The Jazz Voyager
Heading back up to the Big Apple, this time motoring up the highway on 95 North. I’ll get in early and will be catching the sights and sounds of the city until it’s time to make my way to Columbus Circle. There it will be my fortune to be in the house that Wynton Marsalis helped build, as an audience member in Dizzy’s Club. Overlooking the New York skyline, the lights of the night will only enhance the performance.
This week this jazz voyager will be taking a very talented organist, pianist and composer, Akiko Tsuruga. Landing in New York City from Osaka, Japan she quickly immersed herself into the jazz scene. Sitting in and playing gigs, she eventually recorded with Frank Wess, Jimmy Cobb, Grady Tate and other top NY musicians. In 2006 she joined Lou Donaldson’s quartet.
Performance Lineup:
Akiko Tsuruga, organ Joe Magnarelli, trumpet Myron Walden, tenor & baritone, saxophone, flute Byron Landham, drums Charlie Sigler, guitar
Tickets: $20.00 ~$50.00
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Daily Dose Of Jazz…
Jon Ivar Christensen was born March 20, 1943 in Oslo, Norway. In the late 1960s he played alongside Jan Garbarek on several recordings by the composer George Russell. He also was a central participant in the jazz band Masqualero, with Arild Andersen, and they reappeared in 2003 for his 60th anniversary.
He appears on many recordings on the ECM label with such artists as Keith Jarrett, Jan Garbarek, Terje Rypdal, Bobo Stenson, Eberhard Weber, Ralph Towner, including the seminal 1975 Solstice, Barre Phillips, Arild Andersen, Enrico Rava, John Abercrombie, Michael Mantler, Miroslav Vitous, Rainer Brüninghaus, Charles Lloyd, Dino Saluzzi Jakob Bro, and Tomasz Stanko.
Christensen was a member of the Keith Jarrett “European Quartet” of the 1970s, along with Jan Garbarek and Palle Danielsson, which produced five jazz recordings on ECM Records.
Drummer Jon Christensen died on February 18, 2020, at the age of 76 in his hometown.
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LUCIA
Lucía is a 23-year-old vocalist from Veracruz, México, the offspring of a well-known Mexican musical family, whose singular artistic vision bridges the gaps between jazz, Latin, and pop music. In 2022 she became the only Latiné singer to have won the prestigious Sarah Vaughan Vocal Jazz Competition.
Lucía began her musical career at the age of two, singing and dancing in her parent’s son jarocho band, Son de Madera. Since then, she has collaborated and performed with leading artists such as Natalia Lafourcade, La Santa Cecilia, Quetzal and the National Jazz Orchestra of Mexico, and she has performed on stages around the world, including Jazz at Lincoln Center, Carnegie Hall, the Vancouver Folk Festival, and Teatro de la Ciudad Esperanza Iris in Mexico City.
Tickets: $65.00
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SULLIVAN FORTNER
Sullivan Fortner has established himself as a multifaceted jazz talent over the past decade, showcasing his exceptional abilities as a pianist, composer and ensemble leader while maintaining his distinctive artistic voice. Originally from New Orleans, Louisian but now calls New York home, this Grammy Award winner has garnered worldwide recognition both for his solo performances and his collaborative work.
His musical partnerships span a diverse range of acclaimed artists, including vocalist-composer Cecile McLorin Salvant, legendary singer-songwriter Paul Simon, trumpeter Wynton Marsalis, jazz vocalist Dianne Reeves, and guitar virtuoso John Scofield.
Tickets: $65.00
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Daily Dose Of Jazz…
Yervant Harry Babasin, Jr. was born on March 19, 1921 in Dallas, Texas to American/Armenian parents. He attended North Texas State University, one of many noted jazz alumni from the school. Among them were Jimmy Giuffre, with whom he played in Bill Ware’s orchestra around 1940, and Herb Ellis, who played with him in the Charlie Fisk Orchestra starting in 1942. Fisk actually fired his rhythm section after hearing Ellis and Babasin play, and after he was admitted, Babasin quit school to go on tour with Fisk.
He toured in the 1940s with Jimmy Joy, Bob Strong, Billie Rogers, Gene Krupa, Charlie Barnet, Boyd Raeburn, Benny Goodman, Woody Herman, Frank DeVol, and Jerry Gray. He also appeared in A Song Is Born, one of many jazz stars to play roles in the film. On the film set he met guitarist Laurindo Almeida, and the two began jamming together. Along with Roy Harte and Bud Shank their quartet was an early experiment blending Brazilian music and jazz. Their 1954 ten inch discs are predecessors to the bossa nova explosion of the late 1950s and early 1960s.
1947 saw him recording the first cello solos known in jazz music, with the Dodo Marmarosa Trio. In order to do so, he tuned his strings in fourths. In later cello ensembles he added a bass player. He and Oscar Pettiford did a session together with two cellos. In the mid-1950s, he put together his own ensemble, Harry Babasin & the Jazzpickers. This ensemble released three albums and played regularly at the Purple Onion in Hollywood, California. One recording of note was made in 1952 at the Tradewinds nightclub in Inglewood. It features Charlie Parker, Chet Baker, Sonny Criss, Al Haig, Larance Marable, and Harry, in one of Bird’s few West Coast appearances.
His career cooled in the 1960s, returning to work with Charlie Barnet and supporting Bob Hope’s USO tours. In the 1970s he and Harte initiated the Los Angeles Theaseum, a jazz archive and preservation society. Harry gave his last tour in 1985 with John Banister on piano. Over the course of his career he was possibly a part of as many as 1,500 recordings.
Bassist Harry Babasin, nicknamed The Bear, died of emphysema in Los Angeles, California on May 21, 1988.
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