STEVE TYRELL & DAVID BENOIT
Steve Tyrell
GRAMMY Award-winning producer and vocalist Steve Tyrell is the definition of a renaissance man. In his nearly five decades in the music business, he has achieved success as a singer, songwriter, producer, music supervisor, and most recently, radio host. His breakthrough performances in Father of the Bride and Father of the Bride II helped Tyrell reinvent and re-popularize classic pop standards for a modern-day audience. His hits, The Way You Look Tonight, The Simple Life, Crush On You, and The Sunny Side of The Street, have launched millions of romances and been played at thousands of weddings, including Chelsea Clinton’s!
As an artist, all 9 of his American Standards albums have achieved top 5 status on Billboard’s Jazz charts. His first album, A New Standard, was amongst the best selling jazz albums for more than 5 years. Steve’s latest album, That Lovin’ Feeling, debuted in the top 5. On it, he celebrates what he calls the Great American Songbook 2, featuring seminal rock era classics penned by legendary songwriters, including Carole King, Burt Bacharach, Neil Sedaka, Barry Mann and Cynthia Weil, Mike Stoller and Jerry Leiber, among others. He teamed with Judith Hill of 20 Feet From Stardom, as well as Neil Sedaka, Bill Medley, and B.J. Thomas for duets that put a new spin on their signature songs.
In August 2015, Tyrell added radio host to his long line of credits. Every Monday thru Friday, he can be heard on The Steve Tyrell Show, from 5PM to 8PM/PT on KJAZZ 88.1 in Los Angeles and online at jazzandblues.org.
Steve has had the pleasure of singing for Heads of State, including Presidents Bush and Clinton, Prime Minister Tony Blair, President Santos of Columbia, and Archbishop Desmond Tutu. In 2014, His Royal Highness The Prince of Wales invited Steve and his band for a command performance at Buckingham Palace.
As for American royalty, the Sinatra family has long embraced Steve and his music. Together with Quincy Jones, they handpicked Steve to be the featured performer with the Hollywood Bowl Orchestra at their season opening concert in which Frank Sinatra was inducted into the Hollywood Bowl Hall of Fame. Also at the request of the Sinatra family, he reprised that performance at Carnegie Hall. This was one of the rare times the family has reached into the vault of original Sinatra arrangements to share them with another artist.
Although Steve tours mainly with his band, he also enjoys playing with some of the most renowned orchestras in the world, and has had multiple performances with The Boston Pops, The New York Pops, The Nashville Symphony, Kansas City Symphony, and The Houston Symphony, among many others. In 2005, after the passing of the legendary Bobby Short, Steve was asked by New York City’s Cafe Carlyle to take over their revered holiday season of November and December, which Mr. Short had not missed for 36 years. Tyrell’s work in the studio as a record producer has included collaborations with such diverse and legendary artists as Rod Stewart, Diana Ross, Ray Charles, Linda Ronstadt, Aaron Neville, Bonnie Raitt, Blood Sweat and Tears, Mary J Blige, Chris Botti, Dave Koz, Dolly Parton, Smokey Robinson, Burt Bacharach, Bette Midler, and Stevie Wonder, among many others. He produced Woody Allen’s classic comedy album, Woody Allen – Stand Up Comic, as well as an album with the late Andy Griffith, which won the Grammy in 1995 for Gospel Album of the Year.
As a music supervisor and music producer for film and TV, Tyrell has worked with such distinguished directors as Steven Spielberg, Tom Hanks, Nancy Meyers, Steven Soderbergh, Charles Shyer, and Hugh Wilson. His song, How Do You Talk To An Angel, written and produced for Aaron Spelling’s Fox television series The Heights, was a No. 1 hit on Billboards Top 100 Pop Charts.
Aside from being a GRAMMY Award winner, Tyrell is a Daytime Emmy Award winner and has earned two Prime Time Emmy nominations. He’s also garnered three Ace Nominations, the 2004 American Society of Young Musicians All That Jazz Award, a 2004 The Wellness Community Human Spirit Award, a 2006 Society of Singers Lifetime Achievement Award, 2008 Los Angeles Jazz Society’s Jazz Vocalist of the Year, and 2013 City of Hopes Goodwill Ambassador Award. His productions have earned over 11 GRAMMY Awards themselves. The music he produced for the children’s special, Cartoon All Stars to the Rescue, which aired on all three major networks simultaneously, was given a special certificate of recognition by the Emmys.
