Daily Dose Of Jazz…

Mayuto Correa was born March 9, 1943 in São Gonçalo, Rio de Janeiro, Brazil and began playing in local bands from the age of twelve when he became a member of the big band Rapazes da Alvorada. At age 16 he formed the ensemble Samba Show with musicians from Niterói and made several recordings for the CBS label with them.

In the 1960s Correa was the artistic director of Pontifical Catholic University of Rio de Janeiro where he wrote and directed several plays. During this time, he also made several recordings in Brazil and worked as the musical director for the shows of Maria Bethânia, Elza Soares, and Eliana Pittman as well as playing in Roberto Carlos’s ensemble RC-7 and performing in Chacrinha’s television shows.

Leaving Brazil for Mexico in 1969 he worked with the Brazilian bossa nova group Tamba 4 before moving to the United States. Establishing himself as a musician in Los Angeles, California in the early 1970s, Mayuto became a vital session player in hundreds of major and minor albums taped in the city by 1977.

Some of the artists he recorded with are Howard Roberts, Charles Lloyd, Nat Adderley, Cannonball Adderley, Cal Tjader, Miriam Makeba, Gábor Szabó, Gato Barbieri, Kenny Burrell, Moacir Santos, Donald Byrd, Henry Mancini, Jon Lucien, Freddie Hubbard, and Richard “Groove” Holmes, among numerous others.

During that period he toured with many of the artists and became the record producer for the Argentine group Arco Iris. He returned to Brazil in 1972 when he toured with Carlos Santana and again in 1979 when he appeared on the Rede Globo television show Sexta Super.

Among his compositions is the soundtrack for the 1979 documentary Homeboys depicting Chicano youth gang culture in East Los Angeles, California. In the later years of his career, Correa performed with his bands Mayuto & Genuises 2000, Mayuto & The Dream Team Big Band, and Mayuto & Samba Pack.

Mayuto Correa continues to perform, record and tour.

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Daily Dose Of Jazz…

Dom Minasi was born on March 6, 1943 in New York City, New York and was primarily self-taught, a natural musician. In his youth he backed singers and played his share of rock and roll, church dances and small jazz combo gigs beginning when he was fifteen.

While launching his professional career at a young age with Blue Note Records he took on numerous private students. In the mid-1970s, however, Blue Note was being sold and Minasi dropped out of the recording scene and over the next fifteen years he began freelancing, going back to school and occasionally performing with Dennis Moorman.

1993 saw Dom doing off-Broadway shows, writing hundreds of compositions and working with youth in the New York public school system. While doing all this he wrote several books on music disciplines, improvisation, theory and chord substitutions.

By the turn of the century he returned to producing compact discs for his independent label. He would go on to collaborate with a host of musicians and his improvisational excursions opened up a new audience.

Guitarist, composer, and music producer Dom Minasi, who recorded thirteen albums as a leader, died on August 1, 2023, at the age of 80.

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Daily Dose Of Jazz…

Martin Oliver Grosz was born on February 28, 1930 in Berlin, Germany, the son of artist George Grosz. He became resident in the United States by the age of three growing up in New York he began playing ukulele at the age of eight. A few years later he heard a record that highlighted guitarist Bernard Addison’s shuffle-beat behind Roy Eldridge’s trumpet and out went the uke and in came the banjo and guitar. He attended Columbia University and in 1950, recorded his first record with a band that included a young pianist Dick Wellstood and veteran New Orleans bassist, Pops Foster.

Settling in Chicago, Illinois in the Fifties for nearly 20 years, Marty played with among others, Albert Ammons, Floyd O’Brien, Art Hodes, and Jim Lannigan. He recorded with Dave Remington, Albert Nicholas and Hodes in the 1950s. He led sessions of his own in 1957 and 1959 for Riverside and Audio Fidelity. He gave his best effort to coax Jabbo Smith out of retirement but was pretty obscure.

Returning to New York City in 1979 he joined Bob Wilber and Kenny Davern’s Soprano Summit as a vocalist and guitarist. A round of touring ensued along with recording with Dick Wellstood’s Friends of Fats, Yank Lawson and Bob Haggar, and the New York Jazz repertory Orchestra.

In the 1980s he was a member of the Classic Jazz Quartet with Dick Wellstood. He played, sang, and wrote most of the group’s arrangements. He has also performed at concerts with Joe Pass, Herb Ellis, and Charlie Byrd.

Guitarist, banjoist, vocalist, and composer Marty Grosz has recorded thirty-one albums as a leader and thirty-four as a sideman. At 95 he still plays occasionally.

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RYAN PETERSON TRIO

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Daily Dose Of Jazz…

Niels Hartvig Foss was born on January 28, 1916 in Copenhagen, Denmark. He began playing guitar and from 1933 to 1934 began performing with the Svend Asmussen Group. He went on to play bass with Asmussen and others.

From 1940 to 1948 Niels led and played trombone in orxhestras and bands he formed. In 1949 for the next two years he performed with Peter Rasmussen and in 1957 moved to Switzerland where he continued to play part-time.

Over the course of his career Foss was a member of All Danish Starband, Etly Lizette And Her Orchestra, Kai Ewans Og Hans Orkester, Kaj Timmermann’s Septet, The Kordt Sisters Med Swingtet, and The Swingin’ Birds. He recorded for Odeon, His Master’s Voice, Imperial record labels.

Bassist, trombonist and guitarist Niels Foss died on May 16, 2018.

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