MARCUS MILLER, TANK & THE BANGAS, SOUL REBELS, DJ LOGIC
The opening of our free concert series, SummerStage and long standing programming partner, Blue Note Jazz Festival, has assembled a group of performers that stretch the boundaries of jazz and funk to incorporate the wide variety of African Diaspora sounds. “Laid Black” multi-instrumentalist Marcus Miller has collaborated closely with artists who can be called legends without any hyperbole: Miles Davis, Herbie Hancock, Luther Vandross, Wayne Shorter, and David Sanborn– to name a few.
The two-time GRAMMY winning artist’s chops are deadly serious, but he still knows how to keep it loose, counting “Da Butt,” the tongue-in-cheek anthem from Spike Lee’s School Daze, among his impressive songwriting credits. The evening also features two New Orleans-based SummerStage alumni: Tank and the Bangas, the NPR Tiny Desk contest-winning ensemble that fuses funk, soul, hip-hop, rock, and spoken-word poetry into an unforgettable performance, fresh off a GRAMMY win for leading lady Tank’s spoken word album; and The Soul Rebels, an eight-piece ensemble revolutionizing the conventional brass band framework to inject new life into sounds from across the pop spectrum. DJ Logic will be on the ones and twos between sets.
Cover: Free
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Daily Dose Of Jazz…
Britt Woodman was born on June 4, 1920 in Los Angeles, California. A childhood friend of Charles Mingus, he first worked with Phil Moore and Les Hite. After serving in World War II he played with Boyd Raeburn before joining with Lionel Hampton in 1946.
During the 1950s he worked with Duke Ellington. As a member of Ellington’s band he can be heard on twenty-five recorings such as 1957’s Such Sweet Thunder, Ella Fitzgerald Sings the Duke Ellington Song Book, and 1958’s Black, Brown, and Beige and Ellington Indigos.
1960 saw Britt departing from Ellington to work in a pit orchestra. He went on to later work with Mingus and can be heard on the album Mingus Mingus Mingus Mingus Mingus released in 1963. In the 1970s he led his own octet and recorded with pianist Toshiko Akiyoshi. In 1989, he was part of the personnel for the album Epitaph dedicated to the previously unrecorded music of Charles Mingus.
He recorded Playing For Keeps and In L.A. as a leader, and leaves a sideman recording catalogue of ninety-three albums with Toshiko Akiyoshi – Lew Tabackin Big Band, Bill Berry, Ella Fitzgerald, Lionel Hampton, Johnny Hodges, Jimmy Smith, Gene Ammons, Ray Brown, Ruth Brown, Frank Capp, Nat Pierce, Benny Carter, Rosemary Clooney, John Coltrane, Randy Crawford, Tadd Dameron, Miles Davis, Booker Ervin, John Fahey, Dizzy Gillespie, Benny Golson, Chico Hamilton, Jimmy Hamilton, Hank Jones, Oliver Nelson, Philly Joe Jones, Jon Lucien, Galt MacDermot, Teo Macero, Junior Mance, The Manhattan Transfer, Wade Marcus, Blue Mitchell, Grover Mitchell, James Moody, Maria Muldaur, Oliver Nelson, Oscar Peterson, Zoot Sims, Billy Taylor, Clark Terry, Teri Thornton, Jimmy Woode
Trombonisit Britt Woodman died in Hawthorne, California at the age of 80, having suffered severe respiratory problems on October 13, 2000.
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SABERTOOTH
Founded around 1990, Sabertooth is led by two saxophonists: Cameron Pfiffner & Pat Mallinger. The band started out with the unique pairing of its two lead reedmen at an old musicians hang called Jazz Bulls in Lincoln Park West neighborhood of Chicago. From that night’s collaboration the idea of Sabertooth began to take shape with a driving force behind the widely varied stylings best summed up as, just groove it.
The group has often ventured beyond soul-jazz and hard bop and moved into post-bop and modal territory with John Coltrane’s modal recordings of the early to mid-’60s influencing the groups sound. Sabertoothis both a post-bop group and a soul-jazz/hard bop group with a highly diverse repertoire that includes many original compositions and jazz classics by Duke Ellington, Horace Silver, Wayne Shorter, Lester Young, John Coltrane, as well as covers by the Beatles, Grateful Dead, Bob Dylan, Allman Brothers, Lynyrd Skynyrd, and Bob Marley.
Special invited guests who have performed with the group have included Harry Connick Jr., Kurt Elling, Joe Lovano, Roy Hargrove, Wynton Marsalis Band, Jack McDuff, Joey DeFrancesco, Umphrey’s Mcgee Band, and many others.
Showtimes: 6:00pm-7:15pm & 8:15pm-9:30pm
Cover: $15.00
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On The Bookshelf
WHAT JAZZ IS | JONNY KING
Drawing on the unique insight of a seasoned jazz pianist, What Jazz Is offers an illuminating journey into the heartbeat of America’s original art form. With clarity and passion, Jonny King breaks down the essential building blocks of jazz, tempo, harmony, and melody, demystifying the role each instrument plays in creating the genre’s unmistakable sound.
Through the eyes and ears of a performer, he reveals the hidden structure behind improvisation, showing that what often sounds spontaneous is guided by a deep internal logic and shared musical language. Far from abstract theory, his explanations come to life through vivid examples and personal reflections.
King pays tribute to the giants who shaped jazz, Art Blakey’s explosive rhythms, John Coltrane’s spiritual intensity, Thelonious Monk’s angular genius, while also spotlighting the brilliance of modern innovators like Kenny Garrett, Christian McBride, and Joshua Redman.
Part guide, part homage, What Jazz Is invites readers to hear jazz not just as music, but as a conversation—one that’s rich with history, soul, and ever-evolving creativity.
Daily Dose Of Jazz…
John Troy was born on June 3, 1989 in Buffalo, New York. He began playing the saxophone at age twelve. After showing exceptional ability in the classical realm throughout middle school, with the tutelage of William Eicher, his attention gradually turned toward the study of Jazz Saxophone. He honed his skills with lead alto saxophone for Concert and Jazz All-County Ensembles, and New York All-State Bands as well.
John played both lead alto and tenor in the Fredonia Jazz Ensemble, student big band. He can be heard on the 2009 release of the FJE’s, Still Kickin’ and his debut album All Ahead Flank. He led his own small groups, Jazz Quintessential, and an organ trio, the JT Trio both with significant success.
He has performed and/or studied with the likes of Eric Alexander, Grant Stewart, Ralph Lalama, Todd Coolman, Tim Armacost, Chris Potter, Tom Harrell, Stacy Dillard, Hal Galper, Arturo O’ Farrell, and Pete Malinverni, among others.
Tenor saxophonist John Troy continues to find his musical way through performance and recording in the hard bop genre..
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