Daily Dose Of Jazz…
Ollie “Dink” Johnson was born in Biloxi, Mississippi on October 28, 1892. He was the younger brother of double bassist William Manuel “Bill” Johnson. He worked around Mississippi and New Orleans before moving to the western United States in the early 1910s. He played around Nevada and California, often with his older brother. He played with the Original Creole Orchestra, mostly on drums.
He made his first recordings in 1922 on clarinet with Kid Ory’s Band. He made more recordings in the 1940s and 1950s, mostly on piano, although Johnson recorded some one-man band sessions, playing all three of his instruments by over-dubbing.
His piano style was influenced by his brother-in-law Jelly Roll Morton, and his clarinet playing by Larry Shields. The tunes he wrote included The Krooked Blues, recorded by King Oliver and So Different Blues.
Pianist, clarinetist, and drummer Dink Johnson, who played in the Dixieland genre, transitioned in Portland, Oregon on November 29, 1954.
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The Jazz Voyager
Taking to the friendly skies to once again masked and safely flying into Lambert International to catch some jazz in The Lou. Looking forward to catching up with a friend, meet new ones and enjoying an incredible evening of music at Jazz St. Louis. Three amazing musicians, Tia Fuller, Mimi Jones and Matt Wilson top off their residency of workshops, clinics, masterclasses and jam sessions with students to give the public a taste of their talent. Two nights, two sets each evening at 7:30 and 9:30 pm
Of course while I’m in this city I’ll take in the Gateway Arch, sit by the mighty Mississippi River, visit the Griot Museum, walk through the Botanical Gardens, and spend an afternoon at the George B. Vashon Museum that was built in 1879 on the city’s historic Millionaire’s Row. This museum hosts 250 years of 10,000 artifacts and treasures chronicling Black history in St. Louis.
There is no mention of a cover or reservations required. I guess I’ll be dropping in a little before showtime. The address for Jazz St. Louis is 3536 Washington Avenue, St. Louis, Missouri 63103. For more information, the number is 314-571-6000 or jazzstl.org.
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Three Wishes
Eddie Locke had the same three answers for Pannonica his three wishes when her inquiring mind asked:
- “I don’t want to look like Blue*.”
- “I don’t want to look like Blue!”
- “I don’t want to look like Blue!”
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The Jazz Voyager
The Jazz Voyager is flying into Baltimore, Maryland on Thursday for crab cakes and jazz. First stop is breaking bread with friends and enjoying the company and camaraderie. The following night I will be in the audience at the Keystone Korner Baltimore to hear the Bill Charlap Trio. It’s been a few years since I’ve heard the trio with Bill on piano, Peter Washington on bass and Kenny Washington on drums.
But there’s so much more to the city so during the day this Jazz Voyager will be moving about the city investigating the Top Of The World Observation Deck, the Lexington Market, National Aquarium and the American Visionary Art Museum.
The trio will be in residence for two nights ~ October 21 & 22, two sets each evening at 7:30 and 10:00 pm, with a Sunday, October 23rd late afternoon show at 5:00pm. Tickets range $35.00 ~ $45.00 plus fee.
The Keystone Korner Baltimore address is 1350 Lancaster Street, 21231. For more information, the number is 410-946-6726 or keystonekornerbaltimore.com.
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NEGRONI’S TRIO
The Aventura Jazz Festival presented by Lion Tribe Group presents three-time Latin GRAMMY®-nominated group Negroni’s Trio as part of a two day celebration of outstanding music performances. The Jazz takes place in Aventura!
Negroni’s Trio possesses enough musical experience to captivate listeners of any musical genre and is seducing and entertaining audiences across all continents. Negroni’s Trio is comprised of a “father and son team”, José Negroni, on piano and keyboards, Nomar Negroni, on drums and percussions, completing the trio is bassist Rafael Valencia. The Negroni team have worked together since 2002 as Co-Founders and Co-Producers to form an ensemble of master musicians who create their own unique voice in traditionally known jazz classics, Latin jazz and jazz fusion. Taking musical risks with performance and repertoire, the result is an array of classic lyricism mixed with innovative and sincere improvisations that quenches the audience’s thirst for world class jazz.
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