Daily Dose Of Jazz…

Art Anton was born on September 8, 1926 in New York City. In the early 40’s he was a private student of Irving Torgman, and was a music major at New York University from 1943 through 1944. He returned for further studies from 1946 through 1947. In between, the Navy grabbed him to play its own military paradiddles. From the late ’40s onward, he began working with leaders such as Herbie Fields, Sonny Dunham, Bobby Byrne, Tommy Reynolds, and Art Wall.

In 1952, he got into the combo of saxophonist Bud Freeman, moving to pianist Ralph Flanagan’s band the following year. Anton’s drumming style stuck closely to straight-ahead jazz swinging or whatever other beat was required. After gigs in 1954 with Jerry Gray and Charlie Barnet, he relocated to the west coast and began freelancing. He performed and recorded with the big band of Stan Kenton to multi-instrumentalist Jimmy Giuffre’s smaller units.

Maintaining steady employment as a jazzman on the stingy Los Angeles, California scene was difficult, and Artie looked for other types of employment. During the ’60s, he turned to selling vacuum cleaners, worked as a private detective, while remaining a highly respected West Coast percussionist.

Drummer and percussionist Art Anton, who is also listed as Artie or Arthur, died on July 27, 2003 in Yakima, Washington.

CALIFORNIA JAZZ FOUNDATION

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Daily Dose Of Jazz…

Bobby Carcassés was born on August 29, 1938 in Kingston Jamaica where his Cuban grandfather worked as a diplomat. Upon moving to Villa Clara, Cuba at the age of four he grew up surrounded by Cuban rhythms, listening to Benny Moré, Conjunto Casino & Roberto Faz. He acquired a love for an eclectic spectrum of music from the opera star Enrico Carusso and Mexico’s Jorge Negrete to jazz royalty Sarah Vaughan, Buddy Rich and Stan Getz.

By the 1950’s he was involved with some of the best vocal quartets in Cuba and while playing for many years at The Tropicana the center of Cuban Jazz, he began to experiment with bebop and scat vocals. During the Sixties he traveled to Europe, spending a year in Paris where he played with Kenny Clarke and Bud Powell.

Returning to Cuba he worked in the Teatro Musical where he met three of the future founders of Irakere: Chucho Valdes, Carlos Emilio Morales and Paquito D’ Rivera. Over the next ten years he played in the best night clubs in Havana, Cuba as well as acting in Cuban cinema, Tv and essentially starting to form his own Jazz group.

In 1980 he organized the first Jazz Plaza Festival in Havana, inviting Dizzy Gillespie, Ronnie Scott, Charlie Haden, Airto Moreira, Tania Maria, Steve Coleman and many others. After his own group played these festivals. he traveled to Canada, England, France and the USA where he performed with Tito Puente, Eddie Palmieri, Patato Valdés and many others on the Latin Jazz scene.

Trumpeter Bobby Carcassés, who also plays piano, bass, percussion, and flugelhorn, as well as writing his own pieces, continues to perform, record and create art that has been exhibited globally.

BRONZE LENS

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THE HEADHUNTERS

Few bands can boast a history as fortuitous and storied asThe Headhunters. What each member brings to the table forged a history that most bands can only dream of. Their blend of jazz with funk and rock would go on to sell over a million albums worldwide, while the band’s legacy would inspire musicians of every genre for years to come, be sampled by hundreds of hip-hop artists throughout the ’80s and ’90s, and influence countless musicians’ playing today. The Headhunters’ impact remains a global phenomenon, and their time with Hancock proved to be a life changing experience. The band has released 8 more albums stepping out on their own sans Hancock’s involvement starting with Survival of the Fittest in 1975 and on Straight from the Gate in 1977 and most recently Speakers In the House in 2022 and Live From Brooklyn Bowl in 2023.

The current band consists of a top notch quintet with Clark, Summers and Harrison joined by bassist Chris Severin (Dr. John, Diana Krall, The Neville Brothers) and pianist Kyle Roussel (Preservation Hall Jazz Band), both staples on the New Orleans music scene. Managed by Greg Lucas and Craig Walker at Devil Hills Entertainment, the band is poised for success in 2024, having recorded a new album and accompanying feature length documentary at the legendary Hyde Street Studios in August 2023 and completed a sold out European tour in November 2023 including two nights at the London Jazz Festival.

The Band:

Donald Harrison ~ saxophone
Kyle Roussel ~ piano
Chris Severin ~ bass
Bill Summers ~ percussion
Mike Clark ~ drums

 

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ERIC KENNEDY

Eric Kennedy & Friends: Tribute to Lisa

A Baltimore, Maryland native, Eric Kennedy is a drummer, vocalist, percussionist, educator, arranger and composer. He started performing at the age of three with a family band and encouraged by visiting local and national musicians.

Eric was the 2004 runner-up in the Billie Holiday Vocal Competition and first-place band member in the Chick Webb Jazz Combo Competitions 2008 and 2009. Eric also won the Jazz Journalists Association of America 2023 award for Baltimore Jazz Hero.

Eric has performed, toured, and recorded with Curtis Fuller, Jimmy Heath, Gary Bartz, Phil Woods, Billy Harper, Curtis Lundy, Bobby Watson, Gary Thomas, Fred Wesley, Wallace Roney, Cyrus Chestnut, Ethel Ennis, Larry Willis, Cecil McBee, Donald Harrison, Joe Locke, TK Blue, John Hicks, Richard Wyands, Yusef Salim, Eddie Henderson, Joe Bonner, Carl Grubbs, David Murray, Oliver Lake, Pansori master Ahn Sook Sun and many others.

The Band:

Eric Kennedy ~ drums
Marc Cary ~ piano
John Lee ~ guitar
Kelly Shepherd ~ alto saxophone

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GHOST NOTE

Headed by Snarky Puppy’s multi-Grammy–winning percussion duo of Robert “Sput” Searight and Nate Werth, Ghost-Note is an explosion of sound. With an expansive roster of next-level musicians—representing members of Prince, Snoop Dogg, Erykah Badu, Herbie Hancock, Kendrick Lamar, Marcus Miller, Toto, Justin Timberlake, and more—the band is pushing funk music into the future, building on the uplifting, pioneering foundations laid out by the likes of James Brown and Sly & The Family Stone and infusing their fresh take with tastes of afrobeat, hip-hop, psychedelia, world folklore, and more.

With the release of 2018’s Swagism, Ghost-Note has made their mission clear. The album puts rhythm at the forefront, with irresistible, heavy-hitting beats underlying the group’s wild, rich music. Featuring numerous guest collaborators, including Kamasi Washington, Karl Denson, Bobby Sparks, Nigel Hall, Taz, and others, Swagism showcases the band’s stunning ability to meld and amplify sounds, ultimately adding to Ghost-Note’s sharp, complex collaborations.


Fearless, both in Swagism’s sonic depth and conscious social commentary, the band easily translates this adventurousness in a live setting. Ghost-Note’s live performances are bold and in your face, with the group offering up none of the tight-laced pretenses frequently associated with the band’s jazz roots. Focused on creating seductive danceable grooves and a contagious feel-good energy, each show is an opportunity to let loose and connect, for both fans and the musicians alike.


After forming in 2015, Ghost-Note has already begun to take the world by storm. The group’s two studio albums—2018’s Swagism and 2015’s Fortified—have earned critical acclaim and popular success around the globe, with both albums hitting the #1 spot on the iTunes Jazz Charts. Furthermore, the ever-growing family of musicians has mounted successful headlining tours in the United States, Canada, and Japan and performed at high-profile international music festivals and events.

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