The Jazz Voyager
Iowa is one of the few states where the mainstream population may not think it to be a destination that hosts jazz. Contrary to that belief, there is jazz and this week The Jazz Voyager is off to 1326 Walnut Street in Des Moines, 50309 to investigate a jazz club called Noce. It has been said that nothing beats a live show and Wednesday through Saturday, this venue only serves up mixed nuts and cheese so that one can concentrate on the jazz experience with minimal noise from a kitchen or dishes.
Five-time Grammy nominated vocalist Karrin Allyson is taking to the stage for two shows Friday night for a two-hour show from 7:00 to 9:00pm. Hailing out of Great Bend, Kansas this vocalist/pianist has been performing around the world, drawing from a variety of genres and incorporating them into her jazz vocals. Having her part of any playlist I’ve created, do not be surprised when you hear her, just kick back and enjoy.
Joining composer and drummer Kendrick Scott are Deborah D.E.E.P. Mouton, poet, Poet Laureate Emeritus of Houston, visual artist Robert Hodge, the Harlem String Quartet featuring violinists Ilmar Gavilán, Melissa White, violaist Jaime Amador, and cellist Felix Umansky, pianist Gerald Clayton, saxophonist Walter Smith III, and bassist Joe Sanders.
Tickets range from $25.00 – $65.00 plus fees. You can reach the venue by phone at 515-244-5399 and can always get ticket information at https://www.nocedsm.com/.
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Daily Dose Of Jazz…
Friedrich Gulda was born on May 16, 1930 in Vienna, Austria and as the son of a teacher began learning to play the piano at age 7 with Felix Pazofsky at the Wiener Volkskonservatorium. In 1942, he entered the Vienna Music Academy, where he studied piano and musical theory under Bruno Seidlhofer and Joseph Marx.
During World War II as teenagers, Gulda and his friend Joe Zawinul were rebellious and would perform forbidden music, including jazz, in violation of the government’s prohibition of playing such music. Winning first prize at the Geneva International Music Competition in 1946, he began to play concerts worldwide, making his Carnegie Hall debut in 1950, and with Jörg Demus and Paul Badura-Skoda, formed what became known as the “Viennese troika”. Friedrich enjoyed a renowned classical career for years before his 1956 engagement at Birdland in New York City and at the Newport Jazz Festival.
In 1966 he organized the International Competition for Modern Jazz in 1966, and established the International Musikforum, a school in Ossiach, Austria two years later, for students who wanted to learn improvisation. From the 1950s on Gulda cultivated a professional interest in jazz, writing songs and free improvisation or open music improvisations. He also recorded as a vocalist under the pseudonym “Albert Golowin”, fooling music critics for years until it was realized that Gulda and Golowin were the same person.
In jazz, he found “the rhythmic drive, the risk, the absolute contrast to the pale, academic approach I had been taught. He also took up playing the baritone saxophone. His 1970 album, As You Like It, includes the standards Round Midnight and What Is This Thing Called Love?, as well as his own classic Blues For H.G. that is dedicated to Hans Georg Brunner-Schwer.
From the late 1960s through the 1980s he continued his straight-ahead swing and bop-based jazz often in European Jazz big bands, which he often organized yearly performances and recordings. He performed and recorded playing clavichord, percussion instruments, and a bass recorder wooden flute with musicians involved in free improvisation, including Cecil Taylor, Barre Phillips, Ursula Anders, John Surman, Albert Mangelsdorff, Stu Martin, and Fritz Pauer. He would go on to collaborate in the coming decades with Herbie Hancock, Joe Zawinul, and Chick Corea.
When the Vienna Music Academy awarded him its Beethoven Ring in recognition of his performances, he accepted it but then later reconsidered and returned it. To promote a concert in 1999, he announced his own death in a press release so that the concert at the Vienna Konzerthaus could serve as a resurrection party.
Pianist and composer Friedrich Gulda, who worked in both the classical and jazz fields, transitioned from heart failure at the age of 69 on January 27, 2000 at his home in Weissenbach, Austria.
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Daily Dose Of Jazz…
Lars Gunnar Victor Gullin was born May 4, 1928 in Visby, Sweden. A child prodigy on the accordion, by age thirteen, he played clarinet in a military band and later learned the alto saxophone. After moving to Stockholm, Sweden in 1947 he became a professional musician as a pianist. Planning on a classical career he studied privately with classical pianist Sven Brandel.
