The Jazz Voyager
Heading south to Magic City on the Atlantic side of South Florida. This Jazz Voyager will be heading to the radio station on Coral Way that has been serving up the sounds of great jazz since 1977. It’s an honor to be able to take a seat in the WDNA Jazz Gallery for a new musical experience. Not unfamiliar with the music of our friends from South America, I am looking forward to the evening.
This week’s travels will have me listening to twenty-three female voices bringing to life the music of Brazil in all its rich multicultural heritage. They are known as the Brazilian Voices and they aspire to incorporate and promote the best of Brazilian culture throughout the world.
Evolving out of a vocal technique workshop organized by Beatriz Malnic and Loren Oliveira in 2001, they have since brought together a cast of devoted women, who volunteer their voices and time.
WDNA Jazz Gallery is located at 2921 Coral Way, Miami, FL 33145. For more information visit https://wdna.org.
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Daily Dose Of Jazz…
Clarence Williams was born on October 8, 1898 in Plaquemine, Louisiana to Dennis, a bassist, and Sally Williams. He ran away from home at age 12 to join Billy Kersands’ Traveling Minstrel Show, then moved to New Orleans, Louisiana. He first worked shining shoes and doing odd jobs, but soon became known as a singer and master of ceremonies.
By the early 1910s, he was a well-regarded local entertainer also playing piano, and was composing new tunes by 1913. Williams was a good businessman, working arranging and managing entertainment at the local Black vaudeville theater. He played at various saloons and dance halls around Rampart Street, and in the clubs and houses in Storyville.
He started a music publishing business with violinist/bandleader Armand J. Piron in 1915, which by the Twenties was the leading Black owned music publisher in the country. He toured briefly with W. C. Handy, and set up a publishing office in Chicago, Illinois before settling in New York City in the early 1920s. During the decade he and his blues singer/actress wife Eva Taylor moved to the borough of Queens with the intention of creating a community of black artists.
He was one of the primary pianists on scores of blues records recorded in New York during the 1920s. He supervised the 8000 race series recordings for the New York offices of Okeh phonograph company in the 1920s. He also recorded extensively, leading studio bands for OKeh, Columbia, Vocalion, Bluebird and occasionally other record labels.
As a producer he participated in early recordings by Louis Armstrong, Sidney Bechet, Bessie Smith, Virginia Liston, Irene Scruggs, his niece Katherine Henderson, and others. Most of his recordings were songs from his publishing house.
In 1943, he sold his extensive back-catalogue of tunes to Decca Records for $50,000 and retired. He bought a bargain used-goods store, the Harlem Thrift Shop.
Pianist, composer, promoter, vocalist, theatrical producer, and publisher Clarence Williams, died on November 6, 1965 in Queens, New York.
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Daily Dose Of Jazz…
Fred Norman was born on October 5, 1910 in Leesburg, Florida. After attending Howard University, in Washington, DC he joined the Claude Hopkins band in 1932. Touring with the group as both a trombonist and singer for much of the 1930s, he notably recorded his own composition, Church Street Sobbin’ Blues, as the trombone soloist with the band in 1937 for Decca Records. He also appeared in short films with the Hopkins band during the 1930s.
Moving away from performance in 1938 he went on to work as a full-time music arranger. The late Thirties and 1940s saw him writing arrangements for Bunny Berigan, Tommy Dorsey, Benny Goodman, Lionel Hampton, Gene Krupa, Teddy Powell, Artie Shaw, Charlie Spivak, and Jack Teagarden.
In the 1950s he was the music director and arranger for multiple records made by the singers Sarah Vaughan and Dinah Washington. He continued to work as an arranger until his retirement in the 1970s.
Composer, arranger, trombonist, and vocalist Fred Norman died on February 19, 1993 in New York City.
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BRAZILIAN VOICES
Brazilian Voices, a non-profit organization, is a women’s vocal ensemble that performs at cultural community and philanthropic events. Brazilian Voices aspires to incorporate the best of Brazilian culture throughout the world.
The group evolved out of a vocal technique workshop organized by Beatriz Malnic and Loren Oliveira in 2001. Since then, these two musical directors have brought together a cast of devoted women, who volunteer their voices and time promoting and preserving the rich multicultural Brazilian heritage fostering multicultural exchange, music appreciation, and education.
Tickets:
Student: Free | Jazz Gallery Member: Free | Member: $25.00 | General Admission: $35.00
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NICOLE HENRY
Growing up in a musical family in Bucks County, Pensylvania, Ms. Henry immersed herself in the arts early on, singing in school and church, and studying cello and ballet. After graduating from the University of Miami with a degree in Communications and Theatre, she launched a successful acting career, appearing in national commercial roles as well as a series of voiceover assignments. However, she directed her strongest passion toward the development of her full-time singing career which was quickly rewarded when the Miami New Times named Nicole “Best Solo Musician.”
Tickets: $40.00 ~ $75.00
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