GARY MOTLEY
Late Night Jazz Lab: Muse & The Flame Sessions with Gary Motley Quartet live at Eddie’s Attic!
Join us for an electrifying evening of jazz innovation as acclaimed pianist Gary Motley and his dynamic ensemble featuring Terreon Gulley, drums, Rod Harris, guitar, and Andy Eulau, bass, transform Eddie’s Attic into an intimate jazz laboratory. This unique 90-minute experience combines masterful performance with hands-on learning in Atlanta’s premier listening room.
The Evening Unfolds
9:00 PM – Experience the artistry of Gary Motley Quartet as they showcase selections from his latest project “Muse and The Flame,” featuring original compositions that blend traditional jazz vocabulary with contemporary innovation.
Interactive Jazz Lab
The evening features a special workshop segment where a selected student quartet will perform, receiving real-time guidance and insights from the pros. This rare opportunity offers musicians and audiences alike a glimpse into the collaborative spirit of jazz mastery.
His latest album, “Muse and the Flame,” features bassist Edwin Livingston and drummer Clarence Penn, adding to a catalog that showcases his distinct voice at the piano. When he’s not performing at major jazz festivals across the U.S. and internationally, you’ll find him at Emory University, where he founded the Jazz Studies program. There, he launched a technology-based Jazz Studio, reimagining how jazz education meets the digital age.
Tickets: $20.00 ~ $25.00
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Daily Dose Of Jazz…
Tony Vella was born on April 4, 1937 in Terrasini, a Sicily commune in the metropolitan city of Palermo, Itlay. In 1957 he gained immense experience working with big and small configurations. In Italyhe was the main arranger, for numerous important record houses.
From 1972 he dedicated his efforts to cultural activities and the formation of young talents holding theory courses, and practical instrumental and ensemble music applied to jazz music. By 1975 Tony participated in the Pescara the Jazz Festival with the New Jazz Society of Palermo, the only Italian group invited to perform along with the Zoot Sims Quartet, Antony Braxton, Elvin Jones Quintet, Red Norvo Trio, Chet Baker Quartet, Charles Mingus Group, Roland Kirk Quintet and Don Cherry Organic Music Theatre.
Three years later he formed and directed L’Orchestra in collaboration with the Reinhardt Center for their concert season. Organized by the Associazione Siciliana Amici della Musica and introduced to Auditorium SS. Salvatore of Palermo.
In the Eighties Vella was a partr of the Messina Jazz Meeting with the Brass Group Big Band, as orchestra director and arranger. With the band he has collaborated with international musicians Archie Shepp, Hernie Wilkins, Mel Lewis, Sam Rivers, Toshiko Akiyoshi, Paolo Lepore, Franco Cerri, and Danilo Terenzi.
The next decade he established The Tony Vella Fusion Jazz Band entirely composed from young Sicialian musicians. A big band, modeled on some of the great American orchestras like Quincy Jones. The Fusion Jazz Band presented remarkable arrangements of a repertoire that includes Brazilian and popular jazz. They accompanied singers Beppe Vella, Gaetano Riccobono, and Tony Piscopo, as well as numerous musicians such asCalderone Ignazio, Aldo Oliveri, Benedetto Modica, Giovanni Mazzarino, Sergio Munafò, Aldo Messina, and Sebastiano Alioto, among others.
Pianist, organist, composer, arranger and orchestra director Tony Vella continues to perform, conduct and record.
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SALUTE TO FREDDIE HUBBARD & CANNONBALL ADDERLEY
Among the giants of jazz’s hard-bop and post-bop eras, Freddie Hubbard and Cannonball Adderley were distinctive pacesetters who stretched their talents while still making exciting, accessible music.
Their profound influence on contemporary headliners trumpeter Jeremy Pelt and saxophonist Vincent Herring cannot be underestimated and this all-star quintet pays tribute to their massive contributions. Last year, Herring and Pelt collaborated with other top NY musicians forming the supergroup Something Else!, named after a classic Cannonball recording.
