On The Bookshelf
Satchmo: The Genius of Louis Armstrong | Gary Giddins
Gary Giddins has been called “the best jazz writer in America today” by Esquire Magazine. Louis Armstrong has been called the most influential jazz musician of the twentieth century. His magnificent career as trumpeter, singer, bandleader and actor made him a legend in his own time. His influence on jazz and popular music is impossible to overstate. Satchmo is one of the most vivid and insightful portraits ever drawn of the great man and superlative artists in the history of American music.
This edition is an authoritative introduction to Armstrong’s life and art for the curious newcomer and offers fresh insight even for the serious student of the musician. Whether he was known as Pops, Satch,Satchelmouth, Gatemouth, Dippermouth, Louie or King Menelik, this recounting of Louis’s colorful and controversial life brings the man to life.
Satchmo ~ The Genius of Louis Armstrong: 2001 | Gary Giddins
Da Capo Press
Daily Dose Of Jazz…
Edwin A. Finckel was born on December 23, 1917 in Washington, D.C. to musical parents and was the youngest of six children. Left to his own devices his artistic talents won him a scholarship at the Corcoran School of Art. Finding access to a piano within a year he had taught himself to play, albeit without the ability to read music. He took to jazz although he also showed skill as a tennis player while still a teenager.
Well regarded for his ability to improvise music he went on to arrange others and later composed over 200 of his own melodies. He appeared professionally as a teenager and he went on to introduce string instruments into his arrangement for big bands. His best known song may be Where Is The One, which was recorded by Frank Sinatra..
In the Forties he wrote songs for film, was chosen as a representative of a musical, then went into teaching in the music department at Far Brook School in New Jersey for 39 years. There he gave private lessons, conducted the choir and orchestra, and wrote much of the music that the children sing. He continued to perform jazz and in his forties he also wrote classical music.
Pianist, composer and arranger Edwin Finckel, who ran a summer camp with his wife for 17 years while performing jazz and composing classical music, died on 7 May 7, 2001 at 83 in Madison, Wisconsin.
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Daily Dose Of Jazz…
Carmine D’Amico was born on December 22, 1954 in Brooklyn, New York. His father gave him the choice of piano or the guitar and he chose the latter. Taught by his father who instilled in him that each note must have meaning. At age 9 he recorded Who Wears Short Shorts, which became a big hit. He was then signed to Capitol Records and went on tour , including television appearances on American Bandstand, The Allen Fried Show, and Soul Train. From age 9 – 11 during the 1950s he played on hit records by the Shirelles, Connie Francis, Fabian, Frankie Avalon, and others.
He won academic scholarships to both high school and college, graduating valedictorian from Trinity High School with a 99.9 average. Carmine found himself in pre-med but then transferred to Queens College and majored in music. Studying in between touring with Tammy Grimes, Liza Minelli and Ed Ames, he graduated with a B.A. in Music Education.
Then came military service with an assignment with an Army Dance Band. Discharged, he returned to New York and resumed his career activities, first joining Ed Ames, recording two of his biggest hits, Try To Remember and My Cup Runneth Over.” D’Amico then became staff guitarist on the Mike Douglas Show and remained for three years.
He went on to work with Bobby Darrin, Sergio Franchi, Patti Austin, Englebert Humperdinck, Vic Damone, Manhattan Transfer, Shirley Maclaine, Henry Mancini, Michele Legrande, Bernadette Peters, The Pointer Sisters, The O’Jays, Jack Jones, Lainie Kazan, Elisa Kashi, Connie Francis, Cleo Laine, Shirley Bassey and Josephine Baker.
He worked with Bernard Purdie, Steve Gadd, Ron Carter, John Faddis, Lou Marini, Lionel Hampton, Teo Macero, Bob Cranshaw, Tom Barney, John Frosk, Doc Severinsen, John Tropea, Mel Torme, Mel Lewis, and Thad Jones, among others.
Outside of jazz he recorded with Bee Gees, the Stylistics, Ray, Goodman and Brown, Stephanie Mills, Vanessa Williams, Patti LaBelle, Freda Payne, Tina Turner, Ben Vereen and played on all of the Sugar Hill Productions. During this prolific period and seemingly height of opportunities for working musicians, NARAS voted him Most Valuable Guitar Player in 1986 and 1987.
Guitarist, producer, composer, arranger and sideman Carmine D’Amico, who over the course of his career received 16 Grammys, died at the age of 67 in Casa Grande, Arizona on Oct. 2, 2011.
