Daily Dose Of Jazz…

Gabrielle Goodman was born October 23, 1964 in Baltimore, Maryland and her early years of singing in church in Baltimore gave her the skillset to blend jazz and gospel. As a protege of Roberta Flack began her international performance career as a backing vocalist for Flack in the mid-1980s while at the Peabody Institute. She continued to tour and record with her mentor for several years opening for Miles Davis, Ray Charles, the Crusaders and other legends in Japan, Switzerland, Brazil and others around the world.

Goodman’s breakthrough as a solo recording artist happened when she appeared on Norman Connors 1988 album Passion on Capitol Records. She sang lead on five songs, which led to her recording two jazz albums Travelin’ Light in 1993 and Until We Love the following year with Kevin Eubanks, Christian Mcbride, Gary Bartz, Gary Thomas, and Terri Lyne Carrington.

It would be another ten years before she would drop her third album which landed in the soul jazz category ~ Angel Eyes, Songs From The Book and Spiritual Tapestry for the Goodness label. As a touring and performing solo artist she has played festivals and with symphony orchestras.

Goodman has written and arranged songs for Chaka Khan and Roberta Flack, performed alongside Dee Dee Bridgewater and Michael Buble, and also provided vocals for Patti Labelle, Nona Hendryx, Jennifer Hudson, Mary J. Blige, Patrice Rushen, Freddie Jackson, Bryan Ferry, and George Duke.

Vocalist, composer, author, and educator Gabrielle Goodman has a four-octave vocal range and has been an associate professor of voice at Berklee College of Music since 1998.

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Daily Dose Of Jazz…

Peck Kelley was born John Dickson Kelley in Houston, Texas on October 22, 1898. During the 1920s, he was a popular bandleader who led his own band, Peck’s Bad Boys. The group included players such as Jack Teagarden, Louis Prima, Terry Shand, Wingy Manone, Leon Roppolo and Pee Wee Russell, several would go on to have successful recording careers of their own. Despite the apparent success of this group, no recordings survive from this period.

Rarely played anywhere outside of Texas, however, early in his career he did perform in Missouri and Louisiana. Throughout his career Kelley repeatedly turned down offers by other musicians of the day to play outside of Texas like Bing Crosby, Jimmy Dorsey, Tommy Dorsey and Paul Whiteman. Joining the Dick Shannon Quartet with Glen Boyd on Bass Fiddle, the only studio recordings from this musician to survive were made in Houston in 1957.

He enjoyed playing at the sessions and subsequently listening to the tapes but he refused to allow them to be released. They were eventually released in 1983 by Commodore Records as the Peck Kelley Jam Sessions, Volumes 1 & 2. Some private recordings of this same period have been released on the Arkadia record label.

Throughout his career he wished to remain anonymous, a private man who did not wish fame for himself. Pianist and bandleader Peck Kelley eventually became blind, developed Parkinson’s disease, and transitioned on December 26, 1980, at 82.

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Daily Dose Of Jazz…

Fred Hersch was born October 21, 1955 in Cincinnati, Ohio to Jewish parents and began playing the piano at the age of four, composing music by eight. By ten he won national piano competitions.

Hersch first became interested in jazz while at Grinnell College in Iowa. He dropped out of school and started playing jazz in Cincinnati, continuing his studies at the New England Conservatory under Jaki Byard and attracting attention from the press in a college recital. Upon graduation, he became a jazz piano instructor at the college.

1977 saw Fred moving to New York City, then gigged with Art Farmer in Los Angeles, California in 1978. He would play with Farmer again three years later, played for singer Chris Connor, then with Joe Henderson. He would go on to perform with Jane Ira Bloom, Jamie Baum, Toots Thielemans, Eddie Daniels, and Janis Siegel. A fortuitous firing of his pianist by Art Pepper gave Hersch the launch of his career when he filled in for the pianist.

