Lincoln Center Jazz Orchestra. Wycliffe Gordon has had an impressive career touring the world performing hard-swinging straight-ahead jazz, receiving great acclaim from audiences and critics alike. His unmatched modern mastery of the plunger mute and his exceptional technique and signature sound, has solidified Gordon a place in musical history known as one of the top trombonists of his generation.

When you think of hard-driving swing, daring expression, sophistication and elegance in artistry, formidable technique and a thunderous sound, there are only a very small handful of contemporary pianists you think of and one of them is most assuredly Eric Reed. But don’t think of him as just a pianist; Eric is one of his generation’s most advanced thinkers in music.

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