Requisites
Pianism ~ The Michel Petrucciani Trio | By Eddie Carter
This morning’s record from the library is an overlooked gem by French pianist Michel Petrucciani. Pianism (Blue Note BT-85124) is his twelfth release as a leader, and it marks his debut with the prestigious label. Recorded just days before his twenty-third birthday, the album captures the trio’s energy they exhibited during a six-week, thirty-two concert tour from Munich to Martinique. Michel Petrucciani, on the Steinway grand piano, is joined by bandmates Palle Danielsson on bass and Eliot Zigmund on drums. Petrucciani composed four of the album’s tunes, and my copy is the 1986 U.S. Stereo release.
Side One of Pianism opens with The Prayer, a poignant tune that chronicles Michel’s and his sweetheart Eugenia’s transition from a lively house with friends to a single home owned by Eliot Zigmund that they lovingly maintained. The track commences with a mesmerizing solo introduction that seamlessly evolves into the trio’s comforting theme. Michel crafts a tapestry of hauntingly sensitive and lyrical notes. Palle follows with a delicately tender interpretation before they reunite to conclude the song softly. Our Tune, a composition that holds a special place in Michel’s heart, picks up the tempo for the threesome’s upbeat melody. He reveals his love and affection for Eugenia in the first solo. Palle takes over for an assertive interpretation. Eliot shares the finale with the pianist until the agile reprise dissolves.
Face’s Face is dedicated to the couple’s pure-blooded Afghan hound. The pianist’s introduction is playful, leading to the trio’s aggressive theme. Michel sets the tone with a brisk performance. Palle fuels the second reading with a dazzling display; then, Michel and Eliot exchange riffs preceding the theme’s restatement and close. The first of two standards, Night and Day by Cole Porter, gets Side Two underway with a breathtaking introduction by Michel that grows into the ensemble’s lively melody. Michel takes off like a rocket shooting skyward on the opening statement. Palle keeps things moving in the second presentation. Eliot gives his drums a vigorous workout before the spotlight returns to Michel for the climax.
Here’s That Rainy Day by Jimmy Van Heusen and Johnny Burke opens with a gorgeous introduction by Michel. Palle and Eliot join him for a relaxed, easy-going theme. Michel starts the proceedings with a beautifully tender interpretation. Palle comes in next for a very pretty performance while Eliot cushions the gentle groove for Michel’s return to take the song out softly. The album’s final track is a catchy tune titled Regina. It’s named for the Brazilian singer, Elis Regina and the trio’s introduction sets the scene for an infectious, danceable melody. Michel opens the solos with a sincerely beautiful performance. Palle feeds off his energy with a compelling reading that flows to the pianist’s return for a few last thoughts preceding the theme’s restatement and fade out.
Mike Berniker produced Pianism, and Mike Moran was the recording engineer of this digital release. The album’s sound quality is outstanding, with a stunning soundstage that really shines on a quality audio system with excellent fidelity. The record is also quiet until the music begins. Despite suffering from a genetic spinal disease that caused brittle bones and resulted in his inability to grow tall, Michel Petrucciani was one of the most accomplished pianists in jazz. He performed live over one hundred times twice in two years despite being in constant pain, a testament to his passion and dedication to his craft. In addition to recording twenty-five albums as a leader, Petrucciani also recorded with Steve Grossman, Charles Lloyd, Joe Lovano, and The Manhattan Project.
He was interviewed regularly and appeared on television quite a few times. Michel died from a pulmonary infection on January 6, 1999, shortly after his thirty-sixth birthday. But his music continues to inspire and captivate jazz fans and is an absolute joy to listen to. If you’re in the mood for a musical journey, I wholeheartedly recommend exploring Pianism by The Michel Petrucciani Trio on your next record shopping trip. It’s not just a terrific addition to your jazz library but also a perfect gateway to his discography that can be enjoyed endlessly!
~ Here’s That Rainy Day, Night and Day – Source: JazzStandards.com
© 2024 by Edward Thomas Carter
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NICOLE YARLING & MARTIN BEJERANO
Tribute to Prince.
The music of Prince is iconic and timeless. Latin Grammy-nominated pianist Martin Bejerano and renowned vocalist and violinist Nicole Yarling present a modern, funky jazz-fusion that reimagines Prince’s “golden period.”
After the concert is an open jam. Bring your instrument!
Students be sure to score one of the limited free student tickets!
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MINGUS DYNASTY
Mingus Dynasty was the first band Sue Mingus organized after Charles Mingus’ death in 1979, collaborating with his own sidemen to honor his life and work. Although Mingus was an iconic and trailblazing bassist, he always said he was first and foremost a composer, and he left behind over 300 composition that deserved to be played. So a band carrying on his music became a natural, if unanticipated, mission. Today, four decades later, the powerful legacy of Mingus Music ignites bandstands as new generations of musicians express their individual voices and musical personalities, and celebrate and explore this rich and varied musical legacy.
Please arrive 30 minutes before the show your attending. Call for ticket information.
Philip Harper | Trumpet
Mark Gross | Alto Saxophone
Abraham Burton | Tenor Saxophone
Robin Eubanks | Trombone
Miki Yamanaka | Piano
Barry Stephenson | Bass
Donald Edwards | Drums
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KELLY GREEN TRIO
Kelly Green (piano/voice), Evan Hyde (drums) & Luca Soul (bass) have played as a trio extensively all over NYC and the tri-state-area. They perform uniquely stylized arrangements of songs from the Great American Songbook and the Jazz canon as well as Miss Green’s original compositions.
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Daily Dose Of Jazz…
Seger Pillot Ellis was born on July 4, 1904 in Houston, Texas and began his career as pianist playing live for a local Houston radio station in the early 1920s. In 1925, he was added to the orchestra of Lloyd Finlay for a recording session for Victor Records, and was also allowed to cut two piano solos. This led to Ellis being invited to Victor’s regular recording studio in Camden, New Jersey, to cut a number of piano solos, all or most of them compositions of his own. These were among the earliest records Victor made using the new electric microphone and recording equipment.
After his first recording experiences, Ellis returned to Houston and radio work as well as playing in vaudeville theaters. During this period Seger began adding singing to his piano playingwhich led to an invitation to New York City to make vocal test recordings. His first issued vocal record was “Sunday” on the Columbia label, then a string of records for Okeh Records.
Ellis selected many of the best jazz musicians of the time, including Tommy and Jimmy Dorsey, Joe Venuti, Eddie Lang, Andy Sannella and Louis Armstrong. His first recording career ended in 1931, however, in the late Thirties he returned to conducting and singing with his own big band, Choirs of Brass Orchestra. Later in his career, he focused more on songwriting, but recorded sporadically as well as playing the piano.
In 1939, Ellis reorganized and his new band featured the conventional four-man reed section. He disbanded in 1941, and was enlisted in the United States Army Air Forces in 1942. After his discharge he moved back to Texas and began to be less active as a performer and more a songwriter and composer. His compositions were recorded by Harry James, Gene Krupa, Bing Crosby, Count Basie with a Mills Brothers vocal.
Pianist and vocalist Seger Ellis, who made a few brief film appearances in collaboration with director Ida Lupino, died on September 29, 1995 in a Houston retirement home.
Acquaint an inquisitive mind with a dose of a Houston pianist who is in the company of musical genius around the world as a member of the jazz canon…
Seger Ellis: 1904~1995 | Piano, Vocal
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