Daily Dose Of Jazz…
Edward Durham was born on August 19, 1906 in San Marcos, Texas to Joseph Durham, Sr., and Luella Rabb Durham. From an early age he performed with his family in the Durham Brothers Band. At the age of eighteen, he began traveling and playing in regional bands.
From 1929 Eddie started experimenting to enhance the sound of his guitar using resonators and megaphones. In 1935 he was the first to record an electrically amplified guitar with Jimmie Lunceford in Hittin’ the Bottle that was recorded in New York for Decca.
In 1938, Durham wrote I Don’t Want To Set The World On Fire with Bennie Benjamin, Sol Marcus, and Eddie Seiler. During the 1940s he created Eddie Durham’s All-Star Girl Orchestra, an all black female swing band that toured the United States and Canada.
That same year Eddie recorded single string electric guitar solos with the Kansas City Five or Six, which were both smallish groups that included members of Count Basie’s rhythm section along with the tenor saxophone playing of Lester Young. The orchestras of Bennie Moten, Jimmie Lunceford, Count Basie and Glenn Miller took great benefit from his composing and arranging skill.
Guitarist, trombonist, composer and arranger Eddie Durham, who was one of the pioneers of the electric guitar in jazz, transitioned on March 6, 1987.
More Posts: arranger,guitar,history,instrumental,jazz,music,trombone
Daily Dose Of Jazz…
Adam Makowicz was born Adam Matyszkowic on August 18, 1940 into a family of ethnic Poles in Hnojník, Poland now the Czech Republic. After World War II he was raised in Poland and went on to study classical music at the Chopin Conservatory of Music in Kraków, Poland. Overcoming cultural restrictions under the communist government he developed a passion for modern jazz. At the time, political freedom and improvisation were disapproved of by the pro-Soviet authorities.
He embarked on a new professional life as a touring jazz pianist and after years of hardship, Makowicz gained a regular gig at a small jazz club in a cellar of a house in Kraków. He was named the Best Jazz Pianist by the readers of Poland’s Jazz Forum magazine, and was awarded a gold medal for his contribution to the arts.
1977 saw Adam on a 10-week concert tour of the United States, produced by John Hammond. At that time he settled in New York City and recorded a solo album titled Adam on the CBS record label, having been banned from Poland during the 1980s after the Polish regime imposed martial law to crush the Solidarity movement.
Moving to Toronto, Canada in the 2000s he continued his career as a concert pianist and recording artist. In the course of his career, Makowicz has performed with major symphony orchestras and major concert halls in the Americas and in Europe. He has recorded over 30 albums of jazz, popular, and classical music, with his own arrangements and recorded his own compositions for piano. Pianist Adam Makowicz continues to compose, arrange, record and perform.
More Posts: bandleader,composer,history,instrumental,jazz,music,piano
Daily Dose Of Jazz…
Sam Butera was born on August 17, 1927 and raised in an Italian-American family in New Orleans, Louisiana where his father ran a butcher shop and played guitar in his spare time. Hearing the saxophone at seven for the first time at a wedding, with his father’s encouragement he began to play.
His professional career blossomed early, beginning with a stint in big band drummer Ray McKinley’s orchestra directly after high school. At eighteen Butera was named one of America’s top upcoming jazzmen by Look magazine and by his early twenties, he had landed positions in the orchestras of Tommy Dorsey, Joe Reichman, and Paul Gayten.
As the big band era wound down Sam re-settled in New Orleans, where he played regularly at the 500 Club for four years. The club, owned by Louis Prima’s brother, was the connection that led him to his Las Vegas, Nevada collaborations with Prima and Keely Smith.
Prima transitioned from big band to Vegas and the Sahara and called Butera to assemble a band posthaste. They drove from New Orleans to Las Vegas and without a name on opening night in 1954 when Prima asked Butera before a live audience he responded spontaneously, “The Witnesses”, and the name stuck, remaining the bandleader for more than twenty years.
Noted for his raucous playing style, his off-color humor, and the innuendo in his lyrics, he also wrote arrangements, composed music. Sam is widely regarded as the inspiration for the vocal style of fellow New Orleans-born jazz singer Harry Connick, Jr. He went on to appear on television and in movies. Tenor saxophonist Sam Butera transitioned from pneumonia in Las Vegas on June 3, 2009 at the age of 81.
More Posts: arranger,bandleader,composer,history,instrumental,jazz,music,saxophone
Three Wishes
When Nica quizzed Rocky Boyd that if he had three wishes that could be granted he gave her the following reply:
- “That I can work fifty weeks out of every year.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
More Posts: baroness,history,instrumental,jazz,music,pannonica,saxophone,three,wishes
Daily Dose Of Jazz…
Albert George Hibbler was born on August 16, 1915 in Tyro, Mississippi and was blind from birth. At the age of 12 he moved to Little Rock, Arkansas where he attended Arkansas School for the Blind where he joined the school choir. He went on to begin working as a blues singer in local bands before failing his first audition for Duke Ellington in 1935. However, after winning an amateur talent contest in Memphis, Tennessee, he was given his start with Dub Jenkins and his Playmates. He later joined the Jay McShann band in 1942, followed with replacing Herb Jeffries a year later and joining Ellington’s orchestra.
He stayed with Ellington for almost eight years, and featured on a range of Ellington standards, including Do Nothin’ Til You Hear From Me, I Ain’t Got Nothin’ But the Blues and I’m Just a Lucky So-and-So. Do Nothin’ lyrics were written specifically for him, reaching #6 on the Billboard pop chart and #1 for eight weeks on the Harlem Hit Parade in 1944.Considered undoubtedly the best of Ellington’s male vocalists, while with Ellington, he won the Esquire New Star Award in 1947 and the Down Beat award for Best Band Vocalist in 1949.
Leaving Ellington’s band in 1951 after a dispute over his wages, Al then recorded with various bands including those of Johnny Hodges and Count Basie, and for various labels including Mercury and Norgran. His biggest hit was Unchained Melody, which reached #3 on the US pop chart, sold over one million copies, and was awarded a gold disc. Its success led to network appearances, including a live jazz club remote on NBC’s Monitor. His other hits were He, 11th Hour Melody, Never Turn Back and After the Lights Go Down Low.
In the late 1950s and 1960s, Hibbler became a civil rights activist, marching with protestors and getting arrested in 1959 in New Jersey and in 1963 in Alabama. The notoriety of this activism discouraged major record labels from carrying his work, but Frank Sinatra supported him and signed him to a contract with his label, Reprise Records. However, he made very few recordings after that, occasionally doing live appearances through the 1990s.
In 1971, he sang two songs at Louis Armstrong’s funeral. In 1972 he made an album, A Meeting of the Times, with another fiercely independent blind musician, the multi-instrumentalist Rahsaan Roland Kirk. Baritone vocalist Al Hibbler transitioned on April 24, 2001 at Holy Cross Hospital in Chicago, Illinois at the age of 85.
More Posts: history,instrumental,jazz,music,vocal