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Requisites
Wheelin’ & Dealin’ ~ Frank Wess, John Coltrane, Paul Quinichette, Mal Waldron, Doug Watkins and Arthur Taylor | By Eddie Carter
This morning’s album from the library is an excellent 1957 jam session by Frank Wess, John Coltrane, Paul Quinichette, Mal Waldron, Doug Watkins and Arthur Taylor. Wheelin’ & Dealin’ (Prestige PRLP 7131) is an outstanding album featuring an impressive team of musicians. The ensemble consists of John Coltrane and Paul Quinichette on tenor saxophones, Frank Wess on flute (tracks: A1, B1, B2) and tenor saxophone (track: A2), Mal Waldron on piano, Doug Watkins on bass, and Arthur Taylor on drums. The copy of this album that I own is the 2025 Worldwide Stereo audiophile reissue (Craft Recordings CR00862).
The album opens with Things Ain’t What They Used To Be by Mercer Ellington and Ted Parsons. Frank’s flute sets a welcoming tone for the sextet’s laid-back melody before moving into a relaxing first solo. Paul soars with graceful ease, then John follows him effortlessly with a mellow reading, then the saxophones revisit the sequence. Mal responds with a breezy interpretation, and Doug takes a quick walk, leading to the closing chorus. Wheelin’ by Mal Waldron takes off with the ensemble’s spirited theme. Coltrane leads the way with an energetic statement. Quinichette lets loose next, then Wess wails on the tenor saxophone. Waldron delivers a lengthy, vigorous performance. Taylor adds a brief footnote that leads to the ensemble reprising the theme and a rousing finish.
Side Two opens with Robbins’ Nest by Illinois Jacquet, Bob Russell, and Sir Charles Thompson, a tribute to DJ Fred Robbins. Frank, returning on flute, gently guides the ensemble through the melody, then enters like a cool breeze for the first solo. Paul then offers some down-home cooking; John makes every note count in a relaxed interpretation. Mal then keeps the mood easygoing, and Doug takes a brief walk before the closing ensemble. Mal Waldron’s Dealin’ starts with the sextet’s collective melody; Waldron leads with an inviting opening solo. Wess, on flute, produces a warm, fluid sound. Quinichette steps in for a few relaxing choruses, then Coltrane flows with fresh, creative ideas. Wess makes a short return on tenor sax, and Waldron has the last word before the group reunites to close the set.
The dynamic combination of Coltrane and Quinichette on tenor saxophones infuses the sextet with vibrant energy, establishing an engaging lead voice for the group. Coltrane, poised on the threshold of stardom, plays with deep emotion and a sense of adventurousness, while Quinichette’s silky, relaxed approach pays homage to Lester Young’s signature sound. Frank Wess further elevates the ensemble’s texture, seamlessly alternating between flute and tenor sax; his flute contributions, in particular, bring a light, breezy quality to the arrangements. Supporting them, the rhythm section of Waldron, Watkins, and Taylor lays down a consistent, swinging foundation, artfully mixing delicacy with spirited drive to enhance each soloist’s performance throughout the album.
Bob Weinstock supervised the first session, and Rudy Van Gelder was at the recording console. Kevin Gray did an excellent job mastering this audiophile reissue from the original tapes at Cohearant Audio. The sound quality truly shines, offering a spacious soundstage and vibrant clarity that makes you feel like the musicians are right in front of you. The record is pressed on 180-gram Virgin Vinyl and is silent until the music begins. If you’re craving a fantastic Hard-Bop album, I highly recommend checking out Wheelin’ & Dealin’ by Frank Wess, John Coltrane, Paul Quinichette, Mal Waldron, Doug Watkins, and Arthur Taylor on your next record-shopping trip. It’s an outstanding album by the talented group that later became The Prestige All-Stars, and I believe it will become a beloved favorite in the libraries of both new and seasoned jazz fans for many years to come!
Things Ain’t What They Used To Be – Source: JazzStandards.com © 2025 by Edward Thomas Carter
Wheelin’ & Dealin’: 1957 | Frank Wess, John Coltrane, Paul Quinichette, Mal Waldron, Doug Watkins, Arthur Taylor
For the serious collector of jazz… #Jazz #Classic #Collectible #Music #Notorious
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Daily Dose Of Jazz…
Jerome Darr was born on December 21, 1910 in Baltimore, Maryland. His first major professional affiliation was a jug band, the Washboard Serenaders. As a member of this group from 1933 through 1936, the guitarist enjoyed a well-received European tour.
During the 1940s he focused on work as a studio musician showing up on sessions from blues to bebop. His incredibly versatile and prolific career had him playing behind Frankie Lymon & The Teenagers.
Between 1935 and 1973 Jerome participated in roughly twenty jazz recording sessions. in total for this artist. Such a thin statistic indicates that the hefty, complete list of recordings Darr appears on include many other styles besides jazz.
He recorded and/or performed with the Marlowe Morris Trio, Paul Quinichette All-Stars and his Quartet, Rex Stewartand the Charlie Parker Quintet. In his final years, Darr was mostly swinging in the busy band of trumpeter Jonah Jones, in a sense coming full circle with the type of playing he had started out with.
Guitarist Jerome Darr died October 29, 1986 in Brooklyn, New York.
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