The Players: Jeremy Pelt ~ Trumpet | Vincent Herring ~ Saxophone | Rick Germanson ~ Piano | Richie Goods ~ Bass | Louis Hayes ~ Drums
Tickets: $35.00 +fee
Saturday 7:00pm Show Sold Out
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LYNNE ARRIALE TRIO
Pianist Lynne Arriale has performed on the most prestigious international concert stages over the past 30 years. Lynne won the Great American Jazz Piano Competition. Her 17 critically acclaimed albums have topped the Jazzweek Radio Charts and have received “Best of” honors in major publications.
Being Human, pianist-composer Lynne Arriale’s 17th release as a leader, addresses a troubled, divided world with an exquisite suite of optimistic, deeply felt compositions, which celebrate some of the ways that all of our lives are enriched by acts of passion, courage, love, persistence, heart, soul, curiosity, faith and joy. Being Human explores these life-affirming facets of humankind. Many of the songs are dedicated to people who’ve inspired Arriale, including climate activist Greta Thunberg, National Youth Poet Laureate Amanda Gorman and Nobel Laureate Malala Yousafzai.
Lynne Arriale Trio, featuring Alon Near, bass and Alon Benjamini, drums
Tickets: $30.00 General // $38.00 Premium
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Daily Dose Of Jazz…
William Orie Potts was born April 3, 1928 in Arlington, Virginia. As a child he played Hawaiian slide-lap steel guitar and the accordion in his teens. At 15 he won an accordion competition with a performance of Twilight Time. After hearing Count Basie on the radio he started studying the piano in high school. He went on to attend Catholic University of America in 1946–1947, then formed his own group under the name Bill Parks, which toured in Massachusetts and Florida.
While serving in the Army from 1949 to 1955 he transcribed charts for Army bands. During this time Bill composed and arranged for Joe Timer and Willis Conover’s ensemble, The Orchestra, which was broadcasted on Voice of America radio. He wrote four of the songs on The Orchestra’s 1954 Brunswick Records LP, and recorded some of their live shows, which occasionally featured guest appearances from Charlie Parker and Dizzy Gillespie.
By 1956 he was leading a house band at Olivia Davis’ Patio Lounge in Washington, D.C. and Lester Young booked an engagement there. Potts convinced Young to record with him on two of the evenings. These recordings were later released as the Lester Young in Washington, D.C. sessions.
The following year he worked extensively as a composer, arranger, and performer for Freddy Merkle’s Jazz Under the Dome album which featured Earl and Rob Swope. Soon after this he suffered a crushed vertebra in a car crash and ended up in a body cast for three months. During his recuperation Bill began working on charts and arrangements for an album consisting of jazz reinterpretations of many songs from George Gershwin’s opera Porgy & Bess.
Fully recovered by 1959, he released a session under his own name titled The Jazz Soul of Porgy and Bess for United Artists Records. It featured a nineteen-piece band whose members included Al Cohn, Harry Edison, Art Farmer, Bill Evans, Bob Brookmeyer, Marky Markowitz, Zoot Sims, Charlie Shavers, Earl Swope, and Phil Woods. The album received a five out of five star rating from Down Beat magazine upon its release.
Following this, Potts spent several years working in New York City before returning to the D.C. area, where he worked locally in addition to touring with and/or arranging for Paul Anka, Eddie Fisher, Ella Fitzgerald, Stan Getz, Woody Herman, Quincy Jones, Stan Kenton, Ralph Marterie, Buddy Rich, Jeri Southern, Clark Terry, and Bobby Vinton.
In 1967 he released an album on Decca Records, How Insensitive, with a studio group called Brasilia Nueve. This group included Markowitz and Sims from the Porgy and Bess session , as well as Tito Puente, Chino Pozo, Mel Lewis, Barry Galbraith, and Louie Ramirez.
As an educator Bill taught music theory at Montgomery College from 1974 to 1990 and was the leader of the student jazz band. He also led a big band for occasional performances at Washington’s Blues Alley nightclub in the 1980s.
Retiring to Fort Lauderdale, Florida in 1995, pianist and arranger Bill Potts died of cardiac arrest on February 16, 2005 in Plantation, Florida.
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