Daily Dose Of Jazz…

Richard Hyman was born in New York City on March 8, 1927 and grew up in suburban Mount Vernon, New York. His older brother, Arthur, owned a jazz record collection and introduced him to the music of Bix Beiderbecke and Art Tatum. Trained classically by his uncle, concert pianist Anton Rovinsky, who taught him touch and a certain amount of repertoire while he pursued Chopin on his own.

Enlisting in the U.S. Army in 1945, Dick was transferred to the U.S. Navy band department. After leaving the Navy he attended Columbia University where he won a piano competition with the prize being 12 free lessons with swing-era pianist Teddy Wilson. It was during this period Hyman fell in love with jazz.

During the 1950s Relax Records released his first two solo piano versions of All the Things You Are and You Couldn’t Be Cuter. Hyman recorded two honky-tonk piano albums under the pseudonym Knuckles O’Toole and recorded more as Willie the Rock Knox and Slugger Ryan.

In the 1950s and early 1960s Dick worked as a studio musician and performed with Tony Bennett, Perry Como, Guy Mitchell, LaVern Baker, Ruth Brown, Mitch Miller and many more. He played with Charlie Parker for Parker’s only film appearance and had a stint as music director for Arthur Godfrey’s television show from 1959 to 1961.

As a composer, arranger, conductor, and pianist he worked on eleven Woody Allen films as well as other films like Moonstruck and Scott Joplin. Hyman composed and performed scores for ballet and dance companies. In the 1960s, Hyman recorded several pop albums on Enoch Light’s Command Records       using the Lowrey organ and then the Moog synthesizer.

Between 1970    and 2014 he recorded 112 albums as a leader, sixty-two as a sideman, and arranged four albums for Count Basie, Trigger Alpert and Flip Phillips. He has been a guest performer at jazz festivals and concert venues around the world. In 1995 pianist and composer Dick Hyman moved his wife Julia permanently to Venice, Florida.

CALIFORNIA JAZZ FOUNDATION

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Daily Dose Of Jazz…

Herb Bushler was born on March 7, 1939 in New York City and played piano and tuba in his youth before picking up double bass. Classically trained in bass he has performed with symphony orchestras in this capacity.

In 1966 he began a longtime association with ballet and film composer Coleridge-Taylor Perkinson. Herb  played with The Fifth Dimension in the 1960s.  He worked extensively in jazz idioms in the 1960s and 1970s, including with David Amram, Ted Curson, Blossom Dearie, Tony Williams, and Paul Winter.

He first played with Gil Evans in 1967 and the association would continue on and off until 1981. During the 1970s Bushler recorded sessions with Enrico Rava, Joe Farrell, Ryo Kawasaki, David Sanborn and Harold Vick. He also worked with Dee Dee Bridgewater, Billy Harper, Les McCann, Enrico Rava, Joe Chambers, and Howard Johnson.

Bassist Herb Bushler, whose composition Herbs was recorded by David Sanborn, at 85 years old continues to occasionally play both double bass and electric bass.

CALIFORNIA JAZZ FOUNDATION

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Daily Dose Of Jazz..

Benny de Weille was born on March 6, 1915 in Lübeck, Germany. He studied clarinet under Hans Helmke and was heavily influenced by Benny Goodman, whom he often emulated in his own ensembles.

Benny made recordings with Teddy Stauffer, Hans Rehmstedt, and Willy Berking in the 1930s and 1940s. In 1940 he led his own Bar Trio. Following World War II he worked at Radio Frankfurt and conducted the Nordwestdeutscher Rundfunk Orchestra.

Clarinetist and bandleader Benny de Weille, whose last recordings were in a Dixieland style in 1951,  died on December 17, 1977 in Westerland, Germany.

CALIFORNIA JAZZ FOUNDATION

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Jazz Poems

LISTENING TO SONNY ROLLINS AT THE FIVE SPOT

There will many other nights like

this be standing here with someone, some

one

someone

some-one

some

some

some

some

some

some

one

there will be other songs

a-nother fall, another–spring, but

there will never be a-noth, noth

anoth

noth

anoth-er

noth-er

noth-er

Other lips that I may kiss

but they won’t thrill me like

thrill me like

like yours

used to

dream a million dreams

but how can they come

when there

never be

a-noth–

Paul Blackburn

From Jazz Poems | Selected and edited by Kevin Young

SUITE TABU 200

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Daily Dose Of Jazz…

Harry Charles Prime was born on March 5, 1920 in Philadelphia, Pennsylvania. He graduated from St. Bridget’s Elementary and Roman Catholic High School. In the fall of 1944, he entered and won a singing contest at the 400 Club in Washington, D.C. and was offered a week’s engagement at the Club.

From there he proceeded to perform with big bands such as Randy Brooks, Tommy Dorsey, Jack Fina and Ralph Flanagan throughout the 1940’s and 50’s. Prime’s recording of the song Until with Tommy Dorsey sold a million records, but recording most of his hit songs with the Flanagan band.recording most of his hit songs with the latter.

In 1945, the Nations Disc Jockeys voted the Ralph Flanagan Band as the #1 band in the country and Prime was voted 20th best singer ahead of Dennis Day, Eddie Fisher and Dean Martin.

In the years following his tenure with the big bands, Prime never strayed far from the music business and worked as a disc jockey and radio host in various cities including WCAU in Philadelphia and WNPV in Lansdale.

His impeccable phrasing and vocal prowess led him to record Dear Hearts and Gentle People, Oh, What a Beautiful Morning, Nevertheless and Just One More Chance. He sits among the likes of Bob Eberle, Billy Eckstine, Dick Haymes, Frank Sinatra and Perry Como.

Prime recorded nearly 100 songs in the 1940s and 1950s, including Until, a million-seller with the Tommy Dorsey Orchestra. The song peaked at number four in the US chart.

Big band vocalist Harry Prime died on June 15, 2017 in Chalfont, Pennsylvania at age 97.

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