Daily Dose Of Jazz…
Marcus Miller, born William Henry Marcus Miller Jr. on June 14, 1959 in Brooklyn, New York and raised in a musical family. Classically trained as a clarinetist, he also plays keyboards, saxophone and guitar. He began to work regularly in New York City, eventually playing bass and writing music for jazz flutist Bobbi Humphrey and keyboardist Lonnie Liston Smith.
Spending 15 years as a session musician, he arranged and produced frequently, was a member of the Saturday Night Live band from 1979 to 1981, and co-wrote Aretha Franklin’s Jump To It along with Luther Vandross. He has played bass on over 500 recordings, appearing on over 500 albums by such artists as Herbie Hancock, The Crusaders, Wayne Shorter, McCoy Tyner, Frank Sinatra, George Benson, Michael Jackson, Beyoncé, Mariah Carey, Eric Clapton, Dr. John, Aretha Franklin, Elton John, Joe Walsh, Jean-Michel Jarre, Grover Washington Jr., Donald Fagen, Bill Withers, Bernard Wright, Kazumi Watanabe, Chaka Khan, LL Cool J, and Flavio Sala.
He won the Most Valuable Player award given by NARAS to recognize studio musicians three years in a row and was subsequently awarded Player Emeritus status and retired from eligibility. In the nineties, Miller began to write his own music and make his own records, putting a band together and touring regularly.
Between 1988 and 1990 he appeared regularly both as a musical director and as the house band bass player in the Sunday Night Band during two seasons of Sunday Night on NBC late-night television, hosted by David Sanborn.
As a composer, Miller co-wrote and produced several songs on the Miles Davis album Tutu, including its title track. He also composed Chicago Song for David Sanborn and co-wrote ‘Til My Baby Comes Home, It’s Over Now, For You To Love, and Power of Love for Luther Vandross and wrote Da Butt, which was featured in Spike Lee’s School Daze.
Miller hosts a jazz history show called Miller Time with Marcus Miller, is a film score composer, was nominated and won several Grammy Awards. Bassist Marcus Miller continues to perform, record and tour.
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The Quarantined Jazz Voyager
The Quarantined Jazz Voyager has pulled from his stacks his latest selection to place on the turntable is another timeless classic, At The Great American Music Hall by Carmen McRae. It is a 1976 live album recorded in San Francisco, California and released in 1977 on the Blue Note Record label.
The album was nominated for the Grammy Award for Best Jazz Vocal Album at the 19th Annual Grammy Awards for her performance on this album. The band on the date was Carmen McRae – vocals, piano, trumpeter Dizzy Gillespie, pianist Marshall Otwell, double bassist Ed Bennett, and drummer Joey Baron.
The concert was 1:20:54 and consisted of nineteen songs ~ Them There Eyes, Paint Your Pretty Picture, On Green Dolphin Street, A Song For You, On A Clear Day (You Can See Forever), Miss Otis Regrets (She’s Unable To Lunch Today), Too Close For Comfort, Old Folks, Time After Time, I’m Always Drunk In San Francisco, Don’t Misunderstand, A Beautiful Friendship, Star Eyes, Dindi, Never Let Me Go, ‘Tain’t Nobody’s Bizness If I Do, Only Women Bleed, No More Blues (Chega de Saudade), and The Folks Who Live On The Hill.
Remain diligent my fellow voyagers in staying healthy, continue to practice social distancing, and don’t be so anxious to rush back to the new normal. It has been said that music soothes the savage beast, so listen to great music. I share that music to give you a little insight into the choices this voyager has made over the years during this sabbatical from jet setting investigations of jazz around the globe.
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Hollywood On 52nd Street
Something’s Gotta Give was composed by Johnny Mercer for his friend Fred Astaire who starred in the 1955 film Daddy Long Legs. It is the love song duet between him and Leslie Caron. The song playfully uses the irresistible force paradox – which asks what happens when an irresistible force meets an immovable object – as a metaphor for a relationship between a vivacious woman and an older, world-weary man. The man, it is implied, will give in to temptation and kiss the woman.
The film also stars Terry Moore, Thelma Ritter, Fred Clark, and Ray Anthony who appear as himself with his orchestra. Filming took place on location at 20th Century Fox Studios in Hollywood and the Andrew Carnegie Mansion in Manhattan.
