Daily Dose Of Jazz…
Alfred “Tubby” Hall was born October 12, 1895 in Sellers, Louisiana and his family moved to New Orleans, Louisiana in his childhood. His younger brother Minor “Ram” Hall also became a professional drummer. He played in many marching bands in New Orleans, including with Buddie Petit. His drumming style was forceful and sober, generally maintaining constant tempo on the snare.
By 1917 Hall had moved to Chicago, Illinois where he played with Sugar Johnny Smith. After two years in the United States Army, he returned to playing in Chicago mostly with New Orleans bands, joining Carroll Dickerson’s Orchestra and recording in 1927. He later played with the groups of King Oliver, Jimmie Noone, Tiny Parham, and Johnny Dodds.
He is seen in Armstrong’s Paramount movies of the early 1930s, including the live action and Betty Boop cartoon I’ll Be Glad When You’re Dead, You Rascal You and A Rhapsody in Black and Blue in 1932. Only Armstrong and Hall got closeups in the two films, and both get their faces transposed with those of racially stereotyped jungle natives in the cartoon. Hall morphs from a jazz drummer to a cannibal stirring a cooking pot with two wooden sticks.
Drummer Tubby Hall, considered one of the three greatest jazz drummers of his generation by jazz critic Hugues Panassié, along with Zutty Singleton and Baby Dodds, transitioned in Chicago, Illinois on May 13, 1945.
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Three Wishes
While having a conversation with Denis Charles the Baroness brought up the subject of three wishes and asked him if they could be granted what would he wish for and he said:
- “To be able to be playing my instrument regularly, so as to truly express myself.”
- “To be in a better position financially, so as to satisfy some of my personal wants, which I’m sure would make me much more calm inside.”
- “Lastly, to stay healthy and enjoy living.”
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BILLY HART QUARTET
One of the leading drummers of his generation, Billy Hart continues to make jazz history with his quartet. Working with the phenomenally creative and talented pianist Ethan Iverson, saxophonist Mark Turner, and bassist Ben Street, Hart constantly seeks new territory, pushing the boundaries of post-bop and straight-ahead, of free jazz and composition, all the while embracing beauty and soulful communication. Turner’s rich, gorgeous tenor and Iverson’s exquisite technique combine to create a nearly infinite variety of textures and colors. Street and Hart have an uncanny connection that enables them to move effortlessly between swinging, tight grooves and sonic landscapes. Hart made an indelible mark on the jazz world in the ’60s and ’70s with his work with such jazz legends as Jimmy Smith, Wes Montgomery, McCoy Tyner, Wayne Shorter, Joe Zawinul, Eddie Harris, Marian McPartland, Stan Getz, Herbie Hancock, and Miles Davis. Less known is his earlier work with soul artists Otis Redding and Sam and Dave.
Mark Turner – Saxophone
Ethan Iverson – Piano
Ben Street – Bass
Billy Hart – Drums
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The Jazz Voyager
The Jazz Voyager had a blast at Cliff Bell’s last week hanging out with friends but it’s time to head South to Texas and see what’s happening at the Parker Jazz Club at 117 W 4th Street, #10, Austin 78701. I’m looking forward to what promises to be an evening of jazz classics and the Great American Songbook performed by the Ryan Davis Trio with drummer Jeremy Bruch and bassist Ben Triesch.
I’ll be masking throughout the day starting with catching an early flight into the state capital and home of those famous City Limits and I’ll be Ubering or Lyfting to do some sightseeing. My first stop being the Moody Theater where the longest running music television show is taped, then off to the Bullock Museum for a history lesson of the state, the George Washington Carver Museum, LBJ Presidential Library, a visit to the Downs~Mabson Field which was the former home of the Austin Black Senators of the Texas Negro League during the early 20th century. Don’t know if I’ll get it all done in one day because I’m grabbing some dinner before showtime. My last stop of the first day is the Congress Bridge at sunset to see the 1.5 million bats take wing.
Then it’s off to the hotel to shower and change and get ready for a great night of jazz. The doors are at 7:00pm, the one performance runs from 7:30pm ~ 9:00pm, the cover is $15~$25. Early evening for this nightowl, so I’ll be adventuring into the city for more music. For additional information, the number is 512-394-6003 or parkerjazzclub.com.
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