Daily Dose Of Jazz…
Clora Larea Bryant was born on May 30, 1927 in Denison, Texas to Charles and Eulila Bryant, the youngest of three children. As a young child she learned to play piano with her brother Mel, and was a member of a Baptist church choir. Her brother Fred left his trumpet when he joined the military, she picked it up and learned to play. In high school she played trumpet in the marching band.
She turned down scholarships from Oberlin Conservatory and Bennett College to attend Prairie View College in Houston, Texas starting in 1943. Bryant was a member of the Prairie View Co-eds Jazz Band which toured in Texas and performed at the Apollo Theater in New York City in 1944. Her father got a job in Los Angeles, CAlifornia and she transferred to UCLA in 1945, and where she first heard bebop on Central Avenue.
In 1946 she became a member of the International Sweethearts of Rhythm, an all-female jazz band, earned her union card and dropped out of school. Dizzy Gillespie became her mentor and provided her with work. She joined the black female jazz band the Queens of Swing as a drummer, and went on tour with the band.
In 1951 she worked in Los Angeles as a trumpeter for Josephine Baker and Billie Holiday. The same year the Queens of Swing became the first women’s jazz group to appear on television and performed as The Hollywood Sepia Tones. Clora was called onto Ada Leonard’s all-girl orchestra show, however, racist directed calls to the station the engagement. In 1954 she briefly moved to New York because she had lost inspiration from playing in bands.
Bryant recorded her first and only album, Gal With A Horn, in 1957 before returning to the life of a traveling musician. She worked with Louis Armstrong and Harry James, toured with singer Billy Williams and around the world with her brother Mel, had a TV show in Australia and became the first female jazz musician to tour in the Soviet Union after writing to Mikhail Gorbachev.
After a heart attack and quadruple bypass surgery in 1996, Bryant was forced to give up the trumpet but she continued to sing. She also began to give lectures on college campuses about the history of jazz, co-edited a book on jazz history in Los Angeles titled Central Avenue Sounds: Jazz in Los Angeles, and worked with children in Los Angeles elementary schools.
Trumpeter and vocalist Clora Bryant, who was the only female trumpeter to perform with Dizzy Gillespie and Charlie Parker and was a member of the International Sweethearts of Rhythm, died at Cedars-Sinai Medical Center in Los Angeles on August 25, 2019, after suffering a heart attack at home.
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The Jazz Voyager
From the Big Apple to the Carolinas is the next sojourn this Jazz Voyager is taking for a first time visit to the Joseph M. Bryan, Jr. Amphitheater. The 500 seat outdoor venue has lawn seating for 2,800 and is located in Museum Park situated at the heart of the North Carolina Museum of Art campus amid gardens, meadows, woodlands, and site-specific art installations and sculpture.
This week is a two-fer on this voyage with singer-songwriter Gregory Porter is taking the stage as the headliner. Coming out of Bakersfield, California, he cites the Bakersfield Southern Gospel sound and his mother’s Nat King Cole record collection as fundamental influences on his own sound. Opening for him is The Baylor Project, the Grammy nominated duo of Jean and Marcus Baylor, who have built their career on love, family, faith, culture, and community.
The venue is located at 2110 Blue Ridge Road in Raleigh, NC 27607. For tickets and more info go to https://notoriousjazz.com/event/gregory-porter-the-baylor-project.
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The Jazz Voyager
Gotta love the friendly skies for another cross-country flight that returns me to the Big Apple where the Jazz Voyager will be hanging at some of the city and my favorite haunts from Midtown to the Village, Rockerfeller Center, Tiffany and Broadway.
In the evening I’ll be heading to the Upper West Side of Manhattan to one of my favorite haunts in the city that is outside of Harlem. The music and the evening will be well spent at Smoke Jazz & Supper Club. The cozy atmosphere, sans smoke, except for the musicians playing adds to the ambience of the venue.
This week another vocalist will be entertaining me and her name is Jane Monheit. This is her highly anticipated debut at the club and will celebrate the release of her new album. Her mastery of the Great American Songbook lends to a wonderful night of music.
The venue is located at 2751 Broadway New York, NY 10025. For tickets and more info go to https://notoriousjazz.com/event/jane-monheit-2.
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ROBERT GAMBARINI
The Band: Roberta Gambarini, vocal | Bill Easley, saxophone | Cyrus Chestnut, piano | Ameen Saleem, bass | Lewis Nash, drums
Roberta Gambarini began singing and performing at the age of 17 in jazz clubs around Northern Italy. In 1997 she worked with French Hammond organ player Emmanuel Bex touring jazz clubs throughout Italy. Shortly after she moved to New York City, and has since been performing with musicians like Jimmy Heath, Richard Wyands, Curtis Fuller, Hank Jones, Thelonious Monk, Jr., Roy Hargrove, Benny Bailey, Ben Riley, Phil Woods, Ron Carter, Larry Willis, Howard Johnson, Russell Malone, Christian McBride, Jeff Hamilton, Jesse Davis, Ronnie Mathews, Alvin Queen and many more.
Born in 1963, Cyrus Chestnut started his musical career at the age of six. He worked as a sideman with some of the leading players in the music including Wynton Marsalis, Freddie Hubbard, Branford Marsalis, Frank Morgan, Lauryn Hill, Chick Corea, Dizzy Gillespie, Jon Hendricks, Joe Williams, Betty Carter, Freddy Cole, Bette Midler, Jimmy Scott, Isaac Hayes and Kevin Mahogany. As a leader, Cyrus has released 24 albums.
Bill Easley has had a diversified career as a professional musician and started playing professionally with his parents at the age of thirteen. He has played with George Benson, Isaac Hayes, Ruth Brown, Jimmy McGriff, Louie Bellson, Wynton Marsalis, Illinois Jacquet, Ron Carter, Frank Foster, