Requisites

Crossings ~ Red Garland, Ron Carter and Philly Joe Jones | By Eddie Carter

It happened like this: after hearing Introducing Carl Perkins, I spent the remainder of the evening listening to several other trio albums while reading when I heard a title I hadn’t played in a while, which inspired this morning’s discussion. Crossings (Galaxy GXY-5106) is a 1978 release bringing together a dream team to record their first trio album. Red Garland is on piano, Ron Carter is on bass, and Philly Joe Jones is on drums. All three were members of the Miles Davis Quintet and have given jazz fans many incredible albums throughout their careers as leaders and sidemen. My copy is the original U.S. Stereo release.

Side One starts with a brief trio introduction, setting the stage for the melody of Solar by Chuck Wayne and Miles Davis. Red leads the way with a statement that sparkles with energy. Ron delivers precisely articulated choruses in the second solo. The pianist and Philly share the finale in an inspired interpretation, leading to the theme’s reprise. Railroad Crossing by Ron Carter is a smooth, easy-flowing tune. The bassist sets the tone with a concise introduction that seamlessly transitions to the trio’s melody. Carter begins with a leisurely opening statement; then, Garland gets into a down-home groove on the following solo ahead of the bassist’s return for the ending theme.

Never Let Me Go is a beautiful Jay Livingston and Ray Evans song. It was featured in the 1956 film noir The Scarlet Hour. Red opens with a short unaccompanied introduction that segues into the trio’s gorgeous theme. The pianist goes first with a delicately sultry performance, then hands the torch to Ron, who delivers a heart-warming presentation before the close. Oleo by Sonny Rollins gets underway with a short workout by Jones, leading to the ensemble’s quick theme. Garland ignites the fire in the first solo, and then Carter keeps the fires burning next. Jones adds more heat in the closer, preceding a captivating conclusion.

George and Ira Gershwin introduced But Not For Me in the 1930 Broadway musical Girl Crazy. The jazz standard starts Side Two with Ron leading the trio through the melody. The bassist masterfully manages the opening statement before making room for Red, who swings in the following reading. Ron returns to converse briefly with Philly ahead of the finish. Cole Porter’s classic Love For Sale begins with a lengthy solo piano introduction before the trio steps on the gas for the lively theme. Garland ignites the first solo with fiery choruses. Carter steps into the spotlight next and slows things down, and Garland returns for a vigorous exchange with Jones into the climax.

Orrin Keepnews produced Crossings, and Bruce Walford recorded and mixed the album at Fantasy Studios. David Turner mastered the album. The record’s sound quality possesses a vibrant soundstage, placing the musicians in your listening room with excellent fidelity. If you’re a fan of these jazz giants and enjoy a good piano trio album, I invite you to check out Crossings by Red Garland, Ron Carter, and Philly Joe Jones. The group’s musicianship shows three masters’ at work, and the six selections complement each other perfectly. The result is an album you can sit back, listen to and enjoy from the first note to the finale!

~ But Not For Me, Love For Sale, Oleo – Source: JazzStandards.com

~ Solar – Source: Wikipedia.org

© 2024 by Edward Thomas Carter

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BALTIMORE JAZZ COLLECTIVE

Founded in 2019 at Keystone Korner Baltimore, the Baltimore Jazz Collective is making its Homecoming Return! Music and spirituality have always been fully intertwined in the artistic vision of trumpeter, bandleader, composer, educator and activist Sean Jones. With boundless passion, energy, and soul, Baltimore Jazz Collective explores the inner and outer frontiers of melody, harmony and time itself.

Sean Jones | Trumpet/Bandleader
Brinae Ali | Keys
Todd Marcus | Saxophone/Clarinet
Marc Cary | Piano
Blake Meister | Bass
Eric Kennedy | Drums

Cover: $35.00 ~ $45.00 + fee

Streaming: $15.00 + fee

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Daily Dose Of Jazz…

Alfredo Remus was born in Buenos Aires, Argentina on November 9, 1938. In 1964 he participated as the double bassist on the historic album La Misa Criolla by Ariel Ramírez.

