The Jazz Voyager

Masked up and on the wing to that city by the bay is the next stop for this Jazz Voyager to take in an evening at the Comstock Saloon situated at the crossroads of North Beach, Chinatown, Financial District and Jackson Square. I’ve been hearing about Gaucho Jazz, and having sparked my curiosity, decided to satisfy or see if it will kill this cat. So it’s off to hear them live and experience a performance for myself.

Of course while I’m in this city I’ll ride another trolley, make my way down the crooked street, roll across the bridge to Berkeley, go hang in the Tenderloin, Haight~Ashbury and Nob Hill and just enjoy the sights and sounds. I’ve also heard about this Dynamo Spiced Chocolate Donut that the saloon serves up with vanilla ice cream and during the night I’m going to see what this dessert hoopla is all about.

Showtime is 8:00pm ~ 11:00pm and there is no mention of a cover or reservations required. I guess I’ll be dropping in a little before showtime. The address of the Comstock Saloon is 155 Columbus Avenue, San Francisco, California 94133. For more information, the number is 415-617-0071 or comstocksaloon.com.

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ROY HARGROVE BIRTHDAY TRIBUTE

CELEBRATING THE CO-FOUNDER OF THE JAZZ GALLERY

Jaleel Shaw ~ saxophones
Giveton Gelin – trumpet
Orrin Evans -piano
Mimi Jones -bass
Johnathan Blake –drums

With Special Guests
Renee Neufville -vocals
Tadataka Unno -piano
Justin Robinson –saxophone

Guest MC: Lezlie Harrison

Sets at 7.30pm + 9.30pm ET
$30/$10 members; cabaret seating: $40/$20 members; LIVESTREAM: $20/$5 members

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KENDRICK SCOTT | UNEARTHED

Kendrick Scott, composer/drums
Deborah D.E.E.P. Mouton, poet, Poet Laureate Emeritus of Houston
Robert Hodge, visual artist
Harlem String Quartet ((Ilmar Gavilán, violin; Melissa White, violin; Jaime Amador, viola; Felix Umansky, cello)
Gerald Clayton, piano; Walter Smith III, saxophone; Joe Sanders, bass

A new DACAMERA production memorializing the Sugar Land 95, bringing together original music, poetry and visuals

Unearthed pays tribute to the tragic history behind the recent discovery of the remains of 95 Black people (94 men, 1 woman) in unmarked graves in Sugar Land, Texas. They were convict laborers, swept back into “slavery by another name” in the post-Civil War era, arrested for petty crimes like vagrancy and forced into back-breaking and often fatal labor in the sugar fields of Texas.

Now, Houston native jazz artist Kendrick Scott explores this untold story in a new production, teaming up with outstanding Houston-based creative team including the former Houston poet laureate Deborah D.E.E.P. Mouton and performed by the acclaimed Harlem String Quartet and a trio of first-call jazz musicians.

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Daily Dose Of Jazz…

Alfred “Tubby” Hall was born October 12, 1895 in Sellers, Louisiana and his family moved to New Orleans, Louisiana in his childhood. His younger brother Minor “Ram” Hall also became a professional drummer. He played in many marching bands in New Orleans, including with Buddie Petit. His drumming style was forceful and sober, generally maintaining constant tempo on the snare.

By 1917 Hall had moved to Chicago, Illinois where he played with Sugar Johnny Smith. After two years in the United States Army, he returned to playing in Chicago mostly with New Orleans bands, joining Carroll Dickerson’s Orchestra and recording in 1927. He later played with the groups of King Oliver, Jimmie Noone, Tiny Parham, and Johnny Dodds.

He is seen in Armstrong’s Paramount movies of the early 1930s, including the live action and Betty Boop cartoon I’ll Be Glad When You’re Dead, You Rascal You and A Rhapsody in Black and Blue in 1932. Only Armstrong and Hall got closeups in the two films, and both get their faces transposed with those of racially stereotyped jungle natives in the cartoon. Hall morphs from a jazz drummer to a cannibal stirring a cooking pot with two wooden sticks.

Drummer Tubby Hall, considered one of the three greatest jazz drummers of his generation by jazz critic Hugues Panassié, along with Zutty Singleton and Baby Dodds, transitioned in Chicago, Illinois on May 13, 1945.

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Three Wishes

While having a conversation with Denis Charles the Baroness brought up the subject of three wishes and asked him if they could be granted what would he wish for and he said:

1. “To be able to be playing my instrument regularly, so as to truly express myself.”
2. “To be in a better position financially, so as to satisfy some of my personal wants, which I’m sure would make me much more calm inside.”
3. “Lastly, to stay healthy and enjoy living.”

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