Daily Dose Of Jazz…
Joe Lee Wilson was born on December 22, 1935 in Bristow, Oklahoma of African-American and Creek Native American parentage who were farmers.
Seeing Billie Holiday perform in 1951 began his interest in a music-industry career. Moving to Los Angeles, California at the age of 15, he went to Los Angeles High School, where he majored in music and sang in an a cappella choir. Graduating with honors in 1954, Joe won a scholarship to the Los Angeles Conservatory of Music, where he studied opera, leaving after a year and then attending Los Angeles Junior College.
He began singing with local bands in 1958 and toured the West Coast, where he sat in with Sarah Vaughan, and down to Mexico. Relocating to New York City by 1962, he worked with Sonny Rollins, Lee Morgan, Miles Davis, Pharoah Sanders, Freddie Hubbard, Kenny Dorham and Jackie McLean. During the 1970s, Wilson operated a jazz performance loft in New York’s NoHo district known as the Ladies’ Fort at 2 Bond Street. His regular band, Joe Lee Wilson Plus 5, featured the alto saxophonist Monty Waters and for several years the Japanese guitarist Ryo Kawasaki. Archie Shepp and Eddie Jefferson were frequent collaborators at these sessions.
Wilson had a minor radio hit on New York jazz radio in 1975, a rendition of Norman Mapp’s Jazz Ain’t Nothing But Soul. In 1977 he and his English wife Jill Christopher moved to Europe and settled in Brighton, Sussex. He recorded regularly with pianist Kirk Lightsey, including the Candid recording Feelin’ Good. One of his last albums was an Italian recording with Riccardo Arrighini and Gianni Basso, Ballads for Trane.
Inducted into the Oklahoma Jazz Hall of Fame in 2010, he gave his last public performance at the event. He is the subject of a documentary film, Around Joe Lee, by Yves Breux and Brad Scott. Vocalist Joe Lee Wilson transitioned from congestive heart failure at his Brighton home on July 17, 2011, aged 75.
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Daily Dose Of Jazz…
Panama Francis was born David Albert Francis on December 21, 1918 in Miami, Florida to a Haitian father and an English property-owning mother in the Bahamas. He began playing the drums even before attending school and initially played in marching bands and local drum and bugle corps.
His first professional playing was in the 1930s as part of George Kelly’s band from 1934 to 1938. He then became a member of the Florida Collegians in 1938. After his move to New York City that year, he worked with Tab Smith, Billy Hicks, and Roy Eldridge before the 1940s. Francis acquired his nickname from Eldridge at a moment when he was wearing a panama hat and Eldridge could not remember his new drummer’s name.
Joining Lucky Millinder’s big band in 1940, he often played at the Savoy Ballroom. After leaving Millinder he was with Willie Bryant’s band in 1946 and then Cab Calloway from 1947 to 1952. He performed in three short films alongside the latter. For much of the 1950s, Panama was a studio musician in New York, accompanying the likes of Bobby Darin, the Four Seasons, the Platters, Dion DiMucci, Neil Sedaka, and Jackie Wilson.
He went on to tour with Dinah Shore, then moved to California where he struggled to find work. The early Seventies saw him touring Japan with Sam “The Man” Taylor, then appeared on film in 1972, in Lady Sings the Blues. Back in New York in 1973, Francis was part of Sy Oliver’s nonet for two years and during this period he played jazz festivals and toured internationally with other bands.
He revived the Savoy Sultans jazz and dance band in 1979, and he appeared regularly at the Rainbow Room in New York City for eight years from 1980. Panama became drummer in the Benny Goodman Quartet for concerts in 1982. He appeared in the 1994 film The Statesmen of Jazz as a member of the Statesmen of Jazz.
Over his career he recorded with Ray Bryant, Eddie Barefield, Arnett Cobb, Earl Hines, Ray Conniff, Eubie Blake, Oscar Brown Jr., Dorothy Donegan, Roy Eldridge, Dizzy Gillespie and numerous others.Drummer Panama Francis, who mainly played swing jazz, transitioned in Orlando, Florida on November 13, 2001 following a stroke at age 82.
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Three Wishes
While at a club or her Cathouse, Pannonica ventured the question to C. Stroman Scoby asking him to give her his three wishes he would want granted and his reply was:
- “Self~realization, by which I mean to realize my connection to the universe.”
- “Harmony among all the creatures in the universe. I wouldn’t need a third wish if those two.”
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Daily Dose Of Jazz…
Cousin Joe was born Pleasant Joseph on December 20, 1907 in Wallace, Louisiana. He worked at Whitney Plantation throughout his childhood. Until 1945, he toured Louisiana, but that year he was asked to take part in the King Jazz recording sessions organized by Mezz Mezzrow and Sindey Bechet.
In the 1970s, Cousin Joe toured extensively throughout the United Kingdom and Europe, both individually and as part of the American Blues Legends ’74 revue organised by Big Bear Music. He also recorded the album Gospel-Wailing, Jazz-Playing, Rock’n’Rolling, Soul-Shouting, Tap-Dancing Bluesman From New Orleans for Big Bear.
Vocalist and pianist Cousin Joe transitioned in his sleep from natural causes in New Orleans, Louisiana at the age of 81 on October 2, 1989.
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Daily Dose Of Jazz…
Eric Marienthal was born on December 19, 1957 in Sacramento, California but moved with his family to San Mateo, California when he was two years old. He was taught music while in school and picked up the saxophone in the fourth grade. His father bought him a $400 Selmer saxophone and enrolled him in Corona Del Mar High School. Throughout his education, he learned to play guitar, flute, clarinet and piano.
After graduating from high school he studied saxophone at the Berklee College of Music. By the time he left Berklee, Eric had achieved the highest proficiency rating given by the school. He began his professional career in 1980 with New Orleans trumpeter Al Hirt. Heading west he settled in Los Angeles, California and became a member of the Chick Corea Elektric Band. He recorded six albums with that band and two of them won Grammy Awards.
Marienthal has also written instructional books, including Comprehensive Jazz Studies & Exercises, The Ultimate Jazz Play Along, and The Music of Eric Marienthal. He has made instructional videos, Play Sax From Day One, Modern Sax and Tricks of the Trade. He occupies the lead alto chair of Gordon Goodwin’s Big Phat Band, playing alto saxophone, soprano saxophone, flute, and piccolo.
Grammy Award-nominated alto saxophonist Eric Marienthal continues to perform and record.
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