Daily Dose Of Jazz…

Ernest Dawkins was born November 2, 1953 in Chicago, Illinois. As a child he was a neighbor of Anthony Braxton as a child. He played bass and drums early in life before switching to saxophone in 1973.

During that decade he began studying with Joseph Jarman and Chico Freeman, members of the Association for the Advancement of Creative Musicians. He also studied at Vandercook College of Music.

He worked with Ed Wilkerson and the Ethnic Heritage Ensemble and Douglas Ewart before founding his own New Horizons Ensemble. The ensemble played regularly in Chicago into the new century, as well as at jazz festivals and on tour in Europe.

As a leader he recorded sixteen albums, three as an unofficial leader/co-leader of The (AACM) Great Black Music Ensemble and as a guest with the Ethnic Heritage Ensemble.

Saxophonist Ernest Dawkins, who is principally active in free jazz and post-bop, continues to perform, record and tour.

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TRIBUTE TO PHAROAH SANDERS

Gary Bartz [Saxophone]
Jean Carn [Vocals]
Norman Connors [Vocals & Drums]
Eddie Baccus Jr. [Saxophone]

The Starship Orchestra

Known for his overblowing, harmonic, and multi-phonic techniques on the saxophone, as well as his use of “sheets of sound”, American jazz musician Pharaoh Sanders played a prominent role in the development of free jazz and spiritual jazz through his work as a member of John Coltrane’s groups in the mid-1960s, and later through his solo work. He released over thirty albums as a leader and collaborated extensively with vocalist Leon Thomas and pianist Alice Coltrane, among many others. Fellow saxophonist Ornette Coleman once described him as “probably the best tenor player in the world”. Most of Sanders’ best-selling work was made in the late 1960s and early 1970s for Impulse Records, including the 30-minute wave-on-wave of free jazz “The Creator Has a Master Plan” from the album Karma.

A native of Baltimore, Gary Bartz has been known to many as a trail blazer in the music business from the moment he started playing with Art Blakey at his father’s jazz club in his hometown to his own music throughout the 57 years as a professional musician. As if his Grammy Award with McCoy Tyner in 2005 (‘Illuminations’) wasn’t enough to carve out a place for Bartz in the jazz genre, he has broken the mold with more than 40 solo albums and over 200 as a guest artist.

Drummer and producer Norman Connors’ work has become a main staple of jazz-fusion, with tracks including “Mother Of The Future” from album “Slew Foot” (1974), “Captain Connors” from album “This Is Your Life” (1977), “You Are My Starship” (1976) album, et al. He has lead jazz recordings with Carlos Garnett, Gary Bartz, Dee Dee Bridgewater, and Herbie Hancock.

Jean Carn began her recording career with her then-husband, pianist Doug Carn, founder of Black Jazz Records and had an astounding five octave voice range. She sang background for artists including the likes of Earth, Wind & Fire and Norman Connors, but in 1977, she debuted solo, playing a crucial role in the golden era of Philly soul.

Streaming: $10.00 + fees

Showtimes ~ Saturday: 7:00 & 9:30pm | Sunday: 5:00 & 7:30pm

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Requisites

The Waiting Game ~ Tina Brooks | By Eddie Carter

Tina Brooks enters this morning’s spotlight with what would be his final album, The Waiting Game (Blue Note TOCJ-66075). He recorded exclusively for Blue Note over three years as a leader and sideman, but only one of his records, True Blue, would be released during his lifetime. This morning’s album initially hit the Japanese stores in 1999 as a CD album and reached the US a few years later. Joining the tenor saxophonist is a superb supporting cast: Johnny Coles on trumpet, Kenny Drew on piano, Wilbur Ware on bass, and Philly Joe Jones on drums. My copy is the 2021 Blue Note Tone Poet Series Stereo audiophile reissue (BST-40536).

Side One starts with Talkin’ About, the first of five tunes by Tina Brooks. The rhythm section’s introduction segues into the quintet’s easygoing melody. Johnny has the first relaxing solo; and then Tina delivers the next message comfortably. Kenny follows with a laid-back reading, and Wilbur goes for an easy stroll into the ensemble’s reprise. One For Myrtle picks up the pace significantly from Philly’s brief introduction to the group’s brisk theme. Tina launches the solos; then Johnny shows his energetic exuberance next. Kenny follows with a sizzling reading. Wilbur is up next with a quick flight, and Philly turns in an exciting finale ahead of the theme’s restatement and abrupt ending.

Dhyana opens with the ensemble swinging easily on the danceable melody. Tina gets things going with a splendid opening statement. Johnny follows with a delightful reading, and Kenny closes with an exceptional solo. The quintet’s closing chorus features a brief comment by Wilbur just before the climax. Side Two comes to life with the front line and Philly collaborating in the introduction to David The King ahead of the quintet’s Middle Eastern theme. Johnny takes the song’s first stirring solo. Tina sails smoothly into the second statement. Kenny delivers a dazzling reading of his own, and Wilbur takes a short, satisfying walk toward the song’s conclusion.

