JOHN PIZZARELLI

World-renowned jazz guitarist and singer John Pizzarelli was called “Hip with a wink” by Town Country, “madly creative” by The Los Angeles Times and “the genial genius of the guitar” by The Toronto Star. John remains one of the most acclaimed interpreters of classic and modern song and an influential advocate for the continuing evolution of the American standards songbook. AllAboutJazz.com gave his 2023 album Stage Screen 4 stars, calling it “enduring music.”

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JASON MARSALIS

Jason Marsalis – Vibraphone | Adam Shulman – Piano | David Ewell – Bass | Jaz Sawyer – Drums

From a tender young age it was clear that Jason Marsalis had what it took to be great. Jason is the son of pianist and music educator Ellis Marsalis and his wife Dolores, and the youngest sibling of Wynton, Branford and Delfeayo. Together, the four brothers and their patriarch Ellis, comprise New Orleans venerable first family of jazz.

Ellis and Dolores began to cultivate Jason’s interest in music at age three, with the purchase of a toy set of drums. Jason is fond of telling the story of a game he and his parents would play with the drums. “When I was three, my parents bought me a toy drum set and the used to introduce me to an
imaginary audience. They would say, ‘Ladies and gentleman introducing the fabulous Jason!’ and I would come out and start banging away much to my parents delight. I too enjoyed it to the point that I started to go up to my parents unsolicited and say, ‘Dad, introduce me again!’”

By age six, not only had Jason gotten his first real drum set, but he was also taking lessons from the legendary New Orleans drummer James Black. At age seven he was sitting in with his father’s jazz group, as well as playingwith his trombonist brother Delfeayo. Jason was progressing so rapidly as a drummer that in 1984 his father started using him consistently on engagements. Jason was starting to become a seasoned road veteran before the age of nine, even traveling to the prestigious Berklee School of Music in Boston for older brother Delfeayo’s recital.

Though Jason had also taken up violin at age five, drums remained his primary focus throughout his grade school years. However, in his last year living in Richmond, VA,it was as a member of a junior youth orchestra that he first discovered the percussion section. The following year, Jason gave up the violin and focused exclusively on percussion. In 1991, he auditioned and was accepted to the acclaimed New Orleans Center for the Creative Arts High School (NOCCA). Throughout his high school years he continued to hone his skills by playing gigs with his father and brothers, as well as studying orchestral percussion techniques at the venerable Eastern Music Festival. Shortly after graduation from NOCCA in 1995, Marsalis ascended to the drum throne of a new group lead by virtuoso pianist and former sideman for Wynton Marsalis, Marcus Roberts. Despite a demanding touring schedule with Roberts, Marsalis furthered his educational goals by attending Loyola University in New Orleans, as well as studying composition with notable classical composer, Roger Dickerson. While Marsalis made appearances with such international jazz luminaries as Joe Henderson and Lionel Hampton, he was visible on the New Orleans scene working with a diverse cross section of bands from Casa Samba (Brazilian), Neslort (jazz fusion) Summer Stages (children’s theater), Dr. Michael White (traditional jazz) and many others. It was in 1998 that he co-founded the Latin-jazz group Los Hombres Calientes. While recording two albums with the group, Marsalis also produced two albums under his own name, Year of the Drummer (1998) and Music in Motion (2000), as well as producing reissues and current recordings of his father on their self-owned label, ELM Records.

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TATIANA EVA~MARIE & THE AVALON JAZZ BAND

Tatiana Eva-Marie – Vocals | Gabe Terracciano – Violin | Dion Berardo – Guitar | Max O’Rourke – Guitar | Wallace Stelzer – Bass

Nicknamed the Gypsy-jazz Warbler by the New York Times, Tatiana Eva-Marie is a transatlantic bandleader, singer, author, and actress based in Brooklyn. She plays French pop derived from the Django tradition with Balkan Gypsy and folk influences.