Though Steve was born and raised in Texas, he has called Los Angeles home for more than 30-years. The production he cherishes most is his ever expanding family!
David Benoit
For four decades, the GRAMMY®-nominated pianist/composer/ arranger David Benoit has reigned supreme as one the founding fathers of contemporary jazz. When he was coming up, Benoit worked with singers Patti Austin, Connie Stevens, Ann-Margaret, and Lainie Kazan as her musical director/conductor. In 1976, Benoit released albums on the AVI label from 1977 to 1984. He later released several chart-topping recordings for GRP, including Freedom at Midnight (1987), Waiting for Spring (1989) and Shadows (1991), which both topped Billboard’s Contemporary Jazz Charts at #5, #1, and #2, respectively. His other noteworthy recordings include Letter to Evan (1992), his tribute to another piano influence, Bill Evans, and Here’s to You, Charlie Brown: Fifty Great Years (2000). Benoit also recorded with Russ Freeman on their album The Benoit/Freeman Project (1994), and on their follow-up collaboration, 2 (2004), which was released on Peak Records. His other recordings for the label include American Landscape (1997) and Orchestral Stories (2005), which featured his first piano concerto, “The Centaur and the Sphinx,” and a symphonic work, “Kobe”.
He has received three GRAMMY® nominations in the categories of Best Contemporary Jazz Performance for “Every Step of the Way” (1989), Best Large Ensemble Performance for GRP All-Star Big Band (1996), and Best Instrumental Composition for “Dad’s Room,” the latter from the album Professional Dreamer (2000) and in 2010, David Benoit received the Lifetime Achievement Award from the American Smooth Jazz Awards. He has also worked with an impressive potpourri of musicians including the Rippingtons, Emily Remler, the late Alphonse Mouzon, Dave Koz, Faith Hill, David Sanborn, CeCe Winans, Keiko Matsui, Hiroshima, and Brian McKnight.
Parking: $30.00 advanced purchase | $35.00 day of
Valet: $40.00 advanced purchase | $45.00 day of (if not sold out)
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Daily Dose Of Jazz…
René “Rudy” Bruder was born on June 15, 1914 in Brussels, Belgium. His father was a bandleader and Rudy played in his father’s group in the mid-1930s. He then joined Jean Omer’s group, accompanying visiting American musicians such as Benny Carter, Bill Coleman, Coleman Hawkins, and Bobby Martin.
He worked with Omer through the early 1940s. He also recorded several times with Jean Robert and Gus Deloof. He led his own band, which recorded in the early 1940s and again in 1946.
Pianist Rudy Bruder retired from music and according to sources is 108 yers old.
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Daily Dose Of Jazz…
Peter Naphtali Lemer was born June 14, 1942 in London, England and studied piano and composition at the Royal Academy of Music with Sven Weber and John Gardner, privately with Thomas Rajna, and then at workshops in London run by Jack Goldzweig. He then went to New York to study double bass with David Walter, attended workshops run by Bill Dixon, and studied piano with Jaki Byard and Paul Bley.
In 1965, Lemer formed a trio with John Stevens and Jeff Clyne, which opened the Little Theatre Club. In 1966, he formed the Peter Lemer Quintet, with drummer Jon Hiseman, tenor saxophonist George Khan, baritone saxophonist John Surman and bassist Tony Reeves. They successfully played a season at Ronnie Scott’s that helped to pave the way for the British free jazz movement of the late 1960s and early 1970s.
In 1969 Peter delved into experimental jazz with the group Spontaneous Music Ensemble,then joined Barbara Thompson that developed into Thompson forming Paraphernalia with husband Jon Hiseman. Paraphernalia became the most frequently performing jazz-oriented group in Europe. By 1974 he joined Gilgamesh, then became an in-demand session player and became a member of rock band Ken Elliot’s Seventh Wave.
The following year he joined Ginger Baker, Mr Snips, and The Gurvitz brothers in the Baker Gurvitz Army. His next move was with Jan Dukes de Grey briefly and then on to Mike Oldfield’s fifty-piece touring band as one of two keyboard players. Most recently Lemer has worked with the band In Cahoots, recording with them as well as with Paraphernalia.
Pianist and keyboardist Peter Lemer currently plays with the Spanish Harlow Orchestra and coaches piano, improvisation, and music technology. He is active in lobbying to end global hunger and poverty.
