FRAN VIELMA JAZZ ORCHESTRA

Fran Vielma Jazz Orchestra features an outstanding cast of musicians from the Mid-Atlantic and East Coast regions performing his own writing, as well as works by contemporary Pan-American jazz arrangers and composers.
About the leader: “a percussion colourist of great distinction… leans heavily on his aptitude for, and particular genius for counterpoint and most of important of all – his understanding of instrumental timbre…” –Raul Da Gama, Latin Jazz Network 2018.
Hailing from Venezuelan Andes, Fran Vielma is a critically acclaimed and award-winning multi-percussionist, composer, and educator. His continuous research on the rhythms of America, and beyond, is integrated with his attraction to concert music and the freedom of jazz.
Vielma recently premiered his suite “Common Grounds” at SFJAZZ commissioned by the prestigious Chamber Music America – New Jazz Works and has been a DC Commission on the Arts and Humanities Fellow since 2019. Additionally, has been a Jazz Road Tours Grantee by South Arts.
DJ Don Vik ~ 12:00pm

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Sadi Pol Lallemand was born on October 23, 1927 in Andenne, Belgium. His first instrument was the xylophone, which he played in a circus in the 1930s. After World War II, he turned professional playing the vibraphone and performed with Bobby Jaspar in the Bob Shots, then with Don Byas.

Moving to Europe he lived in Paris, France from 1950 to 1961 where he played with Aimé Barelli, Django Reinhardt, and Martial Solal. In the Sixties, Fats moved to Brussels, Belgium and was a member of Kenny Clarke/Francy Boland Big Band.

He worked for RTBF, the TV channel of the French Community in Belgium. Sadi led both a quartet and nonet, and won the Belgian Golden Django for best French-speaking artist in 1996.

Vibraphonist, percussionist, vocalist and composer Fats Sadi, who chose the name “Sadi” because he disliked his last name, which means “the German” in French, transitioned on February 20, 2009 in Huy, Belgium.

BRONZE LENS

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TYSHAWN SOREY TRIO

At 43, Tyshawn Sorey is an American composer, multi-instrumentalist, and professor of contemporary music. Sorey has received accolades for performances, recordings, and compositions ranging from improvised solo percussion to opera, with work in best-of lists for both classical and jazz music.

A Newark native, is among the most formidable denizens of the in-between zone. Here is an extraordinary talent who can see across the entire musical landscape.

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Sue Evans was born on July 7, 1951 in New York, New York and played piano, violin and clarinet as a young child before switching to drums. She studied under Warren Smith and Sonny Igoe, and graduated in 1969 from The High School of Music & Art. She went on to earn a BA in Music from Columbia University, as well as a Master of Music and Doctorate from the Juilliard School.

Becoming one of the top recording percussionists in New York she has recorded jingles, movie scores, and numerous albums with many jazz, folk and pop artists. She was Judy Collins’s touring drummer from 1969 to 1973 and worked with Gil Evans from 1969 to 1982. During the Seventies she worked with Steve Kuhn, Art Farmer, Bobby Jones, George Benson, Urbie Green, Yusef Lateef, Idris Muhammad, Lalo Schifrin, Jeremy Steig and Roswell Rudd’s Jazz Composers Orchestra. In addition Sue played with The New York Pops, the New York Philharmonic, the Brooklyn Philharmonic and the New Jersey Symphony Orchestra.

The 1980s saw her working with Michael Franks, Mark Murphy, Suzanne Vega, Tony Bennett, and Morgana King. Other associations include touring or recording with Aretha Franklin, Sting, Spike Lee, James Brown, Billy Cobham, Blood, Sweat & Tears, Philip Glass, Peter, Paul, and Mary, Don Sebesky, Sadao Watanabe, Hubert Laws, Randy Brecker, David Sanborn and Terence Blanchard.

For several years she played at the Tony Awards and the Grammy Awards. She won National Academy of Recording Arts and Sciences Most Valuable Awards in 1984, 1987 and 1989. Drummer and percussionist Sue Evans continues to perform and record.

GRIOTS GALLERY

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Michael Baird was born Lusaka, Zambia on July 5, 1954 and moved to the Netherlands at an early age, where he learned to play drums. Since the mid-1970s he has worked with several Dutch jazz groups and from 1975-83 he played and recorded with Gijs Hendriks, Slide Hampton, Kenny Drew, Raul Burnet, Sonny Grey, Siggi Kessler, Michel Herr, Michel Grailler, Joe Diorio, Jan Akkerman, Wim Overgaauw, Stan Tracey, and Kenny Wheeler.

He founded his own label SWP Records in 1986, led his group Sharp Wood for a decade beginning in 1986 and the octet Utrecht Deep Artment for two years. In 2000 he put together a quintet CapeAbility, followed by sextet Trendy 3D Junk and by 2002 was performing solo concerts along with various other projects and composition commissions.

He has compiled and produced a 22 Cd series “Historical Recordings by Hugh Tracey” of African music from the 40s and 50s, made his own field recordings in Zambia, Zimbabwe, Lesotho and released both on SWP Records.

Drummer, percussionist and keyboardist Michael Baird continues to perform, record and push the boundaries of jazz.

GRIOTS GALLERY

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