He has accompanied important musicians and groups such as Paul Gonsalves, Vinícius de Moraes, Maria Bethânia, Enrique “Mono” Villegas, Gato Barbieri, Mercedes Sosa, Tony Bennett, Ariel Ramírez, Víctor Heredia, Alberto Cortez, Trio Los Panchos, Raphael, Zupay Quartet, Dyango, Leonardo Favio, Sandro, Susana Rinaldi, and Antonio Carlos Jobim , among others.

He was a regular participant in a series of informal folklore improvisation and experimentation meetings at Eduardo Lagos’s house, humorously baptized by Hugo Díaz as folkloréishons, which in the style of jazz jam sessions, used to bring together Lagos, Astor Piazzolla and Díaz.

With other musicians, Remus played with Oscar Cardozo Ocampo, Domingo Cura and Oscar López Ruiz among others. He recorded nine albums as a leader with his debut album Trauma released in 1968 and his final recording Tribute To Bill Evans in 2006.

Double bassist Alfredo Remus, who performed various genres of American popular music, that included but not limited to tango,  jazz, Argentine folklore, bossa nova and post-bop,  died in Buenos Aires on September 28, 2022.

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The Jazz Voyager

The coast to coast flight has the Jazz Voyager sleeping on the red eye heading east for a taste of jazz in the town where the tea party took place, Beantown as some call it or Boston, Massachusetts. The venue is Scullers Jazz Club and it has a small stage  where jazz and soul legends as well as new talent perform in this intimate supper club with a background of river views.

This week I’ll be in the company of pianist, composer and arranger Jon Cowherd who is best known as the co-founder and co-director of Brian Blade and the Fellowship Band. He has worked extensively as an arranger, producer, songwriter and accompanist with a vast range of artists, such as Cassandra Wilson, John Scofield and Lizz Wright to Joni Mitchell, Brandi Carlile, Rosanne Cash, Norah Jones, Glen Hansard and more.

Scullers Jazz Club is located at 400 Soldiers Field Road 02134. For more information visit https://scullersjazz.com.

CALIFORNIA JAZZ FOUNDATION

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FIERY STRING SISTAS

At the core of Firey String Sistas are three powerhouse women, Nioka Workman (founder),Marlene Rice and Mala Waldron. Together they infuse world, global funk, ‘head bopping’ soul and Jazz music to produce a unique sound for violin, cello, bass, piano and percussion. The Firey String Sistas extend from 3 to 5 members, featuring cutting edge acoustic and electric musicians. The ‘Sistas’ presentations include tone portraits of the current times, reflections of women’s culture and a celebration of family traditions. The ensemble’s first recording received overwhelming critical acclaim with the press saying; “ ….there’s enough energy in Firey StringSistas to fire up a constellation….deeply personal, naturally expressive playing….whets the appetite for further releases.” – Raul da Gama (Jazz daGama ). “,….eight fun and swingingoriginals.

The team literally shows pluck…a treat” -George Harris (Jazz Weekly) “ ….. a charming and delectable work by .. supremely talented musicians. It is simultaneously accessible and sophisticated, poignant and erudite and, as such, should have a wide appeal. It certainly whets the appetite for more to come…..” -Hrayr Attarian (All About Jazz) . After the success of CD “That’s What She Said” , the Firey String Sistas have begun to record their sophomore CD with dedications to icons, Maxine Waters, Michelle Obama and Mal Waldon This CD also includes surprise features of renowned Jazz artists sprinkled in. Firey String Sistas are recipients of the South Arts Jazz Tours 2023 for performances at Outpost Performing Center, Albuquerque and SITE Museum, Santa Fe Jazz Collective in New Mexico.

Tickets: $35.00~$110.00

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