Daily Dose Of Jazz…
Denzil DaCosta Best was born April 27, 1917 in New York City, New York into a musical Caribbean family originally from Barbados. Trained on piano, trumpet, and bass, he concentrated on the drums starting in 1943. Between the years 1943 and 1946 he worked with Ben Webster, Coleman Hawkins, Illinois Jacquet and Chubby Jackson.
Known to sit in at Minton’s Playhouse, he took part in a recording with George Shearing in 1948 and was a founding member of his Quartet, remaining there until 1952. In 1949, he stepped out to play on a recording session with Lennie Tristano for Capitol Records and recorded later with Lee Konitz.
In 1953 a car accident fractured both legs and Best was forced into temporary retirement until 1954. His comeback had him playing with Artie Shaw, and then in a trio with Erroll Garner (1955–57), including Garner’s live album Concert by the Sea. He went on to play with Phineas Newborn, Nina Simone, Billie Holiday and Tyree Glenn. 1962 saw him in the drummer’s seat on Shiela Jordan’s first album Portrait of Sheila.
Best composed several bebop tunes, including Move, Wee, Nothing But D. Best, and Dee Dee’s Dance. With Thelonious Monk he composed Bemsha Swing and his composition 45 Degree Angle was recorded by Herbie Nichols and Mary Lou Williams.
Suffering from paralysis after the Jordan recording session, drummer, percussionist and composer Denzil Best, who was a prominent bebop drummer in the 1950s and early 1960s, transitioned after falling down a staircase in a New York City subway station at the age of 48 on May 24, 1965.
Daily Dose Of Jazz…
Rüdiger Carl was born on April 26, 1944 in Goldap, Poland ( formerly East Prussia) and has been involved in improvised music since 1968. He recorded his first record in 1972 and then began playing with a wide range of musicians including Arjen Gorter, Makaya Ntshoko, Louis Moholo, Maarten van Regteren Altena, Tristan Honsinger, Johnny Dyani and Han Bennink.
He maintains a long-standing partnership with Irene Schweizer that began in 1973 and continues to the present day. For a three year period, from 1973 to 1976 Carl was a member of Globe Unity Orchestra. He started giving solo performances in 1977 and the following year started two other long-term professional partnerships, with Sven-Åke Johansson and Hans Reichel.
Rüdiger’s most striking change in improvised music came when he gave up the saxophone and began performing with the accordion in duets with Hans Reichel. Though he continued to play the two instruments virtually side-by-side, adding clarinet to his arsenal, recorded Vorn which featured a version of the McCartney tune Those Were The Days. The COWWS Quintet was formed, continuing his musical relationship with Schweizer along with Philipp Wachsmann, Jay Oliver and Stephen Wittwer.
In addition to the COWWS, he performs with the Canvas Trio, in duos with Mayo Thompson of the Red Crayolas and Joëlle Léandre. During the Eighties he organized concerts of Musik im Portikus and beginning in 1994 has led the F.I.M. Orchester in Frankfurt/M.
Accordionist Rüdiger Carl is also an arranger and composer and continues to record and perform.
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Daily Dose Of Jazz…
Reuben Bloom was born April 24, 1902 in New York City, New York to Jewish parents. During the 1920s he wrote many novelty piano solos, recorded for the Aeolian Company’s Duo-Art reproducing piano system various titles including his Spring Fever. His first hit came in 1927 with Soliloquy; his last was Here’s to My Lady in 1952, which he wrote with Johnny Mercer. In 1928, he made a number of records with Joe Venuti’s Blue Four for OKeh, including five songs he sang, as well as played piano.
He formed and led a number of bands during his career, most notably Rube Bloom and His Bayou Boys, which recorded three records in 1930. The Bayou Boys consisted of Benny Goodman, Adrian Rollini, Tommy Dorsey, Mannie Klein and Frankie Trumbauer in the Sioux City Six.
His I Can’t Face the Music, Day In Day Out, Fools Rush In (Where Angels Fear To Tread) and Give Me The Simple Life has become a part of the Great American Songbook and jazz standards.
During his career, he worked with many well-known performers, including those mentioned above and Ruth Etting, Stan Kenton, Jimmy Dorsey and collaborated with a wide number of lyricists, such as Ted Koehler, and Mitchell Parish.
Pianist, arranger, bandleader, recording artist, vocalist, and author Rube Bloom published several books on piano method before he transitioned on March 30, 1976 in his home city.
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Daily Dose Of Jazz…
Bryan Carrott was born in Queens, New York on April 23, 1959. After graduating from Fiorello H. LaGuardia High School of Music & Art and continued at the Manhattan School of Music before studying percussion with Morris Lang at Brooklyn College, then studied vibraphone with Dave Samuels at William Paterson University, receiving his Bachelor of Music degrees in Jazz Studies and Jazz Performance.
He has toured and/or recorded with David Fathead Newman, Ralph Peterson, Henry Threadgill, Muhal Richard Abrams, Sam Rivers, Don Byron, Dave Douglas, Charlie Hunter, Bob Moses, Roy Campbell, Herbie Mann, Cassandra Wilson, John Lurie & the Lounge Lizards, Greg Osby, Tom Harrell, Bennie Wallace, Steve Kroon, Joe Batan, and Kip Hanrahan, among others.
Carrott is an assistant professor and coordinator of percussion instruction at Five Towns College. He is a clinician and has led educational performances across the United States, Taiwan and Taipai. A featured soloist with Cologne, Germany’s WDR Orchestra conducted by Gunther Schuller, he was a mallet percussionist for Disney’s Broadway production of The Lion King.
For seven consecutive years, Bryan was cited in DownBeat Magazine’s International Critics’ Poll in the vibe category for Talent Deserving Wider Recognition, and has been featured on several film soundtracks, including 3 A.M. with Branford Marsalis. He currently serves as coordinator & professor of percussion studies at Five Towns College in Dix Hills, N.Y.
Vibraphonist and composer Bryan Carrott, who also plays marimba, piano, and leads his own trio, quartet and quintet, has yet to record as a leader but continues to perform and teach new generations of musicians.
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Daily Dose Of Jazz…
Jimmy Namaro was born James Namaro on April 14, 1913 in La Rosita, Mexico however, his family moved to Hamilton, Ontario in 1921. This is where he studied piano with Sid Walling and Eric Lewis.
He made his radio debut as a marimba player on CHML, Hamilton, and was heard in his teens on CFRB, Toronto, and on the CBC. In 1933, he was assistant conductor of a marimba band at the Chicago World’s Fair. Namaro subsequently pursued dual careers as the leader of pop or light jazz trios and quartets in nightclubs in Toronto, Canada and New York and as a popular CBC radio performer.
As a member of the Happy Gang from 1943 to 1959, he was also bandleader or soloist on several other CBC radio and television programs before moving to the United States in the Seventies. He was music director for Frankie Laine 1978-1993, with whom he toured the USA, Canada, and the UK. Namaro moved to Richmond, British Columbia, in 1987, where he continued to compose and to work with Laine.
His discography includes LPs Between 1958 and 1972 he recorded for Sparton, RCA Victor, Quality, Camden and others originally produced by the Canadian Talent Library Trust (CTL). Namaro wrote many jingles and composed music for CBC dramas such as the TV series Seaway, for the Broadway production Andorra, and for ballet. His paintings, in the primitive style, have had several exhibitions.
Vibraphonist, marimbist, percussionist, composer, painter Jimmy Namaro, who was naturalized Canadian around 1945, transitioned in Richmond, British Columbia on April 25, 1998.
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