He filled the baritone chair in Seymour Österwall’s band in 1949 by chance, it was enough for him to decide that it was an instrument with possibilities. He was influenced by baritone saxophonist Gerry Mulligan for the first time on the Birth of the Cool recordings. He worked as a member of Arne Domnérus’s septet for two years from 1951.
Gullin began working with visiting American musicians, recording with James Moody, Zoot Sims and Clifford Brown. Most importantly, he first performed with Lee Konitz in 1951, an association which was to be repeated several times in future years.
In 1953 formed his own group, probably the only regular group he was to lead. It was short-lived, breaking up later that year after Lars was responsible for causing the group to be involved in an automobile accident, although no one was seriously hurt. The next year, 1954, he won the best newcomer award in the American DownBeat magazine. Later his albums were leased to Atlantic Records in the United States and toured several European countries with Chet Baker in 1955.
The remainder of his career was blighted by his own narcotics problems and sometimes he survived on artists’ grants from the Swedish government. During most of 1959 he was active in Italy, he played with Chet Baker again and with the jazz alto saxophonist Flavio Ambrosetti, making radio broadcasts with him in Lausanne, Switzerland.
He recorded with Archie Shepp in 1963. One of his last major statements was his Aeros aromatic atomica suite recorded in 1973. A recording jointly led by Lee Konitz and pianist Lars Sjösten, Dedicated to Lee … Play the Music of Lars Gullin was recorded in 1983 and issued by Dragon Records. Baritone saxophonist Lars Gullin transitioned from a heart attack on May 17, 1976, brought on by his long-term addiction to methadone.
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The Jazz Voyager
Crossing the country once again and heading to California to catch a rare performance of Nilson Matta and Jovino Santos Neto with Ami Molinelli. The club they will be hanging out at is located at 222 Healdsburg Avenue in Healdsburg 95448.
The club is 222 which was disclosed to me by a jazz fan. The space is a performing arts center presenting various world-class events in the areas of jazz, film, poetry, choral music, and more. They are committed to embracing innovation and developing performances for the 21st century while strengthening the interaction between artists, audiences and the community.
Two Brazilian musicians, multi~Grammy nominee Matta and three-time Latin Grammy nominee Neto, both with successful international careers, join forces to present a new project with original music and new interpretations of pieces by renowned Brazilian composers.
Matta is known for his work with Trio da Paz, Don Pullen African Brazilian Connection, Joe Henderson, Yo Yo Ma, and Nilson Matta’s Brazilian Voyage. Neto is a master pianist, flutist, composer, arranger, and conductor from Rio de Janeiro. They are joined by percussionist Ami Molinelli as a special guest, enriching the contagious rhythm of the dynamic duo for this rare collaboration.
The center’s number is 707-473-9150. For more information on days and time of sets visit https://notoriousjazz.com/event/nilson-matta-jovino-santos-neto.
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Daily Dose Of Jazz…
Harold Land Jr. was born April 25, 1950 in San Diego, California to Harold and Lydia Land. Five years later the family moved to Los Angeles, California where he was raised in a world of jazz through his father’s acclaimed career. His earliest influences were drummer Frank Butler, bassist Curtis Counce, pianist Elmo Hope, trumpeters Carmell Jones and Jack Sheldon. But what really turned him onto jazz piano was a pair of albums by Sonny Clark, Cool Struttin’ and Leapin’ and Lopin‘.
He began piano lessons at the age of seven and began performing in jazz clubs by the age of 16. Crusaders pianist Joe Sample introduced Harold to Wayne Henderson which led to his first professional gig, and to his first two album appearances, including the cult favorite People Get Ready. He credits bandleader Gerald Wilson with giving him his first traditional Jazz gig, which came shortly after his time with Henderson. He accumulated important credits touring with guitarist Kenny Burrell and saxophonist Pharoah Sanders.
Over a career, spanning jazz, funk, and jazz fusion, Land has worked with Marvin Gaye, Roy Ayers, Gerald Wilson, Freddie Hubbard, Bobby Hutcherson, Lee Morgan, Eric Gale, and Roland Kirk.
He has recorded with Dwight Trible, Fela Kuti, Justo Almario, Gerald Wilson, Roy Ayers, Gene Ammons, Anna Fisher, Spiders Webb, The Freedom Sounds, Paul Humphrey. He performed often with his father and has recorded on three of his albums, Choma (Burn), Damisi, and Xocia’s Dance.
As an educator Land has taught and given workshops at several Los Angeles based music schools and high schools, such as Washington Prepatory High School, Alain LeRoy Locke College Preparatory Academy, Alta Loma Music, and The World Stage.
Pianist Harold Land Jr., who also played with his father, currently performs with his trio.
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