Daily Dose Of Jazz…
Peter Brötzmann was born on March 6, 1941 in Remscheid, North Rhine-Westphalia, Germany. He studied painting in Wuppertal and was involved with the Fluxus movement but grew dissatisfied with art galleries and exhibitions. He experienced his first jazz concert when he saw Sidney Bechet while still in school at Wuppertal, and it made a lasting impression.
He taught himself to play clarinets, then saxophones and finally the tárogató. Among his first musical partnerships was with double bassist Peter Kowald. His debut recording, For Adolphe Sax, released in 1967 featured Kowald and drummer Sven-Åke Johansson. In 1968 Machine Gun, an octet recording, was released and self-produced under his BRO record label which he sold at concerts. Atavistic reissued the album in 2007.
His 1969 album Nipples, wasn’t followed with another recording as a leader until 1976 which was followed by sixty-one more releases through 2020. Brötzmann was a member of Bennink’s Instant Composers Pool, a collective of musicians who released their own records and that grew into a 10-piece orchestra.
The logistics of touring with the ICP tentet or his octet resulted in Peter reducing the group to a trio with Han Bennink and Fred Van Hove. Bennink was a partner in Schwarzwaldfahrt, an album of duets recorded outside in the Black Forest in 1977 with Bennink drumming on trees and other objects found in the woods.
In 1981, Brötzmann made a radio broadcast with saxophonists Frank Wright and Willem Breuker, trumpeter Toshinori Kondo, trombonists Hannes Bauer and Alan Tomlinson, pianist Alexander von Schlippenbach, drums Louis Moholo, and bassist Harry Miller. This was released as the album Alarm.
During the Eighties, Brötzmann flirted with heavy metal and noise rock, recording with Last Exit and the band’s bass guitarist and producer Bill Laswell. His has released over fifty albums as a bandleader and has appeared on dozens more. His Die Like a Dog Quartet (with Toshinori Kondo, William Parker and drummer Hamid Drake) is loosely inspired by saxophonist Albert Ayler, a prime influence on his music. Since 1997, he has toured and recorded regularly with the Peter Brötzmann Chicago Tentet which he disbanded after an ensemble performance in November 2012 in Strasbourg, France.
He has recorded or performed with Cecil Taylor, Keiji Haino, Willem van Manen, Mats Gustafsson, Ken Vandermark, Conny Bauer, Joe McPhee, Paal Nilssen-Love and Brötzmann’s son, Caspar Brötzmann.
Saxophonist and clarinetist Peter Brötzmann, who has not abandoned his art training and has designed most of his album covers, continues to perform and record.
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Daily Dose Of Jazz…
Fernand Coppieters was born in Brussels, Belgium on March 3, 1905. He took up piano in his youth and also played the Hammond organ. His first professional work was with the ensemble Bistrouille ADO in 1920 at age 15. Following this, he played in the Red Mills Ragtime Band and the Rhythmic Novelty Dance Orchestra.
Leaving Belgium for France he landed a place in Fud Candrix’s ensemble in France and Holland. Returning to Brussels in 1929, he played in a trio with René Compère and again with Candrix. Soon after this, he joined the 16 Baker Boys, led by Robert de Kers and, later, Oscar Aleman.
In the early 1930s, he accompanied Josephine Baker on tours of Europe, then worked with Roland Dorsay, Candrix once again, and Willie Lewis. In the 1940s and 1950s, he recorded as a leader and worked as a house pianist for Radio Schaerbeek, an independent Belgian radio station.
In the late 1950s and 1960s, he recorded several albums on Hammond organ, for Fontana Records and Philips Records. Pianist and organist Fernand Coppieters, who also played accordion, saxophone, and violin, transitioned on September 9, 1981 in Brussels.
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CORY WEEDS LITTLE BIG BAND
Take it from Downbeat Magazine: “renaissance man Cory Weeds has the Midas Touch!” An indefatigable force on the Vancouver scene, the tenor saxophonist and impresario keeps the flame of classic straight-ahead jazz burning bright. Inspired by tenor heroes Eddie “Lockjaw” Davis and Gene Ammons, Weeds calls on all-star cast of Vancouver musicians to perform with Weeds before heading into the studio!
Conducted by Jill Townsend, the Little Big Band features Cory Weeds on tenor saxophone, Steve Kaldestad on alto sax, James Danderfer on tenor sax, Dave Say on baritone sax, Brad Turner on trumpet, Chris Davis on trumpet, Brian Harding on trombone, Jim Hopson on trombone, Chris Gestrin on piano, John Lee on bass and Jesse Cahill on drums
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Three Wishes
Baroness Pannonica approached Teddy Edwards and as the conversation ensued she asked him if he was given three what would he wish for. His answered:
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- “I wish peace.”
- “Love.”
- “And health.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
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Daily Dose Of Jazz…
Albert Omega Sears was born February 21, 1910 in Macomb, Illinois. His first major gig came in 1928 when he replaced Johnny Hodges in Chick Webb’s ensemble. The Thirties had him first playing with Elmer Snowden, then led his own groups between 1933 and 1941.
In the early 1940s he joined Andy Kirk and Lionel Hampton before he became a member of Duke Ellington’s Orchestra in 1944, replacing Ben Webster. He remained with Ellington until 1949, when first Jimmy Forrest and then Paul Gonsalves took over his chair. He played with Johnny Hodges in 1951–52 and recorded the tune Castle Rock with him. The tune became a hit but unfortunately was released under Hodges’s name.
Sears was in Alan Freed’s band when Freed did live shows, being introduced as “Big Al Sears”. He played as a studio musician on R&B albums in the 1950s and recorded two albums for Swingville in 1960. He also owned several record labels, including Arock, Serock, and Gator.
Tenor saxophonist and bandleader Al Sears, who recorded four albums as a leader, transitioned on March 23, 1990 in St. Albans, New York at the age of 80.
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