Stranger In Paradise by Chet Forrest and Robert Craig Wright begins with a brief introduction by Philly that blossoms into Tina and the rhythm section stating the melody. Johnny steps up first with an impressive statement. Tina swings skillfully next, and Kenny glows brightly on the closer, leading to the reprise and gentle fadeout. The Waiting Game kicks off with the ensemble’s invigorating beat to the melody. Tina blows with feeling in the first solo spot, paving the way for Johnny’s spontaneous ideas that flow constantly. Kenny ends with a few marvelously executed ideas before the theme’s restatement and abrupt halt.

Alfred Lion produced the original session, and Rudy Van Gelder was the recording engineer. Joe Harley produced the audiophile reissue, and Kevin Gray mastered this album. The reissue’s sound quality is amazing, with a stunning soundstage and excellent dynamics. The pressing is extremely quiet until the music starts. The gatefold photos are breathtaking and worthy of hanging on your wall. The front and rear covers are gorgeous, and the use of 180-gram audiophile vinyl is the icing on the cake. If you’re in the mood for an excellent album by one of the best, underrated tenor saxophonists, I invite you to check out The Waiting Game by Tina Brooks on your next record-shopping trip. It’s a great album if you love jazz and are a hard-bop fan that’s highly recommended for a spot in your library!

~ True Blue (Blue Note BLP 4041/BST 84041) – Source: Discogs.com ~ Stranger In Paradise – Source: Wikipedia.org © 2023 by Edward Thomas Carter

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EBBAN & EPHRAIM DORSEY: HOMECOMING

The multi-talented siblings have been playing together since they were 10 and 11. They continue to strive with their gifts as they travel, playing with some of the best local, national and international recording artists. Their performances can be described as two different voices coming together to create a healing, ethereal, and emotional experience for the listeners, as well as themselves.

Ebban Dorsey, 19-year-old alto saxophonist, composer, and bandleader, is from Baltimore, Maryland and has studied with Blake Meister, Carl Grubbs, Tim Green, and Gary Thomas. Ebban has gained a lot of experience playing Jazz and has even performed with Carl Grubbs, Gary Bartz (Performed on a live recording for the documentary titled, “Blues Chronicles”), Kamasi Washington, John Lamkin, Warren Wolf, Benito Gonzales, Kenny Garett, Tia Fuller, Sean Jones, Wycliffe Gordon, Tanya Darby, Erica Von Kleist, Mimi Jones, Shamie Royston, Reginald Thomas, Allison Miller, José James, Matthew Stevens, The Chuck Redd Band, Christian Scott, and many more. She was a member of NYO Jazz 2020 as well as NYO Jazz 2021 and recorded an album with the 2021 Jazz band. She has also performed a jazz rendition of “This Land is Your Land” at the Baltimore Orioles stadium as part of the “Women of Music” concert series, and later performed the national anthem alongside Ephraim Dorsey for the 2020 season opener. Ebban Dorsey is an extraordinary musician with a bright future ahead of her.

Ephraim Dorsey, 20-year-old tenor saxophonist, composer, and bandleader, is from Baltimore, Maryland and has studied with Blake Meister, Carl Grubbs, Tim Green, and Gary Thomas. Ephraim has gained a lot of experience playing Jazz and has performed with Carl Grubbs, Gary Bartz (Performed on a live recording for the documentary titled, “Blues Chronicles”), Kamasi Washington (participated in a film project entitled, “As told to G/D thyself”’, which is available for viewing on iTunes and the Apple Store), Kenny Garett, John Lamkin, Warren Wolf, Benito Gonzales (Performed with at the twins Jazz Club), Kris Funn, Sean Jones, Wycliffe Gordon, Erica Von Kleist, Reginald Thomas, The Chuck Redd Band, Christian Scott, and many more. He was a member of NYO Jazz 2021 and recorded an album with the 2021 Jazz Band. Ephraim is a passionate Jazz musician and aims to share his gift with the rest of the world.

Ticket Fees: $1.70~$3.46

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THE HEAVY HITTERS

The Heavy Hitters is a sextet co-led by pianist Mike LeDonne and tenor saxophonist Eric Alexander. The band is rounded out by some of the premiere purveyors of straight-ahead swinging jazz: Vincent Herring on alto saxophone, Joshua Bruneau on trumpet, Peter Washington on upright bass, and Kenny Washington on drums.

The music is built to tickle your mind, hit you in the heart and get your head swaying back and forth. The Heavy Hitters make soulful kickass swinging music that you might have heard on a Blue Note record back in the day. Not to look back… this is a band that is all about the NOW because it’s happening right now!

The Heavy Hitters have been swinging hard their whole lives! Their debut record was recorded at Rudy Van Gelder’s studio, a place we are so lucky to still have up and running and that is putting out the same great sound we have all loved for all these years. It’s a true “Jazz” sound, recorded by some of the greatest jazz musicians of their generation.

Tickets Fees: $3.07~$4:05

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