Daily Dose Of Jazz…
Rachel Gould was born Rachel Field on June 25, 1953 in Camden, New Jersey. She studied cello and classical singing at Boston University. Upon moving to Germany in 1975 she established herself as a jazz musician, formed her own quartet and toured Europe. In 1979 she appeared in London, England with Chet Baker and recorded the much acclaimed album All Blues.
In the early 1980s, she performed at numerous European festivals, and worked with groups led by Ack van Rooyen, Lou Blackburn, Ferdinand Povel, Bobby Burgess, Michel Herr, Tom Nicholas, Dieter Reith and Erwin Lehn. In 1983 Gould sang for quite a while in the United States and, in New York City, with Woody Herman, Sal Nistico and Jake Hanna.
Upon her return to Germany, she presented the band Breath & Bones at the Leverkusen Jazz Festival. She continued her work in Germany from 1984 onwards, consisting mainly of teaching as a lecturer at the conservatories in Maastricht, Cologne, Mainz and Hamburg. Then in 1987 she travelled to the Swiss Jazz School.
She went on to work with Joe Haider and Benny Bailey. Gould played with Riccardo Del Fra on the 1989 album A Sip of Your Touch, and with his band on a live album at the 1991 Montreux Jazz Festival.
Since 1991, vocalist Rachel Gould has continued to perform in addition to working as a lecturer in jazz singing at the Royal Conservatory of The Hague.
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Daily Dose Of Jazz…
Terrence Mitchell Riley was born in Colfax, California on June 24, 1935 and grew up in Redding, California. In the 1950s, he began performing as a solo pianist and studied composition at San Francisco State University, the San Francisco Conservatory, and the University of California Berkeley, studying with Seymour Shifrin and Robert Erickson.
Befriending minimalist omposer La Monte Young, together they performed Riley’s improvisatory composition Concert for Two Pianists and Tape Recorders in 1959–60. Riley later became involved in the experimental San Francisco Tape Music Center, working with Morton Subotnick, Steve Reich, Pauline Oliveros, and Ramon Sender. Throughout the 1960s, he also traveled frequently in Europe, taking in musical influences and supporting himself by playing in piano bars. He also performed briefly with the Theatre of Eternal Music in New York in 1965-1966.
His most influential teacher was Pandit Pran Nath, a master of Indian classical voice who also taught La Monte Young, Marian Zazeela, and Michael Harrison. Riley made numerous trips to India over the course of their association to study and accompany him on tabla, tambura, and voice. In 1971 he joined the Mills College faculty to teach Indian classical music. Riley also cites John Cage and “the really great chamber music groups of John Coltrane and Miles Davis, Charles Mingus, Bill Evans, and Gil Evans as influences on his work.
His long-lasting association with the Kronos Quartet began around 1980 and throughout his career Terry composed 13 string quartets for the ensemble. in addition
Organist, pianist, saxophonist and tamburist Terry Riley, who teaches both as an Indian raga vocalist and as a solo pianist, continues to perform live.
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Daily Dose Of Jazz…
Sahib Shihab was born Edmund Gregory on June 23, 1925 in Savannah, Georgia. Schooled in New York from age 3, he first played alto saxophone professionally for Luther Henderson at 13. He studied at the Boston Conservatory, and played in and around New York with Art Blakey, Gigi Gryce, Benny Golson, Thelonious Monk, Oscar Pettiford, Dizzy Gillespie. He toured with the bands of Fletcher Henderson, Buddy Johnson, Roy Eldridge, Andy Kirk, Duke Ellington, Count Basie and the original 17 Messengers of Blakey.
During the late 1940s, Shihab played with Thelonious Monk, and on July 23, 1951 he recorded with Monk that was later issued on the album Genius of Modern Music: Volume 2. During the decade he recorded with Art Blakey, Kenny Dorham and Benny Golson. The invitation to play with Dizzy Gillespie’s big band saw his switch to baritone saxophone.
Between 1952 to 1955 he toured with Illinois Jacquet in Europe, as well as with Coleman Hawkins and Sarah Vaughn and toured with Dakota Stanton from 1956 to 1958. He was one of the musicians who showed up for the Art Kane photograph A Great Day In Harlem. Closing out the Fifteies he toured Europe with Quincy Jones, and subsequently settled in Scandinavia in 1960, married and raising a family. Shihab, disillusioned with racial politics in the United States, decided around this time to move to Europe.
As an educator he worked for Copenhagen Polytechnic and wrote scores for television, cinema and theatre. He composed and arranged for Swedish and Danish radio orchestras. He went on to perform with bassist Niels-Henning Ørsted Pedersen and together with pianist Kenny Drew, he ran a publishing firm and record company. Through the Sixties he joined the Kenny Clarke/Francy Boland Big Band and remained a member of the band during its 12 years existence.
Returning to the United States in 1973 he toured with Quincy Jones and The Brothers Johnson. He returned to Copenhagen, Denmark three years later, where he produced albums for Metronome Records, along with Kenny Drew. The album is titled Brief Encounter, and features the voices of Debby Cameron and Richard Boone. At decade’s end he started a record company with Kenny Drew called Matrix and spent his remaining years between New York and Copenhagen, performed in partnership with Art Farmer and led his own jazz combo called Dues.
Hard bop baritone, alto, and soprano saxophonist and flautist, composer, arranger, producer and educator Sahib Shihab, who beginning of 1986 was a visiting artist at Rutgers University, died from cancer on October 24, 1989, in Nashville, Tennessee at age 64.
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CARMEN BRADFORD
Grammy Award-winner Carmen Bradford with master Pianist Reginald “Reggie” Thomas brings an incredible musical experience entitled “Come Swing With Us” to Catalina Jazz Club in Hollywood!
This special duo performance will transport you back to the golden age of Jazz which Ms. Bradford promises “will stir your soul and swing your spirit!”
Together, the duo will be performing selections from Carmen Bradford’s recordings which have been re-imagined into an intimate and electrifying format, calling to mind the magic of Ella Fitzgerald and Oscar Peterson.
Audiences can expect deep grooves, velvet vocals, dazzling piano lines, and the kind of musical chemistry that only happens when artists truly connect! This isn’t just a concert — it’s an invitation into the heart of Jazz.
Cover: $51.85 ~ $77.60
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MAUSIKI SCALES
Mausiki Scales and the Common Ground Collective, an Atlanta-based ensemble, is a dynamic eight-piece+ band that delves into musical styles from West Africa, including Afrobeat and Funk. Mausiki Scales and the Common Ground Collective explore the musical threads connecting the African Diaspora, celebrating shared roots and influences. Afrobeat, a genre pioneered by Nigerian multi-instrumentalist Fela Kuti, is known for its energetic, hypnotic grooves anchored by a rhythm section with roots in traditional African music, Highlife, and James Brown-inspired Funk. This style features a powerful horn section delivering tight, percussive lines and improvisational Jazz solos, call-and-response vocals from lead and background singers, and the vibrant movements of African dancers.
Musical Director and keyboardist Mausiki Scales released his latest album, Long Memory, in the summer of 2024. Scales’ recordings include collaborations with legends like Roy Ayers, Les Nubians, Speech and Kirk Whalum.
Cover: $15.00 ~ $30.00
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