Accruing over 70 million views on YouTube, Tatiana Eva-Marie was acclaimed as a millennial shaking up the jazz scene by magazine Vanity Fair. She performs regularly in New York at various clubs (Blue Note, Dizzy’s, Lincoln Center, Symphony Space, Birdland, Joe’s Pub…), across the USA (New Orleans Jazz & Heritage Festival, Freight and Salvage, Jazz Aspen Snowmass, Tucson Jazz Festival…) and around the world.

Though her interests have led her to explore a wide range of musical styles, Tatiana Eva-Marie’s craft is always inspired by her own French and Balkan heritage; a love for the Parisian art scene era spanning the 1920s to the 60s; a passion for traditional Gypsy songs; a fascination for New Orleans music; and a deep connection to the Great American Songbook.

Born into a family of musicians, painters, and poets, Tatiana began her career at age four, immersed in the world of show business. Before her twenties, she had already recorded many albums, established herself as an actress on the Paris stage, written and directed two musicals, while pursuing a Master’s Degree in medieval studies at the Sorbonne University. Completely dedicated to an interdisciplinary approach to artistic creation, she developed a fascination for the Renaissance Man archetype and began to travel the world collaborating with artists of various spheres. She soon chose New York as her home base, where she quickly built up a reputation as a singer, and started the Avalon Jazz Band, which became overnight the number one reference for French swing around the world. With her musicians, she performed on some of the most important American stages and became the international ambassador of “1930s Paris”.

In the past few years, incapable of abandoning herself to a pandemic-induced lethargy, Tatiana released four albums, starred as guest singer in various projects, wrote the libretto of an opera by Swiss composer Gérard Massini, and started an online arts and culture publication – Shrine Magazine. She was recently onscreen in the cinemas of France in Gérome Barry’s first feature film Swing Rendez-Vous, loosely based on her New York lifestyle – her first role as a leading lady!

Tatiana’s latest project Djangology is a reinvention of the music composed by Parisian guitarist Django Reinhardt – the father of Gypsy jazz – through the addition of her own original lyrics and arrangements.

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JERRY BERGONZI

Jerry Bergonzi – Saxophone | Phil Grenadier – Trumpet | Sheryl Bailey – Guitar | Harvie S – Bass | Luther Gray – Drums

Tenor saxophonist, Jerry Bergonzi, is an internationally recognized jazz performer, composer, author and educator. His music is renowned for its innovation, mastery, and integrity. Relentless drive, inner fire, total command, awesome technique, elastic lyricism, rich resonance, world-class, a musical visionary, are among the rave reviews credited to his sound. Bergonzi’s music has been applauded throughout the world at festivals, concert halls, and jazz venues and his dedication to jazz music has been well documented by an extensive discography.

Born in Boston, Massachusetts, Bergonzi became interested in music early on. He started playing clarinet when he was eight years old listening to Duke Ellington, Count Basie, and Lester Young. His uncle, who was a jazz musician and lived upstairs, used to write out solos for him to play. At twelve years old he got his first saxophone, an old Conn alto, and a year later when a friend introduced him to Miles, Coltrane, and Sonny Rollins, there was no turning back! At thirteen, Jerry was already playing gigs with a band called The Stardusters. During his high school years he switched to tenor, and in addition to weekly sessions with Berklee College students, Jerry also played in John LaPorta’s youth band. He recalls, “It was a great experience, I learned so much, John would tell you like it was. He’d let you know what your shortcomings were, he would stop the band to tell you! “Bergonzi attended Lowell University but left after one year because he was continually being thrown out of the practice rooms for playing jazz. “If I had heard me practicing in one of those cubicles I might have thrown myself out!” he adds. He and fellow student, Charlie Banacos, used to begin their day in the practice rooms at 6:00 am. After a year at Berklee College, he returned to Lowell for financial reasons and graduated in 1971. He then played bass in local bands behind singers, strippers, and comedians, saving up enough money to move to New York City in 1972.