The Story: On a trip to France, millionaire Jervis Pendleton III (Astaire) sees an 18-year-old girl Julie Andre (Caron) in an orphanage. Immediately enchanted with her, but mindful of the difference in their ages and what the press may report should his involvement be discovered, he anonymously sponsors her to attend a fictional college in New England. She writes him letters, which he doesn’t read. After 3 years, he goes to visit her at a dance, not telling her that he is her benefactor. They fall in love, but the usual movie-type difficulties get in the way before they can get together at the end.
Hollywood On 52nd Street
I’ll Remember April is a jazz standard with music written by Gene de Paul, and lyrics by Patricia Johnston and Don Raye. The song made its debut in the 1942 Abbott and Costello comedy Ride ‘Em Cowboy starring the comedy team along with Dick Foran, Anne Gwynne, Johnny Mack Brown, Ella Fitzgerald, Samuel S. Hinds, Douglas Dumbrille, and Morris Ankrum. The film was directed by Arthur Lubin, the song was sung by Foran. Musical numbers were staged by Nick Castle.
The song’s story is about a romantic relationship ending. The lyric uses the seasons of the year metaphorically to illustrate the growth and death of a romance. The lyric also uses the ideas of the hours in a day and the flames of a fire to illustrate a relationship growing stronger and subsequently losing strength.
The Story: The author of best-selling western novels, Bronco Bob Mitchell (Dick Foran), has never set foot in the west. A newspaper article has exposed this fact to his fans, and his image is suffering because of it. He decides to make an appearance at a Long Island charity rodeo to bolster his image. When a steer escapes while he is riding a horse nearby, he is thrown. Not knowing what to do, a cowgirl, Anne Shaw (Anne Gwynne), comes to his rescue and saves his life by bulldogging the steer. Shaw gets hurt, retreats to her father’s dude ranch followed by Mitchell who eventually becomes a decent cowboy.
Cast Fact: This is Ella Fitzgerald’s first screen role, where she plays Ruby, who fills several roles as one of the employees of the ranch. At the opening rodeo, she is dressed as a rodeo clown and comes to Anne’s side when she is hurt. Later in the film, she can be seen removing an apron before singing. Ella sings A-Tisket, A-Tasket on the bus, as the ranch crew drives from the railway station to the ranch. Ruby and the other employees interact playfully during the song.
Daily Dose Of Jazz…
Reuben Bloom was born on April 24, 1902 in New York City, where he learned to play the piano. During the 1920s he wrote many novelty piano solos which are still well regarded today. He recorded for the Aeolian Company’s Duo-Art reproducing piano system various titles including his Spring Fever.
In 1927 Rube had his first hit with Soliloquy and his last hit was “Here’s to My Lady” in 1952, which he wrote with Johnny Mercer. In 1928, he made a number of records with Joe Venuti’s Blue Four for OKeh Records, including five songs he sang, as well as played piano.
He formed and led a number of bands during his career, most notably Rube Bloom and His Bayou Boys. They recorded three records in 1930 that are considered some of the best made during the early years of the Depression. The Bayou Boys was an all-star studio group consisting of Benny Goodman, Adrian Rollini, Tommy Dorsey and Mannie Klein. At other times, Bloom played with other bands, such as with Bix Beiderbecke and Frankie Trumbauer in the Sioux City Six as well as his continued frequent work with Joe Venuti’s Blue Four.
During his career, Rube also worked with many well-known performers, including Ruth Etting, Stan Kenton, Jimmy Dorsey. He collaborated with a wide number of lyricists including Ted Koehler, and Mitchell Parish. During his lifetime he published several books on the piano method.
Bloom’s I Can’t Face the Music with lyrics by Ted Koehler was recorded by Ella Fitzgerald on her 1962 Verve release, Rhythm is My Business, in a fabulous swing/big band version with Bill Doggett. Some of his best-known composition collaborations with lyricists were Day In, Day Out and Fools Rush In (Where Angels Fear to Tread) with lyrics by Johnny Mercer; Give Me the Simple Life with Harry Ruby; and Maybe You’ll Be There with lyrics by Sammy Gallop.
Pianist, vocalist, songwriter, arranger, bandleader, recording artist, and author Rube Bloom passed away on March 30, 1976 in his hometown.
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