Daily Dose Of Jazz…
Jon Mayer was born September 7, 1938 in New York City and grew up in the fertile modern jazz evolution. Learning piano in childhood he confidently expresses strong emotions in his playing.
He also spent time in the Thad Jones-Mel Lewis Band as well as on the road with Dionne Warwick, Sarah Vaughan, Anita O’Day and Manhattan Transfer. Mayer’s compositions have been recorded by Les McAnn, Barry White’s Love Unlimited Orchestra, Nancy Wilson, Gladys Knight, Ernie Watts and Jackie Ryan.
He has recorded eleven albums as a leader and two as a sideman, Strange Blues with Jackie McLean and Like Sonny with John Coltrane.
Pianist and composer Jon Mayer continues a career as a performer.
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Daily Dose Of Jazz…
David W. Bargeron was born September 6, 1942 in Atho, Massachusetts. He became the lead trombonist with Clark Terry’s Big Band and played bass trombone and tuba with Doc Severinsen’s Band between 1968 and 1970.
In 1970 he joined Blood, Sweat, and Tears after Jerry Hyman departed and first appeared on the album B, S & T; 4. While with this group, he recorded the jazz-rock solo on the tuba in And When I Die/One Room Country Shack on the album Live and Improvised. His recording credits with BS&T include eleven albums. A break in their schedule allowed him to join the Gil Evans Orchestra in 1972.
After leaving Blood, Sweat, and Tears he became a freelance musician recording with Billy Joel, Paul Simon, Mick Jagger, James Taylor, Eric Clapton, David Sanborn, Carla Bley, and Pat Metheny.
He has performed with the George Gruntz Concert Jazz Band from Switzerland, the George Russell Living Time Orchestra, and was a long-time member of Jaco Pastorius’s Word of Mouth Band. He has recorded and toured with Tuba Tuba, a jazz tuba band which includes Michel Godard, Luciano Biondini, and Kenwood Dennard.
He is a member of Howard Johnson’s Gravity, a six-tuba group that has been together since 1968. Trombone and tubist David Bargeron, who has released several albums as a soloist and collaborator, at 80 still performs.
Three Wishes
While the Baroness was in conversation with Teo Macero he was asked by her what three wishes he would make if given. He told her:
- “Peace of mind.”
- “To change the status of jazz. That is, to get rid of the stigma attached to jazz music. You know. A jazz musician is regarded as some kind of freak! This is something that has bugged me for a long, long time. Like, someone will come up to me and say, “Oh, so you’re a jazz musician?” And when I say< “Yes. A jazz musician and a composer,” they will look at me altogether differently. It would be marvelous if jazz musicians could be given a status equal to that or great figures of contemporary music.”
- “To have no problems with people recording. No problems in the studio.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
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Daily Dose Of Jazz…
Lawrence William “Beau” Dixon was born on September 5, 1894 in Chillicothe, Ohio, the second of five children. His father was a farm laborer and part-time musician, from whom he learned to play music from an early age.
From 1923 to 1928 he played in Chicago, Illinois and Columbus, Ohio with Sammy Stewart’s Ten Knights of Syncopation, which recorded for Paramount Records. During the Twenties Beau also worked with Vance Dixon’s Jazz Maniacs, Fess Williams, Dave Peyton, Paul Jordan, Clarence Moore, and Grant Williams.
In 1931 he joined Earl Hines’s band and remained with him until 1937 as rhythm guitarist and arranger. Dixon worked with Franz Jackson’s Original Jass All Stars in the Chicago area in the 1950s and 1960s.
Banjoist and guitarist Beau Dixon, who suffered for years with pulmonary emphysema and tuberculosis, transitioned on January 16, 1970 in Chicago.
Daily Dose Of Jazz…
Jan Savitt was born Jacob Savetnick on September 4, 1907 in Shumsk, Russian Empire and reared in Philadelphia, Pennsylvania. He showed musical ability at an early age and began winning conservatory scholarships in the study of the violin. He was offered the position of concertmaster in Leopold Stokowski’s Philadelphia Symphony Orchestra, but turned it down, preferring to continue his studies at Curtis Institute. About a year later, believing himself ready, he joined Stokowski and the association continued for seven years, during which time he gained further laurels as a concert soloist and leader of a string quartet.
By 1938, Jan Savitt & His Top Hatters broadcasted as the KYW staff orchestra at KYW/NBC in Philadelphia coast-to-coast. The group also played at the Earl Theatre and performed with The Andrews Sisters and The Three Stooges.
Getting his start in popular music some time later as music director of KYW, he evolved the unique “shuffle rhythm” which remained his trademark. Numerous sustaining programs created such a demand for the “shuffle rhythm” that Jan left KYW to form his own dance crew.
His band was notable for including George “Bon Bon” Tunnell, one of the first Black singers to perform with a white band. Tunnell’s recording with Savitt included Vol Vistu Gaily Star co-composed by Slim Gaillard and Rose of the Rio Grande. Helen Englert Blaum, known at the time as Helen Warren, also sang with Savitt during the war years. His orchestra had a bit role in the 1946 film High School Hero.
Shortly before arriving in Sacramento, California with his orchestra in 1948 he was stricken with a cerebral hemorrhage and taken to Sacramento County Hospital. Bandleader, arranger, and violinist Jan Savitt, known as The Stokowski of Swing, transitioned on October 4, 1948 with his wife at his bedside.
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