Hollywood On 52nd Street
Never Let Me Go is a song composed and written by Jay Livingston and Ray Evans, that was performed by Nat King Cole in the 1956 American crime drama film, The Scarlet Hour. The movie was directed and produced by Michael Curtiz. The film stars Carol Ohmart, Tom Tryon, Jody Lawrance and Elaine Stritch. The screenplay was based on the story “The Kiss Off” by Frank Tashlin.
The Story
E. V. Marshall, known to all as “Marsh,” works for wealthy real-estate businessman Ralph Nevins and is having an affair with Ralph’s unhappy wife, Paulie. Not wanting to struggle Paulie refuses Marsh’s plea to get a divorce and live without her husband’s money.
Overhearing thieves planning a jewelry heist of the home of a doctor named Lynbury, Paulie pleads with Marsh to rob the jewels from the thieves as they leave the doctor’s house. Suspicious of his wife, Nevins follows, catches them in the act, and gets shot by Paulie. However, Marsh thinks that the thieves shot Nevins.
The police investigation reveals that Dr. Lynbury masterminded the burglary of his own home to collect insurance money after having replaced his wife’s jewels with worthless fakes. Police eventually place Lynbury under arrest and Paulie as well, with Marsh’s cooperation.
Daily Dose Of Jazz…
Don Albert was born Albert Anité Dominique, on August 5, 1908 in New Orleans, Louisiana. His uncle was Natty Dominique, and he was also a relative of Barney Bigard. He got his start playing in parade brass bands in New Orleans at the beginning of the 1920s. He toured with the territory band of Alphonse Trent through the Southwest United States in 1925, then played with Troy Floyd at the Shadowland Ballroom in San Antonio from 1926 to 1929.
Leading his own territory bands out of Texas in the 1930s and 1940s, Albert had in his band sidemen that included Alvin Alcorn, Louis Cottrell, Jr., and Herb Hall. After 1932 he acted more in a manager’s capacity than as a performer. His bands played in Mexico, Canada, and New York City in 1937 and won rave reviews from newspapers, but the band only recorded eight sides for Vocalion Records.
Disbanding this group around 1939 due to economic conditions, Don found work in civil service and managing a San Antonio nightclub in the early to mid-1940s, only to be shut down in 1948 by local authorities. By 1949 his group played the Palace Theater in New York.
The 1950s saw him returning to active performance, playing with Buddy Tate in 1966, the New Orleans Jazz Festival in ‘69, and in small groups through the 1970s. Trumpeter and bandleader Don Albert passed away on March 4, 1980 in San Antonio, Texas.
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Three Wishes
Duke Ellington easily and succinctly responded to the inquiry of three wishes by the Baroness with one answer:
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“My wishes are simple. I want nothing but the best.”
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*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
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Daily Dose Of Jazz…
Huey “Sonny” Simmons was born on August 4, 1933 in Sicily Island, Louisiana and grew up in Oakland, California, where he began playing the English horn. At age 16 he took up the alto saxophone, which became his primary instrument, playing primarily in an avant-garde style, often delving into free jazz.
His then-wife, Barbara Donald, played trumpet on several of his early records, Staying on the Watch and Music from the Spheres; Arhoolie Manhattan Egos, and Contemporary titles Rumasuma and the double album Burning Spirits.
Partnering with Prince Lasha on several recordings, two of which, The Cry! and Firebirds were also released by Contemporary.
Personal problems derailed both his music career and home life, leading to divorce and homelessness. He busked on the streets of San Francisco for many years, until he resurrected his career in the early 1990s and began playing in night clubs again.
His resurgence in the mid-1990s was marked by two albums, Ancient Ritual and American Jungle, for Quincy Jones’ Qwest Records. Along with appearances in European jazz festivals, Sonny has since remained a regular performer at European festivals.
Since 2000 he has been co-leader of The Cosmosamatics with reed player Michael Marcus and is among the few musicians to play the English Horn in a jazz context. Alto saxophone Sonny Simmons died on April 6, 2021 in New York.
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Daily Dose Of Jazz…
Charles James Shavers was born on August 3, 1920 in New York City and took up piano and banjo before switching to trumpet. In the mid-Thirties he performed with Tiny Bradshaw and Lucky Millinder. In 1935 he joined the trumpet section with Dizzy Gillespie and Carl “Bama” Warwick in Frankie Fairfax’s Campus Club Orchestra.
1936 saw him as a member of John Kirby’s Sextet as trumpet soloist and arranger. Only 16 at the time he gave his birth date as 1917 to avoid child labor laws, Charlie’s arrangements and solos helped make the band one of the most commercially successful and imitated of its day. In 1937, he performed with Midge Williams and her Jazz Jesters. By 1944 he began playing sessions in Raymond Scott’s CBS staff orchestra.
Leaving John Kirby’s band In 1945 he joined Tommy Dorsey’s Orchestra, with whom he toured and recorded, off and on, until Dorsey’s passing in 1956. In 1949, he sang and played the hit The Hucklebuck with Dorsey. He was a member of Dorsey’s Orchestra on numerous Stage Show telecasts for CBS, including early Elvis Presley appearances. During this time he continued to play at CBS while also appearing with the Metronome All-Stars and making a number of recordings as trumpet soloist with Billie Holiday.
From 1953 to 1954 he worked with Benny Goodman and toured Europe with Norman Granz’s popular Jazz at the Philharmonic series, where he was a crowd favorite. He formed his own band with Terry Gibbs and Louie Bellson.
Swing era trumpeter Charlie Shavers passed away from throat cancer in New York City on July 8, 1971 at the age of 50. While on his deathbed his close friend Louis Armstrong passed away, and his last request was that his trumpet mouthpiece be buried with Armstrong.
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