Daily Dose Of Jazz…
Arthur Francis Rollini was born February 13, 1912 in New York City into a musical family of Italian descent and grew up in Larchmont, New York with his multi-instrumentalist older brother Adrian. In 1929 he played in England for Fred Elizalde and worked for the California Ramblers and big band pioneer Paul Whiteman.
From 1934 to 1939 he was a member of the Benny Goodman Orchestra. The highlight of that period was a breakout performance for big band jazz at Carnegie Hall in 1938. He worked with Richard Himber and from 1941-1942 with Will Bradley. From 1943 to 1958 he worked as a studio musician for the American Broadcasting Company.
Rollini’s work can be found on recordings with the bands of Wingy Manone, Adrian Rollini, Benny Goodman, Joe Venuti, Bobby Hackett, Lionel Hampton, Harry James, Louis Armstrong and Brad Gowans. In 1939, he starred in an Allstar band of Goodman, Bunny Berigan and Jack Teagarden with Blue Lu.
In 1987, he published his autobiography Thirty Years With the Big Bands. Arthur Rollini, who played tenor saxophone and clarinet, and was nicknamed Schneeze, passed away on December 30, 1993 in Florida.
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Daily Dose Of Jazz…
Chris Biscoe was born on February 5, 1947, in Pensford, Somerset, England and in 1963 taught himself to play alto saxophone and then started playing tenor, soprano, baritone, and also comparatively rare alto clarinet. Before he became a notable presence on the UK Jazz scene, he was a computer programmer.
From 1970 to 1973 Biscoe played with National Youth Jazz Orchestra in London, doing gigs with various other London-based bands of that period, including Redbrass. He worked with several notable jazz musicians during the Seventies such as Harry Beckett, Ken Hyder, Didier Levallet, Chris McGregor, Andy Sheppard, Graham Collier, Danilo Terenzi, Pete Hurt, Tommy Chase, Pete Saberton, Barry Guy, Dave Holdsworth, and Pete Jacobsen.
In 1979, Chris had a long-term association with Mike Westbrook touring throughout Europe and playing international festivals in Australia, Singapore, Hong Kong, Canada and the USA. In the same year, he also formed a quartet featuring Peter Jacobsen, expanded to a quintet in 1980, a sextet in 1986, and reformed as a quartet in 1987. During the Eighties he also recorded two albums.
During the late 1980s and 1990s, Biscoe toured and recorded with George Russell, Andy Sheppard, Liam Noble, Gail Thompson’s Jazz Africa, Harry Beckett, and also played in France with Didier Levallet’s groups and the collective band called Zhivaro. In 1991, he released a second cassette, Modern Alarms, and also recorded in the Dedication Orchestra in the Spirits Rejoice project.
Between 1997 and 2000, he became the first English musician to join the Orchestre National de Jazz. Multi-instrumentalist Chris Biscoe plays the alto, soprano, tenor and baritone saxophone, the alto clarinet, piccolo, and flute and continues to play and record.
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Daily Dose Of Jazz…
Known professionally as Acker Bilk, Bernard Stanley Bilk MBE was born in Pensford, Somerset on January 28, 1929. He earned the nickname “Acker” from the Somerset slang for friend or mate. His parents tried to teach him the piano but, as a boy, he found it restricted his love of outdoor activities, including football. He lost two front teeth in a school fight and half a finger in a sledding accident, both of which he said affected his eventual clarinet style.
Leaving school Bilk worked at a cigarette factory in Bristol, then three years with the Royal Engineers in the Suez Canal Zone. While there he learned to play the clarinet after his sapper friend, John A. Britten, gave him one bought at a bazaar. He later borrowed a better instrument from the army and kept it after demobilization and played with friends on the Bristol jazz circuit and in 1951 moved to London to play with Ken Colyer’s band. Disliking London he returned west and formed his own band in Pensford called the Chew Valley Jazzmen, which was renamed the Bristol Paramount Jazz Band when they moved to London in 1951. Booked for a six-week gig in Düsseldorf, Germany, the band developed their distinctive style complete with striped-waistcoats and bowler hats.
His return from Germany, Acker based himself in Plaistow, London, and his band played the London jazz clubs. It was here he became part of the late 1950s trad jazz boom in the United Kingdom. They had an eleven chart hit singles in the Sixties, played the Royal Variety Performance, and became an internationally known musician in 1962 when he added a string ensemble on one of his albums that won him an audience outside the UK. His composition Stranger on the Shore was used in a British television series of the same name. He went on to record it as the title track of a new album and the single stayed on the charts for 55 weeks.
He appeared in two theatrical motion pictures, recorded a series of albums in Britain that were also released successfully in the United States on the Atlantic Records subsidiary Atco, however, his success tapered off when British rock and roll made its big international impact beginning in 1964. In the cabaret circuit, he had a couple of more hits, continued to tour, appointed MBE in 2001 and was awarded the BBC Jazz Awards’ Gold Award.
Clarinetist and vocalist Acker Bilk, known for his breathy, vibrato-rich, lower-register style, passed away in Bath, Somerset, on November 2, 2014, at the age of 85.
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Daily Dose Of Jazz…
Charlie Holmes was born on January 27, 1910 near Boston, Massachusetts. He began playing alto saxophone at age 16 and emulated the style of his childhood friend, Johnny Hodges. He began playing professionally a week later and after moving to New York City he worked for a variety of groups, including Luis Russell in 1928.
Between 1929 and 1930 he recorded with Red Allen and is best known for composing Sugar Hill Function. He would work with Russell again a few times and in 1932 joined the Mills Blue Rhythm Band. He was a member of John Kirby’s Sextet, Cootie Williams’ Orchestra, and Louis Armstrong’s band for much of the next two decades. He left music in 1951 and did not return for twenty years, only to work in Clyde Bernhardt’s Harlem Blues & Jazz Band and later played for the Swedish band Kustbandet.
Never taking on the role of a leader in any recording or group, swing era saxophonist Charlie Holmes, who also played clarinet and oboe for the Boston Civic Symphony Orchestra, passed away on September 19, 1985 in Stoughton, Massachusetts.
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Daily Dose Of Jazz…
Joseph P. Muranyi was born in Martins Ferry, Ohio on January 14, 1928 and studied with Lennie Tristano, however, he was primarily interested in early jazz styles such as Dixieland and swing. After playing in a United States Army Air Forces band, he moved to New York City in the 1950s and attended the Manhattan School of Music and Columbia University.
During the 1950s he played under Eddie Condon, collaborating with Jimmy McPartland, Max Kaminsky, Yank Lawson, Bobby Hackett, and Red Allen. During that decade he also played with the Red Onion Jazz Band, Danny Barker, and Wingy Manone.
1963 saw him playing with The Village Stompers, a Dixieland band that reached the pop charts with its song Washington Square. From 1967 to 1971 he was the clarinetist with the Louis Armstrong All-Stars. After initially struggling to pronounce Muranyi’s Hungarian family name, Armstrong introduced him on stage as “Joe Ma Rainey”, to Muranyi’s own amusement. Following this stint, he played with Roy Eldridge, World’s Greatest Jazz Band, Cozy Cole, Lionel Hampton, Herman Autrey, Wild Bill Davison, Zutty Singleton, and others.
He worked extensively as a record producer and wrote liner notes for hundreds of albums. Clarinetist, producer, writer and critic Joe Muranyi, who was also an enthusiastic vocalist and played both soprano and tenor saxophone, passed away in Manhattan, New York on April 20, 2012.