
Daily Dose Of Jazz…
Bryan Spring was born on August 24, 1945 in London, England. A self-taught drummer beginning at the age of six, he later studied with Philly Joe Jones. He led and co-led his own trios and quartets from the mid-1970s to the early 1990s with Don Weller and also Art Themen.
The new millennium saw Bryan collaborating with Mark Edwards and Andy Cleyndert. He has been a member of Bill Le Sage’s Bebop Preservation Society, Alan Skidmore’s Quartet, Klaus Doldinger’s Passport, and various line-ups led by Stan Tracey.
He has worked with other leading British jazz musicians, including Tubby Hayes, Dick Morrissey, Bobby Wellins, as well as accompanying American musicians, notably George Coleman and Charlie Rouse, when they were visiting the UK.
Drummer Bryan Spring, who is sometimes credited as Brian and has led/co-led two recording sessions and played on eighteen as a sideman, continues to be active on the jazz scene.
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Daily Dose Of Jazz…
Allen Blairman was born on August 13, 1940 in Pittsburgh, Pennsylvania. Moving from Pittsburgh to New York City he worked with Charles Mingus, Chet Baker and Archie Shepp.In 1970 he played with Albert Ayler at the Fondation Maeght in France. Two years later he toured throughout Europe with Karl Berger, recorded with Mal Waldron for Enja, and with Albert Mangelsdorff. In 1976 Allen played with a German jazz rock group called Embryo and in France he collaborated with Bireli Lagrene.
By 1991 he recorded Life at the Montreux Music Festival in trio-formation with Günter Lenz and Uli Lenz. For over twenty years he played with saxophonist Olaf Schönborn and bassist Mario Fadani in Trio Variety. Since 2009 with tap dancer Kurt Albert and Olaf Schönborn in Melody Rhythm & Tap.
Drummer Allen Blairman was diagnosed with cancer in January and transitioned on April 29, 2022 in Heidelberg, Germany at 81 years of age.
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TITO PUENTE JR.
Son of the legendary American salsa and Latin jazz musician Tito Puente, he has big shoes to fill and he does! He returns for another night of exhilarating Latin rhythms that will get your feet moving. Always honoring his father’s legacy, Tito Puente, Jr. has also made a name for himself as one of the most exciting Latin musicians touring today. Puente, Jr. has performed in over 300 shows in a variety of venues across the country, from jazz festival stages to grand symphony halls. This time it’s Mambo!!!
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Daily Dose Of Jazz…
John Russell Parnell was born on August 6, 1923 in Paddington, London, England and raised in Wembley. The only son of vaudevillians, his father a ventriloquist, his mother, a gifted classical pianist, worked as her husband’s accompanist. He toured with his parents as a very young child and standing in the wings enthralled by the big bands that were often top of the bill in the late 1920s. He started piano lessons as a four-year-old and could pick up tunes easily. Sent away to boarding school from the age of six, he began to take an interest in drums, and this soon became a consuming passion.
Not much interested in academic study, Parnell bought all the jazz records he could, starting with Duke Ellington and moving on to the more informal Chicago school epitomised by trumpeter Muggsy Spanier. Armed with a Premier drum kit purchased by his mother from the window-cleaner for £15 and following six lessons from Max Abrams, at 15 he ventured north to Scarborough to start his professional career playing for the summer season at the town’s theatre.
During his military service in the 1940s he became a member of Buddy Featherstonhaugh’s Radio Rhythm Club Sextet and played drums with Vic Lewis and other servicemen who were keen on jazz. From 1944 to 1946 he recorded with the Lewis-Parnell Jazzmen’s version of Ugly Child.
During the 1940s and 1950s, Parnell was voted best drummer in the Melody Maker poll for seven years in succession. He composed many television themes, including Love Story, Father Brown, The Golden Shot and Family Fortunes. He was a regular judge on the ATV talent show New Faces and the musical director for The Benny Hill Show.
He was appointed as the musical director for ATV in 1956, a post he held until 1981, and was the conductor for The Muppet Show orchestra for the series’ entire run. Jack composed the score theme for ITC Entertainment. Throughout the 1960s, Parnell directed the pit orchestra for Sunday Night at the London Palladium.
In the 1970s, he co-founded the group The Best of British Jazz with Kenny Baker, Don Lusher, Betty Smith, Tony Lee, and Tony Archer, which performed until 1985. From 1991 on Parnell was part of the Norfolk-based Mike Capocci Trio who backed saxophonists Johnny Griffin, Ronnie Ross, and Kathy Stobart. In 1994, he took over as the leader of the London Big Band.
Drummer and musical director Jack Parnell, whose uncle was the theatrical impresario Val Parnell, transitioned from the effects of cancer at 87 on August 8, 2010 in Southwold, Suffolk, England.
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Daily Dose Of Jazz…
Hamid Drake was born Henry Lawrence Drake on August 3, 1955 in Monroe, Louisiana but his family moved to Evanston, Illinois, when he was a child. There he started playing with local rock and R&B bands, which eventually brought him to the attention of Fred Anderson, an older saxophonist who had also moved to Evanston from Monroe as a child decades before. Drake worked with Anderson from 1974 to 2010 including on his 1979 The Missing Link.
At Anderson’s workshops, he met Douglas Ewart, George E. Lewis and other members of Chicago’s Association for the Advancement of Creative Musicians (AACM). Percussionist Ed Blackwell had a great influence on Drake, during this period. His flowing rhythmic expressions and interest in the roots of the music drew like-minded musicians together into a performance and educational collective named the Mandingo Griot Society, which combined traditional African music and narrative with distinctly American influences.
During the Seventies he met Don Cherry and with Adam Rudolph toured Europe and worked extensively with him from 1978 until Cherry’s death in 1995. It was during this period where they explored the interior landscape of percussion and shared deeply in Mr. Cherry’s grasp of music’s spiritually infinite transformational possibilities.
By the close of the 1990s, Hamid was widely regarded as one of the best percussionists in jazz and improvised music. Incorporating Afro-Cuban, Indian, and African percussion instruments and influence, in addition to using the standard trap set, Drake has collaborated extensively with top free jazz improvisers, performed world music and reggae during his career.
Drummer and percussionist Hamid Drake, who also plays the tabla, continues to perform.
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