ARI HOENIG TRIO
Exposed at an early age to a variety of musical experiences. His father is a conductor and classical singer, his mother a violinist and pianist. Accordingly, at 4 years of age, Ari began studying the violin and piano. At age 12 he started in on the drums and by age fourteen he was honing his skills with other young jazz musicians at Philly clubs such as Ortlieb’s JazzHaus.
Hoenig has taught and is on the faculty at New York University and The New School in New York. He gives clinics and lectures at music schools and universities worldwide.
Ari Hoenig with his trio featuring Tivon Pennicott on sax and Gadi Lehavi on Piano and Tivon Pennicott on sax. Ari and his trio have continually challenged the status quo of straight ahead jazz while staying true to its form.
Tickets: $50.00 | General Admission
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LYNNE ARRIALE TRIO
Pianist Lynne Arriale has performed on the most prestigious international concert stages over the past 30 years. Lynne won the Great American Jazz Piano Competition. Her 17 critically acclaimed albums have topped the Jazzweek Radio Charts and have received “Best of” honors in major publications.
Being Human, pianist-composer Lynne Arriale’s 17th release as a leader, addresses a troubled, divided world with an exquisite suite of optimistic, deeply felt compositions, which celebrate some of the ways that all of our lives are enriched by acts of passion, courage, love, persistence, heart, soul, curiosity, faith and joy. Being Human explores these life-affirming facets of humankind. Many of the songs are dedicated to people who’ve inspired Arriale, including climate activist Greta Thunberg, National Youth Poet Laureate Amanda Gorman and Nobel Laureate Malala Yousafzai.
Lynne Arriale Trio, featuring Alon Near, bass and Alon Benjamini, drums
Tickets: $30.00 General // $38.00 Premium
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Daily Dose Of Jazz…
William Orie Potts was born April 3, 1928 in Arlington, Virginia. As a child he played Hawaiian slide-lap steel guitar and the accordion in his teens. At 15 he won an accordion competition with a performance of Twilight Time. After hearing Count Basie on the radio he started studying the piano in high school. He went on to attend Catholic University of America in 1946–1947, then formed his own group under the name Bill Parks, which toured in Massachusetts and Florida.
While serving in the Army from 1949 to 1955 he transcribed charts for Army bands. During this time Bill composed and arranged for Joe Timer and Willis Conover’s ensemble, The Orchestra, which was broadcasted on Voice of America radio. He wrote four of the songs on The Orchestra’s 1954 Brunswick Records LP, and recorded some of their live shows, which occasionally featured guest appearances from Charlie Parker and Dizzy Gillespie.
By 1956 he was leading a house band at Olivia Davis’ Patio Lounge in Washington, D.C. and Lester Young booked an engagement there. Potts convinced Young to record with him on two of the evenings. These recordings were later released as the Lester Young in Washington, D.C. sessions.
The following year he worked extensively as a composer, arranger, and performer for Freddy Merkle’s Jazz Under the Dome album which featured Earl and Rob Swope. Soon after this he suffered a crushed vertebra in a car crash and ended up in a body cast for three months. During his recuperation Bill began working on charts and arrangements for an album consisting of jazz reinterpretations of many songs from George Gershwin’s opera Porgy & Bess.
Fully recovered by 1959, he released a session under his own name titled The Jazz Soul of Porgy and Bess for United Artists Records. It featured a nineteen-piece band whose members included Al Cohn, Harry Edison, Art Farmer, Bill Evans, Bob Brookmeyer, Marky Markowitz, Zoot Sims, Charlie Shavers, Earl Swope, and Phil Woods. The album received a five out of five star rating from Down Beat magazine upon its release.
Following this, Potts spent several years working in New York City before returning to the D.C. area, where he worked locally in addition to touring with and/or arranging for Paul Anka, Eddie Fisher, Ella Fitzgerald, Stan Getz, Woody Herman, Quincy Jones, Stan Kenton, Ralph Marterie, Buddy Rich, Jeri Southern, Clark Terry, and Bobby Vinton.
In 1967 he released an album on Decca Records, How Insensitive, with a studio group called Brasilia Nueve. This group included Markowitz and Sims from the Porgy and Bess session , as well as Tito Puente, Chino Pozo, Mel Lewis, Barry Galbraith, and Louie Ramirez.
As an educator Bill taught music theory at Montgomery College from 1974 to 1990 and was the leader of the student jazz band. He also led a big band for occasional performances at Washington’s Blues Alley nightclub in the 1980s.
Retiring to Fort Lauderdale, Florida in 1995, pianist and arranger Bill Potts died of cardiac arrest on February 16, 2005 in Plantation, Florida.
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Daily Dose Of Jazz…
Harvey Wainapel was born in Ellenville, New York on March 31, 1951. Growing up in the small town in the Catskills, he started his musical journey on clarinet at the age of eight. By high school he discovered jazz by playing along with tunes on New York City radio stations. Longing to play saxophone he didn’t get his first horn, an alto, until his freshman year at the University of Pennsylvania. Working at the college radio station, he discovered the music of Cannonball Adderley, John Coltrane and Joe Henderson.
Initially intending to follow the family tradition of pursuing a career in medicine or science, he ended up taking the plunge into music at Berklee in 1971. It was a heady era, and Wainapel played with fellow students, guitarist John Scofield, pianist Kenny Werner, trumpeter Claudio Roditi, and tenor saxophonist Joe Lovano.
During his Boston years Harvey recorded and performed in Carnegie Hall with vibraphonist Gary Burton. After two years at Berklee he toured Tunisia with drummer Jamey Haddad, and made the trip to North Africa. Settling in Amsterdam, Netherlands he made a living before moving to Frankfurt, Germany with the HR Radio Big Band.
By 1979 he returned stateside, landing in New York City, and became enamored with Brazilian music. He quickly landed a gig playing with Thiago de Melo, alongside drummer Duduka da Fonseca, trumpeter Roditi and pianist Marcos Silva, the latter turning Wainapel on to other Brazilian artists. Not cut out for the city, he relocated to the San Francisco Bay Area, after a year on the road with Ray Charles. He became one of the most in-de-mand players in the region while keeping his European presence. Back at home, Wainapel can often be found playing Brazilian music, performing with Rio-born vocal improviser Claudia Villela.
Saxophonist and clarinetist Harvey Wainapel, who debuted as a leader with 1994’s At Home/On the Road, leads his own post-bop combos, freelances extensively, and performs with Beth Custer’s Clarinet Thing.
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CARLOS DE ROSA
Bassist Carlo De Rosa makes his debut as a leader on this stage. He brings an exciting trio featuring Grammy-winning pianist, Luis Perdomo, and one of today’s most in-demand drummers, Adam Cruz. He has released nine critically acclaimed recordings as a leader, and has appeared on over 250 recordings as a sideman.
A long-time veteran of the New York City jazz scene. De Rosa has worked with a diverse group of musical artists including Ray Barretto, Jamie Baum, Ravi Coltrane, Amir ElSaffar, David Gilmore, Vijay Iyer, Ingrid Jensen, Rudresh Mahanthappa, Allison Miller, Arturo O’Farrill, Tyshawn Sorey, Mike Stern, and Ed Thigpen.
Tickets for tonight are $25 each in advance, $30 day of show. This event will not be livestreamed.
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