During 1972 and 1978 Bergonzi lived in New York City and experienced what he considers his real college education. There, where he had a third floor loft and friend and bass player, Rick Kilburn, lived on the first floor, was the scene of many sessions. “Often, there was one drummer, one bass player, and five saxophone players!” Bergonzi remembers. “Sometimes I was the drummer, each guy would tell a friend, everyone was hungry to play and it was great experience.” Joe Lovano, Steve Slagle, Billy Drewes, Paul Moen, Pat LaBarbera, Dave Liebman, John Scofield. Mike Brecker, Bob Berg, Tom Harrell, Steve Grossman, and Victor Lewis were a few of the many players who came to play.

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BENITO GONZALEZ, BUSTER WILLIAMS, LENNY WHITE

Benito Gonzalez – Piano | Buster Williams – Bass | Lenny White – Drums

Pianist Benito Gonzalez “Two times Grammy nominee”is an internationally beloved artist who combines a long lineage of American jazz traditions with rhythms from around the world. He’s worked with dozens of the greats, and he always brings some of the best rhythm section players in the world.

Today a rising tide of young jazz pianists are attempting to find their distinct voices by taking cues from their elders. But only a few take their artistry beyond their predecessors to make bold 88-key statements on their journeys to new vistas, fresh sounds, inspired expressions. That personal-touch devotion to the wonders of the instrument brings with it a certitude of intuitive creativity.

That fortitude fuels Benito Gonzalez, an exhilarating pianist who won the 2005 Great America Jazz Piano Competition and was honored in 2020 to be a Steinway & Sons artist for “his sound [that] is recognizable for the powerful rhythm section and Afro-Latin patterns he prioritizes across his projects.” The Venezuela-born, New York-based artist grew up playing traditional Venezuelan folk music with his family before absorbing the inventiveness of such pianists as Herbie Hancock, McCoy Tyner,Chick Corea and Keith Jarrett who inspired him to join in the explorations on the instrument.

Gonzalez made his way to U.S. by a serendipitous route when an American cultural ambassador caught one of his trio gigs and later invited him to come to Washington, D.C. He was enlisted to play shows with Ghanaian master drummer Okyerema Asante that led to a recording. “After my first six months here, I decided to stay in this country to learn the music right,” Gonzalez said.

Gonzalez went on to play with Jackie McLean in 2003, then joined Kenny Garrett’s quartet for seven years until 2013—during which time he garnered two Grammy band nominations. After his stint with Garrett, he played with saxophonist Azar Lawrence’s band and then in 2019 joined saxophone legend Pharoah Sanders as his pianist/musical director.

Through the course of his career, Gonzalez has been instrumental as a sideman in performing and recording with such jazz greats as Bobby Hutcherson, Dave Liebman, Gary Bartz, Curtis Fuller, Al Foster, Lenny White, Billy Hart, Ignacio Berroa, Jeff”Tain”Watts, Buster Williams, Rene McLean, Steve Turre, Delfeayo Marsalis, Hamiet Bluiett, Ron Blake, Antonio Sanchez, Mark Gross, and Azar Lawrence.

Gonzalez also recorded his own albums, including Starting Point (2004) and Circles (2010), then continued his solo career with Dream Rhapsody (2015) with Slavic flutist/vocalist Sisa Michalidesová, and a loving tribute to McCoy Tyner Passion Reverence Transcendence (2018).

With propulsive pulse and Afro-Latin percussive drive, Gonzalez placed rhythm at the core of 2021’s Sing to the World, his fifth album and first released on the St. Petersburg, Russia label Rainy Days Records. He assembled an impressive team of collaborators, including Christian McBride, Essiet Okon Essiet, Jeff “Tain” Watts, and Nicholas Payton as well as rising stars Russian drummer Sasha Mashin, trumpeter Josh Evans.

In addition to his slow-to-upbeat originals, Gonzalez added to the set list two compositions that had never been recorded by their composers: Roy Hargrove’s soulful “Father” and the “Tain” beauty “416.” After almost seven years of touring with Kenny Garrett, Benito has added numerous festivals and international jazz club dates to his credit. In 2019 he joined legendary saxophonist Pharoah Sanders as pianist and musical director.

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