RODNEY JORDAN QUARTET
Rodney is a native of Memphis, Tennessee where he grew up playing the bass in church and with his high school orchestra. He later studied music with Dr. London Branch, Alvin Fielder, and Andy Hardwick at Jackson State University in Jackson, Mississippi. During his college years, Jordan joined the Mississippi Symphony Orchestra where he served as Assistant Principal Bassist. After graduating, he became Chair of the String Department at the Dougherty County Public School and served as Principal Bassist with the Albany Symphony Orchestra in Albany, GA. Teaching has always been an important part of Mr. Jordan’s life and career. In addition to teaching strings in Dougherty County, he also taught in the DeKalb County School Systems.
During his years in Georgia, Jordan served as a bass instructor at Darton College (part of the University System of Georgia) in Albany and at Georgia State University in Atlanta. While living in Atlanta, Jordan became one of the city’s most active jazz bassists, performing and recording with some of America’s finest jazz musicians, including Marcus Printup, Mulgrew Miller, James Williams, Milt Jackson, George Coleman, and Russell Gunn. He joined the faculty in the School of Music at Florida State University in Tallahassee, FL in 2001 where he now holds a rank of Associate Professor of Jazz Studies. Jordan teaches jazz bass, jazz combo playing, music education classes, and a jazz styles class.
Jordan joined the Marcus Roberts Trio in 2009. It was evident during that first official performance of the newly-formed trio at the prestigious Wigmore Hall in London that Jordan thoroughly understood Roberts’ unique trio conception. Rodney Jordan is one of the most versatile jazz bassists on the scene today. His tone is rich and soulful when he plays hauntingly beautiful phrases with the bow. Just as readily, he plays fast virtuosic passages with apparent effortless skill. Jordan’s knowledge of harmony from his classical bass training combined with the relentless feeling of swing in his playing is a perfect fit for the powerful melodic, blues-based, syncopated improvisational sound of the Marcus Roberts Trio. Live from Lincoln Center/ Pivot-Melvin Jones/Turnaround Records.
The Quartet: Rodney Jordan ~ Bass | Avis Berry ~ Vocal | Quentin Baxter ~ Drums | Louis Heriveaux ~ Piano
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Arnold Fishkind was born July 20, 1919 in Bayonne, New Jersey, and grew up in Freeport, Long Island, New York where he met and began a lifelong friendship with Chubby Jackson. At age 7 Fishkind began learning violin, and played in The Musical Aces, a local band of budding musicians. By age 14 he was playing bass.
Fishkind had his first professional gig with Bunny Berigan in 1937. Following this he played with Jack Teagarden, Van Alexander, and Les Brown in the early Forties. After serving three years in the armed forces during World War II he met and played with pianist Lennie Tristano in New York, but by the fall he left to go to Hollywood to play with Charlie Barnet. During this experience he played alongside Stan Getz.
Returning to New York City from 1947 to 1949 he played with Tristano, then at the end of the decade recorded with Lee Konitz and on Johnny Smith’s Moonlight in Vermont. He also continued to play with Barnet, and played with Benny Goodman.
By the 1950s he found much work as a session musician, for radio, television and pop musicians including Frankie Laine. His career at ABC lasted fifteen years and included appearances in the Andy Williams Show in 1961. Fishkind became well known enough during this time to be mentioned by Jack Kerouac in his novel Visions of Cody.
Rock and Roll having decimated the market for jazz musicians in New York City, Fishkind moved from New York City back to California. In California he found work with the Dean Martin and Bob Hope television shows and some substitution engagements on the Tonight and Merv Griffin television shows, as well as some recording and film work.
He toured with Les Brown and Lena Horne, while continuing to record into the 1980s, playing with Frank Scott. Ultimately he moved to Palm Desert, California, where he was able to join the celebration of his friend Chubby Jackson’s 80th birthday. In his latter years, Fishkind became an ordained minister at Family Life Church in Palm Desert.
During his career he performed swing and bebop jazz, television, jingles, and even western themed music. He worked with Ella Fitzgerald, Stan Hasselgard, Peanuts Hucko, Charlie Parker, Shorty Rogers, Butch Stone and Jerry Wald. Bassist Arnold Fishkind, sometimes credited as Arnold Fishkin and who appeared on over 100 albums, transitioned on September 6, 1999 in Palm Desert, California.
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Ernest Shepard, Jr. on July 19, 1916 in Beaumont, Texas and played in territory bands in Texas in the 1930s and soon after worked in California in the bands of Phil Moore and Gerald Wilson.
For a short time he played in a quintet with Charlie Parker and Dizzy Gillespie in 1945. Later that year he recorded as a vocalist with Lem Davis and worked with Eddie Heywood in 1945-1946.
In the Fifties he worked with Slim Gaillard, Gene Ammons, Sonny Stitt, and Johnny Hodges, but played little in the latter half of the decade. In 1962 he became a member of Duke Ellington’s band and accompanied him on tours of Europe through 1964.
He worked with Paul Gonsalves in 1963 and Johnny Hodges in 1964 then moved to Germany in 1964. He took up work as a session musician for studio recordings, radio, and television.
Double-bassist and vocalist Ernest Shepard transitioned on November 23, 1965 in Hamburg, West Germany.
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Dan Peter Sundland was born in Oslo, Norway on July 15, 1986 and grew up in Børsa, a village outside Trondheim, Norway. He started playing bass at age 14 and studied with bass players Andreas Bergsland and Mattis Kleppen. He was a member of Middle-Norwegian Youth Big Band and went on to become a member of the S. Møller big band.
Attending Sund Folk College from 2005 to 2006 he then attained a bachelor’s degree in jazz performance at NTNU Music Institute in Trondheim in 2010. He went on to get his European Jazz Masters degree (EUJAM) at NTNU Music Institute with exchange to Berlin Jazz Institute in 2012 and Rytmisk Musikkonservatorium in Copenhagen, Denmark in 2013.
Active in the jazz and improvisation scenes in Norway and Berlin, Germany he has set himself apart by his expressive, wide ranging playing techniques, including cello-like bowing and a varied palette of percussive colours. Has been featured with musicians including Jim Black, John Hollenbeck, Axel Dörner, Tobias Delius, Hans Hulbækmo, Hanna Paulsberg, Eirik Hegdal, John Pål Inderberg and Tor Haugerud.
His discography includes compositional work for his own eleven-piece Elevenette, the Berlin based improvising quartet Home Stretch and sideman work and collective groups including Lina Allemano’s Ohrenschmaus, Simon Kanzler’s hardcore opera and singer-songwriter Port Almond.
Electric bassist and composer Dan Peter Sundland, who has led Trondheim Improvisation Orchestra together with Peder Simonsen, continues to compose, perform and record.
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Anthony John Archer was born July 14, 1938 in Dulwich, London, England and studied cello as a schoolboy before settling on upright bass.
He joined Don Rendell’s group in 1961, then went with Roy Budd and Eddie Thompson before beginning work with Tony Lee. He collaborated with Lee for many years as part of Lee’s trio, particularly at The Bull’s Head and Ronnie Scott’s Jazz Club.
He later played with Brian Lemon, Sandy Brown, Harold McNair, John Dankworth, and in the Best of British Jazz group with Kenny Baker and Don Lusher.
Double-bassist Tony Archer, who continued to work with Lee nearly until Lee’s death in 2004, is still active in the music scene at 85 years old.
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