FIERY STRING SISTAS
At the core of Firey String Sistas are three powerhouse women, Nioka Workman (founder),Marlene Rice and Mala Waldron. Together they infuse world, global funk, ‘head bopping’ soul and Jazz music to produce a unique sound for violin, cello, bass, piano and percussion. The Firey String Sistas extend from 3 to 5 members, featuring cutting edge acoustic and electric musicians. The ‘Sistas’ presentations include tone portraits of the current times, reflections of women’s culture and a celebration of family traditions. The ensemble’s first recording received overwhelming critical acclaim with the press saying; “ ….there’s enough energy in Firey StringSistas to fire up a constellation….deeply personal, naturally expressive playing….whets the appetite for further releases.” – Raul da Gama (Jazz daGama ). “,….eight fun and swingingoriginals.
The team literally shows pluck…a treat” -George Harris (Jazz Weekly) “ ….. a charming and delectable work by .. supremely talented musicians. It is simultaneously accessible and sophisticated, poignant and erudite and, as such, should have a wide appeal. It certainly whets the appetite for more to come…..” -Hrayr Attarian (All About Jazz) . After the success of CD “That’s What She Said” , the Firey String Sistas have begun to record their sophomore CD with dedications to icons, Maxine Waters, Michelle Obama and Mal Waldon This CD also includes surprise features of renowned Jazz artists sprinkled in. Firey String Sistas are recipients of the South Arts Jazz Tours 2023 for performances at Outpost Performing Center, Albuquerque and SITE Museum, Santa Fe Jazz Collective in New Mexico.
Tickets: $35.00~$110.00
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Daily Dose Of Jazz…
Trilok Gurtu was born October 30, 1951 to Hindu Brahmin parents in Mumbai, India. His mother was a famous classical vocalist who encouraged him to learn to play the tabla. He attended Don Bosco High School in Mumbai and he received formal training in percussion from Shah Abdul Karim.
Gurtu began playing a western drum kit in the 1970s, and developed an interest in jazz. Not understanding overdubbing he learned multiple parts which most musicians would have never attempted. In the 1970s, he played with Charlie Mariano, John Tchicai, Terje Rypdal, and Don Cherry.
In 1977 he recorded Apo-Calypso, an album by the German ethnic fusion band Embryo. His mother also sang on that record, and later joined him on his first solo CD, Usfret. The 1980s saw Trilok playing with Swiss drummer Charly Antolini and with John McLaughlin in McLaughlin’s trio. He joined Oregon and played on three of their records. In the early 1990s, he resumed his career as a solo artist and a bandleader.
By the end of the decade he was a member of Tabla Beat Science, collaborated with the Arkè String Quartet in 2007, and in 2012 with the electronic folk duo Hari & Sukhmani. He has worked with Terje Rypdal, Gary Moore, John McLaughlin, Jan Garbarek, Joe Zawinul, Michel Bisceglia, Bill Laswell, Maria João & Mário Laginha, Stefano Bollani and Robert Miles.
Drummer, percussionist, tabla player and composer Trilok Gurtu continues to compose, perform and record.
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Daily Dose Of Jazz…
Richard Bona was born Bona Penda Nya Yuma Elolo on October 28, 1967 in Minta, Cameroon. His family of musicians enabled him to start learning music from a young age. His grandfather was a griot and percussionist, as his mother was a singer. When he was four years old he started playing the balafon. At five he began performing at his village church, however, not being wealthy, he made many of his own instruments, flutes and guitars.
He began learning to play the guitar at the age of 11, and in 1980 at 13 he assembled his first ensemble for a French jazz club in Douala, Cameroon. The owner befriended him and helped him discover jazz starting with Jaco Pastorius, which inspired Bona to switch his focus to the electric bass.
Emigrating to Germany at the age of 22 he studied music in Düsseldorf, soon relocating to France, where he furthered his studies in music. While in France, he regularly played in various jazz clubs, sometimes with players such as Manu Dibango, Salif Keita, Jacques Higelin and Didier Lockwood.
He left France and established himself in New York City, playing bass guitar with Joe Zawinul, Larry Coryell, Michael and Randy Brecker, Mike Stern, George Benson, Branford Marsalis, Chaka Khan, Bobby McFerrin, and Steve Gadd, among others. In 1998, Bona was the Musical Director on Harry Belafonte’s European Tour.
His debut solo album, Scenes from My Life, was released in 1999. He has also been prominently featured in Jaco Pastorius Big Band albums. As an educator he held a professorship of jazz music at New York University. For five years beginning in 2015 he owned with restaurateur Laurent d’Antonio, the jazz club Club Bonafide in the city.
Bass guitarist, guitarist, percussionist and vocalist Richard Bona continues to compose, record and perform.
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Tony Carr was born George Caruana on October 24, 1927 in Malta. Moving to the United Kingdom in 1953, he joined bandleader Billy Eckstine for a tour in Europe. He played regularly at the Bull’s Head in Barnes SW London, accompanying the cream of British and American jazz musicians.
He eventually became a most sought-after session player in London, England between 1954 and the early 1980s. During the Sixties pianist, conductor and arranger John Cameron recruited Carr as his first-call session player. His career would see him working with Ella Fitzgerald, Sixto Rodriguez, Donovan, Alan Price, Paul McCartney among others. In Malta, he also played with Frank Bibi Camilleri, Joe Curmi il-Puse, Juice Wilson, Freddie Mizzi and Sammy Galea, to name a few.
He has been a member of Daylight, Directions In Jazz Unit, Harold McNair Quartet, John Cameron Quartet, Mike Batt And Friends, Señor Funk and Frog, the latter put together for a horror film soundtrack.
Drummer and percussionist Tony Carr, at 96, no longer performs in public
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Daily Dose Of Jazz…
Chris Karan was born Chrisostomos Karanikis on October 14, 1939 in Melbourne, Victoria, Australia. In the early 1960s he played in the Three Out Trio with Mike Nock and Freddy Logan in Sydney, Australia.
A move to London, England in 1962 saw him becaming the drummer in the Dudley Moore Trio. He toured and recorded with Moore for many years, including appearances on the TV series Not Only But Also and the soundtrack of the 1967 movie Bedazzled. Their association continued until Moore’s last major public appearance at Carnegie Hall in New York City in 2001.
Karan has worked with Michel Legrand, Lalo Schifrin, Charles Aznavour, the Swingle Singers, Quincy Jones, Herbie Hancock, Stanley Myers, Basil Kirchin, Tony Hatch, Jackie Trent, Jerry Goldsmith, Jerry Fielding, Pat Williams, André Previn, Richard Rodney Bennett, Barry Tuckwell, Carl Davis, Henry Mancini, the Beatles, the Seekers, Katie Melua and Roy Budd.
He toured with John Dankworth and Cleo Laine, the Bee Gees, Caterina Valente, Dusty Springfield, Lulu and the Yardbirds. He was a member of the Harry Stoneham group, which provided the musical backing for the Michael Parkinson shows on BBC-TV.
As a member of Roy Budd’s band, the Roy Love Trio, he performed on the Get Carter 1971 film soundtrack. He plays the tabla on some albums, having studied the instrument under the Indian musician Alla Rakha. He has recorded with Dudley Moore, Ronnie Scott, Teresa Brewer, Ian Carr, Ray Ellington, Stephane Grappelli, Cleo Laine, Oliver Nelson, among numerous others.
Drummer and percussionist Chris Karan, who at 84 years of age has recorded 84 albums as a sideman, continues to perform.
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