ERIC KENNEDY
Eric Kennedy & Friends: Tribute to Lisa
A Baltimore, Maryland native, Eric Kennedy is a drummer, vocalist, percussionist, educator, arranger and composer. He started performing at the age of three with a family band and encouraged by visiting local and national musicians.
Eric was the 2004 runner-up in the Billie Holiday Vocal Competition and first-place band member in the Chick Webb Jazz Combo Competitions 2008 and 2009. Eric also won the Jazz Journalists Association of America 2023 award for Baltimore Jazz Hero.
Eric has performed, toured, and recorded with Curtis Fuller, Jimmy Heath, Gary Bartz, Phil Woods, Billy Harper, Curtis Lundy, Bobby Watson, Gary Thomas, Fred Wesley, Wallace Roney, Cyrus Chestnut, Ethel Ennis, Larry Willis, Cecil McBee, Donald Harrison, Joe Locke, TK Blue, John Hicks, Richard Wyands, Yusef Salim, Eddie Henderson, Joe Bonner, Carl Grubbs, David Murray, Oliver Lake, Pansori master Ahn Sook Sun and many others.
The Band:
Eric Kennedy ~ drums
Marc Cary ~ piano
John Lee ~ guitar
Kelly Shepherd ~ alto saxophone
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GHOST NOTE
Headed by Snarky Puppy’s multi-Grammy–winning percussion duo of Robert “Sput” Searight and Nate Werth, Ghost-Note is an explosion of sound. With an expansive roster of next-level musicians—representing members of Prince, Snoop Dogg, Erykah Badu, Herbie Hancock, Kendrick Lamar, Marcus Miller, Toto, Justin Timberlake, and more—the band is pushing funk music into the future, building on the uplifting, pioneering foundations laid out by the likes of James Brown and Sly & The Family Stone and infusing their fresh take with tastes of afrobeat, hip-hop, psychedelia, world folklore, and more.
With the release of 2018’s Swagism, Ghost-Note has made their mission clear. The album puts rhythm at the forefront, with irresistible, heavy-hitting beats underlying the group’s wild, rich music. Featuring numerous guest collaborators, including Kamasi Washington, Karl Denson, Bobby Sparks, Nigel Hall, Taz, and others, Swagism showcases the band’s stunning ability to meld and amplify sounds, ultimately adding to Ghost-Note’s sharp, complex collaborations.
Fearless, both in Swagism’s sonic depth and conscious social commentary, the band easily translates this adventurousness in a live setting. Ghost-Note’s live performances are bold and in your face, with the group offering up none of the tight-laced pretenses frequently associated with the band’s jazz roots. Focused on creating seductive danceable grooves and a contagious feel-good energy, each show is an opportunity to let loose and connect, for both fans and the musicians alike.
After forming in 2015, Ghost-Note has already begun to take the world by storm. The group’s two studio albums—2018’s Swagism and 2015’s Fortified—have earned critical acclaim and popular success around the globe, with both albums hitting the #1 spot on the iTunes Jazz Charts. Furthermore, the ever-growing family of musicians has mounted successful headlining tours in the United States, Canada, and Japan and performed at high-profile international music festivals and events.
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Daily Dose Of Jazz…
David Silliman was born on July 28, 1960 and raised in the San Francisco, California bay area where he was exposed to a wide variety of music. His first studies were in the classical field, studying snare drum, xylophone and timpani. He was later exposed to Jazz, Latin Jazz, Brazilian and Funk music. His current setup varies from the standard American drum set augmented with a South American cajon, drums from the Middle East, Africa and the Caribbean along with various other percussion instruments.
He hass performed on the stages of European and American jazz festivals, and spent years playing with Blossom Dearie as a member of her trio. He has toured with Al DiMeola, Cassandra Wilson, Leslie Uggams, Mariah Carey, Edmar Castaneda, and performed with Aretha Franklin. He is no stranger to the Broadway pit or the New Jersey Symphony, having sat in the chairs of both.
Drummer and percussionist David Silliman, who has yet to record as a leader, continues to perform.
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Daily Dose Of Jazz…
Omar Ruben Rada Silva was born July 16, 1943 in Montevideo, Uruguay. Little is known about his early life but his sound comes from his exposure to the music of his country, a chorus of tamboriles and Uruguayan barrel drums.
In 1965, he and Eduardo Mateo formed the band El Kinto Conjunto. This was the first group in Uruguay to create the beat genre in Spanish and to fuse rock with Latin American musical styles. In 1969 the success of his Candombe song Las Manzanas (The Apples) led to his first solo album and participation in the Festival of Popular Music in Rio de Janeiro, Brazil. A year later he formed the band Tótem.
In 1977, he traveled to the United States after an invitation by the Fattoruso Brothers to play with the group OPA. Over the next year, he performed with Tom Scott, Ray Barretto, Hermeto Pascoal, and Flora Purim.
Settling in Mexico for three years beginning in 1991, Rubén worked as a composer and arranger for local musicians such as Mijares, Eugenia León, Stephanie Salas, and Tania Libertad. In 1994 he shared the spotlight with Sting and UB40 at the Palacio de Deportes in Mexico City.
Rada’s renown led him to record on international labels and his songs have been played worldwide and have been recorded by Milton Nascimento, Herb Alpert, and Lani Hall. He was invited by Jon Anderson and Joan Manuel Serrat to appear on their albums Deseo and Utopía, respectively.
He has voiced the part of Lucius Best/Frozone in the 2004 Argentinian dubbing of The Incredibles. Ruben has directed radio and TV shows, and has starred in the television sitcom La Oveja Negra (The Black Sheep).In 2010, the third round of the series LifeLines in Berlin paid tribute to Rubén Rada. That same year he recorded a show in the Argentine program Encuentro en El Estudio, which is run by that country’s Ministry of Education.
Percussionist, composer, singer and television personality Ruben Rada, who has recorded more than thirty albums, continues to perform, compose and record.
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Daily Dose Of Jazz…
Alain Samba was born on July 10th in Pointe Noire, Congo Brazzaville. His early music experiences began with him playing different kinds of percussion native to the region such as sanza (kalimba), kikongui, marimba and drums. He was influenced by listening to both African and European music. At the age of 8 he moved to France where he studied saxophone and harmony at the American School of Modern Music in Paris.
His music is inspired mostly by the jazz of Duke Ellington, John Coltrane, Charles Parker, Wes Montgomery, Nat King Cole, Ella Fitzgerald and Wayne Shorter, and the music of his native region of Congo such as bantous’ music, lari , téké , mbochi and of course the pygmies polyrhythms and polyphonies.
Since the 90’s he has performed in Paris, France clubs, and all around Europe. He created the Art Ensemble of Africa to illuminate the struggle of world citizenship with the same love of music and sharing. In Stockholm, Sweden he teaches saxophone, harmony and polyrhythms and has played with musicians from around the world based in Sweden. such as Rene Martinez, Celso Paco, Pepe Espinosa, Tropicana se, Marianne Fuglevaag, Derrick Walker, Emilio Estrada, and Jorge Arruda to name a few.
Saxophonist, composer, pianist and percussionist Alain Samba, whose main instruments are tenor and soprano saxophones, continues to mix modern jazz with traditional African music.
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