In 1986, he taught at Berklee College of Music, performed and recorded sixty-four albums as a leader or co-leader, seventy-nine as a sideman and wrote an autobiography, Good Things Happen Slowly: A Life In and Out of Jazz.

In 1993, Hersch came out as gay and has been treated for HIV since 1984. He fell into a coma in 2008 for two months but when he regained consciousness, he had lost all muscular function as a result of his long inactivity and could not play the piano. After rehabilitation, he was able to play again. He continues to compose, perform and record.

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Daily Dose Of Jazz…

Johnny McClanian Best, Jr. was born in Shelby, North Carolina on October 20, 1913. He played piano as a child and learned trumpet from age 13. In the 1930s he worked with Les Brown, Charlie Barnet, and Artie Shaw from 1937 to 1939, then joined Glenn Miller’s orchestra for three years in 1939.

Before serving in the Navy during World War II as a lifeguard he spent a short time with Bob Crosby. During his service he played in Shaw’s military band and Sam Donahue’s band. Following a stint with Benny Goodman after the war, then he relocated to Hollywood, California where he worked with Crosby again on radio and played in numerous studio big bands in the 1940s and 1950s.

Touring with Billy May in 1953, later in the decade he led his own group locally. His trumpet can be heard along with Ella Fitzgerald on her album Get Happy. In 1964 he toured Japan with Crosby, and joined Ray Conniff for worldwide tours in the 1970s.

In 1982, he broke his back while working in his avocado orchard and used a wheelchair late in life, but was active into the 1980s. He played the trumpet solo on the Glenn Miller recording At Last, which was featured in the film Orchestra Wives.

Trumpeter Johnny Best,  who played on Begin the Beguine which put Artie Shaw in business, transitioned on September 19, 2003.

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Daily Dose Of Jazz…

Patrick Cairns “Spike” Hughes was born October 19, 1908 in London, England and spent his childhood mostly with his mother, a psychiatrist who was involved in extensive travel in France and Italy, as well as a more settled period of education at Perse School in Cambridge. By 1923 when he was 15 he spent an extended period in Vienna, Austria studying composition with Egon Wellesz.

He began writing his first music criticism for The Times of London and heard his first jazz at the Weinberg Bar, Weihburggasse, a band led by trumpeter Arthur Briggs. Returning to the UK in 1926, Hughes had a solo cello sonata performed in London and wrote the incidental music for two theatre productions in Cambridge.

His interest in jazz was stimulated by the London revue Blackbirds, starring Florence Mills and Edith Wilson in 1926. It was an enthusiasm he shared with his friends, the composers Constant Lambert and William Walton and the conductor Hyam Greenbaum. He taught himself double bass using a German string bass made of tin, the spike of which led to his nickname. He formed his own jazz group in 1930 and was one of the earliest artists signed to Decca Records in England and recorded over 30 sessions between 1930 and 1933.

Originally billed as Spike Hughes and his Decca-Dents, but it was changed either to his Dance Orchestra or Three Blind Mice for smaller sessions. From 1931, he played regularly with the Jack Hylton Band and his career in jazz culminated in 1933 with a visit to New York, where he arranged three recording sessions involving members of Benny Carter’s and Luis Russell’s orchestras with Coleman Hawkins and Henry “Red” Allen from Fletcher Henderson’s band.

After the New York recordings, Spike ceased performing jazz and orchestrated and conducted shows for C B Cochran and using the pseudonym Mike wrote jazz reviews for Melody Maker, Daily Herald and The Times from 19531 to 1967. He established performance and recording opportunities for American bands in England.

He wrote radio plays accompanied by his own musical scores for the BBC, writing and broadcasting, conducting the BBC Theatre Orchestra, and for BBC Television. As a writer, regular BBC broadcaster and critic his subjects also included food and travel. He wrote sixteen composition, five film scores, fifteen books and recorded four albums,

Composer, arranger and double bassist Spike Hughes, who became better known as a broadcaster and humorous author, transitioned on February 2, 1987.

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