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Requisites
My Conception ~ Sonny Clark | By Eddie Carter
Sonny Clark enters this morning’s spotlight with a 1959 recording session that remained in the vault for two decades. My Conception (Blue Note GXF 3056) is a 1979 release that came out first in Japan and later as a 2000 CD album in the US. Clark was one of the label’s house pianists, recording some of his finest albums as a leader. He also appeared on numerous releases as a sideman. Here, Sonny is leading a stellar quintet in a program of his original tunes. Donald Byrd on trumpet, Hank Mobley on tenor sax, Paul Chambers on bass, and Art Blakey on drums. My copy is the 2021 Blue Note Tone Poet Series Stereo audiophile reissue (BST 22674).
Junka starts with the quintet’s upbeat melody. In the opening reading, Hank gets things going energetically, then Donald makes an impressive appearance. Sonny follows with a high-spirited statement next. Paul delivers a sparkling comment; then Art shares the last spot with the front line preceding the theme’s reprise. Blues Blue starts with the quintet’s danceable beat in the opening chorus. Mobley leads the way with an attractive reading, then Byrd comfortably swings into the next segment. Clark improvises the following message effectively, then Chambers’ inspired bass work comes. Blakey shares the final conversation with both horns ahead of the climax.
There’s nothing minor about the first side finale, Minor Meeting. Art calls the quintet together for their vivacious melody. Donald is off and running in the opening solo, then Hank soars to new heights in the following presentation. Sonny closes with a series of scintillating choruses leading to the finale. Side Two commences with Royal Flush, a toe-tapping medium groove that gets underway with the ensemble’s theme. Mobley goes to work first, followed by Clark’s thoroughly relaxed reading. Byrd is up next and is shown to good advantage, and Chambers takes the final stroll while Blakey keeps the beat into the quintet’s closing chorus.
The group enjoys Some Clark Bars next. After the group establishes the spirited melody, Hank leads the way in a terrific opening solo as tasty as the candy bar. Donald swings as hard in the following interpretation, and Sonny has a great turn in the third reading. Art finishes off the solos in a concise exchange, with the front line before the close. The title tune, My Conception, is a perfect example of Clark’s ability to compose a beautiful ballad. The rhythm section opens with a tender introduction until Mobley emerges to give an elegantly phrased theme and lead solo. Clark takes over to give a wonderfully warm statement, then Byrd concludes with a delicately expressed performance of soulful emotion.
Alfred Lion produced the initial session, and Rudy Van Gelder was the man behind the dials of the recording. Joe Harley supervised the audiophile reissue, and Kevin Gray remastered the album. The front and rear covers are high gloss, with great session photos inside the gatefold. The sound quality is sensational, with an exceptional soundstage. The instruments emerge from your speakers as if you’re in the studio with the musicians while they work. The record was pressed on 180-gram audiophile vinyl, and it’s incredibly quiet until the music starts. If you’re in the mood for Hard-Bop, I invite you to check out My Conception by Sonny Clark the next time you’re out vinyl shopping. Despite being unreleased for so many years, it’s a great album that was well worth the wait and a joy to listen to!
~ My Conception (Blue Note Connoisseur Series 7243 5 22674 2 2) – Source: Discogs.com © 2023 by Edward Thomas Carter
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The Jazz Voyager
So after a jazz packed holiday weekend in Atlanta, this Jazz Voyager is leaving the gateway to the South and the States for destinations across the pond. It’s time to see how those on the continent and in other parts of the world are doing post pandemic.
It’s off to Italy to hang at one of my favorite spots TramJazz in Rome. It’s 7 days out of 7, a lively sound with carioca nuances alternating with passionate romantic ballads. The evening features Camilla Noci on Vocal & Percussion, Dario Troisi on piano and harmonium, and guitarist Gianluca Figliola.
What I love about this venue is it offers an evening of entertainment combining a jazz concert and an excellent candlelit dinner with a night tour in the center of Rome, all aboard a historic tram from the ATAC collection, restored and rearranged as a traveling restaurant and concert hall.
Tramjazz is located at Artour Sas of Rossella Taverna & C. – Via Giorgio Vasari 14, 00196 Rome – P.I. 16376741001. Tickets range from €75.00 ~ €90.00. You can reach the venue by phone at +39 342 072 0089 and can always get ticket information at https://tramjazz.com.
As the saying goes, When in Rome…
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