Hollywood On 52nd Street
W.C. Handy composed St. Louis Blues used as the title track for the 1958 film of the same name. The movie had as its stars Nat King Cole portraying W.C. Handy and Ruby Dee as Elizabeth as well as a host of musicians and vocalists not limited to Eartha Kitt, Cab Calloway, Ella Fitzgerald, Mahalia Jackson, Barney Bigard, Red Callender and Pearl Bailey.
The Story: Will Handy grew up in Memphis with his preacher father and his Aunt Hagar. His father intends for him to use his musical gifts only in church, but he can’t stay away from the music of the streets and workers. After he writes a theme song for a local politician, Gogo, a speakeasy singer, convinces Will to be her accompanist. Will is estranged from his father for many years while he writes and publishes many blues songs. At last the family is reunited when Gogo brings them to New York to see Will’s music played by a symphony orchestra.
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Hollywood On 52nd Street
I’m Getting Sentimental Over You lyrics were written by Ned Washington and the music by George Bassman and surfaced to become a jazz classic out of the 1947 fictionalized biographical film The Fabulous Dorseys.
The Story: The rise and rise of the Fabulous Dorsey brothers is charted from their humble beginnings of boyhood in Shenandoah, Pennsylvania in this whimsical step down memory lane, Tommy and Jimmy Dorsey play themselves in this vehicle for their excellent music. From being raised by their father who insists on them learning music, to the split that just saw their careers rise even further, to their personal reunion.
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Daily Dose Of Jazz…
Della Griffin was born June 12, 1925 in Newberry, South Carolina but grew up in New York, the 19th of 20th children. She greatly admired and was influenced by Count Basie, Charlie Barnet, and most specifically Billie Holiday. She began singing when she was 12 and a few years after her graduation in 1943 from Jamaica High School in Queens, New York, she began singing professionally.
1950 found Griffin and Frances Kelley forming one of the first all female R&B singing group that played in small clubs whenever they could for about a year. In 1951, Della invited Jerry Blaine, the owner of Jubilee Records, to hear the group perform. So impressed by the group that he signed them the next day and in January 1952 Jubilee released “The Enchanters” first record, they began touring, dropped their second record and two members left the group.
Della and Kelley were determined to continue their careers and replaced the two members becoming the “Dell-Tones” after lead singer and drummer Della. They went on to record with Brunswick and Rainbow record labels, and toured with Jimmy Forrest. By 1957 the Dell-Tones slowly began to drift apart and Della left to perform on her own.
Over the years Griffin migrated towards jazz touring with and playing in support to many artists including Sonny Stitt, Benny Green, Illinois Jacquet, and Etta Jones. She began performing again in New York City clubs including the Blue Note and The Blue Book where she stayed for years.
In 1984, Della was hit by a car and took a break from singing. She came back as a featured singer that garnered her more attention than her drumming. Recording with Houston Person, she began performing overseas at age 88, she has since all but ceased her performances and appearances. While singing remained her passion, vocalist Della Griffin, who was also proficient on the drums, alto saxophone, and piano, transitioned in New York City on August 9, 2022, at the age of 100..
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Daily Dose Of Jazz…
Nanette Natal was born on June 10, 1945 in Brooklyn, New York. She started her professional career as a classical singer in 1960 and during this period she was a member of the Helen Hayes Young People’s Theater Guild. In the early ’60s, she performed numerous concerts in New York with that group. She then went on to work the Bitter End Coffee House Circuit, performing her own material, which developed into blues and rock, singing and playing guitar and performing at universities and concert halls throughout the country.
By the ’70s, she recorded for Vanguard and Evolution Records, worked with Mahalia Jackson, Odetta, Bonnie Raitt and Rick Nelson along with TV appearances, most notably with Barbara Walters on The Today Show. She was also active on the club circuit playing such venues as the Gaslight and the Au Go-Go.
Unhappy with the constrictions of the record companies, it was in the mid-Seventies that she dissolved her recording contracts and set herself upon a path to develop her musical expression and in 1977 she turned to jazz as that vehicle. Nanette’s defining moment in her mind to pursue a jazz career occurred during a demo recording session for Columbia Records. She was asked to record a pop record and she sang Duke “Sophisticated Lady”. Dramatically changing the phrasing she was subsequently told by the engineer that she was not a pop singer, but a jazz singer.
From 1977 to the mid-’80s, Natal became a strong influence on the downtown loft scene. It was at this time that she started to teach privately, setting up her production company and label, Benyo Music Productions, and releasing five albums from 1980 to 1995.
Nanette Natal, one of the more creative jazz singers continues to perform and teach in New York and work on such interesting and daring projects as a one-woman opera. She also writes a monthly column “Creative Fire-Singing as a Spiritual Practice” which expresses her views on the art and techniques of jazz vocalizing.
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Hollywood On 52nd Street
Harry Warren composed the music and Mack Gordon, the lyrics for the now jazz standard, I Had the Craziest Dream, for the 1942 film Springtime In The Rockies. The film starred Betty Grable, Carmen Miranda, John Payne, Cesar Romero, Harry James and His Music Makers and the vocal group Six Hits and a Miss.
The Story: Broadway partners Vicky Lane and Dan Christy have a tiff over Christy’s womanizing. Jealous Vicky takes up with her old flame and former dance partner, Victor Price, and Dan’s career takes a nosedive. In hopes of rekindling their romance and getting Vicky back on the boards with him, Dan follows her to a ritzy resort in the Canadian Rockies, where she and Victor are about to open their new act. But things get complicated when Dan wakes after a bender to find that he’s hired an outlandish Latin secretary, Rosita Murphy, which makes Vicky think he’s just up to his old tricks again.
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