Daily Dose Of Jazz…
Martin Drew was born on February 11, 1944 in Northampton, England and started to play the drums when he was six years old. Studying with drummer George Fierstone gave him a solid musical and technical background. He played his first professional engagement at the age of 13.
He was also a member of a trio led by Eddie Thompson. Martin was often heard playing on BBC Radio 2’s Sounds of Jazz program in the 1970s, which was introduced by Peter Clayton on Sunday evenings.
During the 1980s, Drew played simultaneously with the Ronnie Scott Quartet and with the jazz group Morrissey–Mullen, until they disbanded in 1988. He then led a quintet called Our Band with saxophonist Dick Morrissey, guitarist Jim Mullen who replaced original member Louis Stewart, pianist John Critchinson, and bassist Ron Mathewson.
Between 1997 and 2000, he led a quartet with Mornington Lockett on tenor saxophone, Gareth Williams on piano, and Laurence Cottle on electric bass. 2000 saw Martin forming the Celebrating The Jazz Couriers quintet with Mornington Lockett, playing the music of the original Jazz Couriers. They won the 2002 British Jazz Award for Best Small Group.
The New Couriers band reformed in 2003 with Paul Morgan on double-bass and Jim Hart on vibraphone. Lockett and Steve Melling on tenor saxophone and piano. He recorded one album in 1978 titled The Martin Drew Band, British Jazz Artists Vol. 3.
Drummer Martin Drew, who worked with over one hundred musicians from both sides of the Atlantic, transitioned following a heart attack on July 29, 2010, at the age of 66 in Harefield, Hillingdon, England.
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Daily Dose Of Jazz…
Rahn Burton was born February 10, 1934 in Louisville, Kentucky. He began taking piano lessons at age 13, and worked locally in Louisville before playing his first gigs with Roland Kirk. He toured with Kirk from 1953 to 1959 and recorded with him into the early 1960s, contributing the composition Jack the Ripper to the 1960 release Introducing Roland Kirk.
Moving on to play local gigs in New York City and Syracuse, New York for a short time in the early 1960s, he returned to local playing in Louisville. During 1964-65 he played organ in George Adams’s touring ensemble, and played briefly with Sirone around the same time.
1967 saw Burton re-joining Roland Kirk’s group, playing with him at the 1968 Newport Jazz Festival and on several recordings through 1973. He also founded his own ensemble, African American Connection, which included Roland Alexander, Bob Cunningham, Ricky Ford, and Hannibal Marvin Peterson.
He recorded extensively as a sideman in the 1970s and 1980s with George Adams and Hannibal Peterson, Carlos Garnett, Beaver Harris, Jemeel Moondoc, Charlie Rouse, Leon Thomas and Stanley Turrentine. His associations in the 1990s included work in Austria with Nicholas Simion and a trio recording in 1992 with Walter Booker and Jimmy Cobb.
Pianist Rahn Burton, who was also known as Ron Burton or William Burton, transitioned on January 25, 2013 in Manhattan, New York.
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Daily Dose Of Jazz…
Edward “Bruno” Carr was born on February 9, 1928 in The Bronx, New York. Growing up he lived around many different ethnic groups, including neighborhoods with German and Italian residents. Listening to the radio as a youth, he heard different styles of music while developing his ear and his memory. By the time he started playing professionally he had anarsenal of songs that he surprised band leaders he already knew and had no need for charts when they handed them to him.
As a timbale player in Latin bands, one can hear the inflection in the way he plays his small tom-toms at times. Though not a household name, his playing with a lot of fire and conviction made him a sought after drummer among the jazz elite. Kenny Burrell, Billie Holiday, Ray Charles, John Coltrane, Charlie Parker, Michael Franks, Aretha Franklin, Monte Alexander, Stanley Turrentine, Roy Ayers, King Curtis and Harry “Sweets” Edison have all had him on their bandstand.
Here recorded several single albums, each with Aretha, Curtis Amy, Walter Davis Jr., Lou Donaldson, and Eddie “Cleanhead” Vinson, however, his largest body of work was with Herbie Mann, recording eighteen albums with the flutist from 1964 to 1970.
Drummer Bruno Carr, who was a frequent collaborator with Ray Charles, transitioned from lung cancer on October 25, 1993 in Denver Colorado at the age of 65.
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Three Wishes
When the Baroness inquired of Spanky De Brest what, if granted, his three wishes would be he answered her with:
- “I want my whole salary from Birdland!”
- “To be situated in New York, happily with my family.”
- “Play my bass as well as God can allow me to.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
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Daily Dose Of Jazz…
Marc McDonald was born in London, England on February 8, 1961 and lived there for six years before his parents moved to Princeton, New Jersey, where he grew up. Since the 1980s he has led groups in the New York City metropolitan areas as well as Honolulu, London and Athens. Releasing his debut CD as a leader, It Doesn’t End Here, it features his own compositions and the inventive arrangements of standards, drawing from mainstream jazz, Brazilian, and New Orleans R&B influences.
He has been equally active as a sideman and has been a member of award-winning composer Jamie Begian’s big band since 1998, appearing as a featured soloist on the band’s CD Trance.
In 1990, McDonald was among ten jazz composers invited to the ASCAP/Louis Armstrong Jazz Composers Workshop at New York’s Lincoln Center. Always the student, he attended the BMI Jazz Composers Workshop in New York for several years. Between 1991 and 1996 he was invited to premiere works for jazz chamber ensemble, solo saxophone, and saxophone quartet.
As an educator he has held a position for five years as a member of the artist faculty at a private music school in Princeton, and is currently in private teaching practice. Saxophonist and composer Marc McDonald continues to explore the world of jazz.
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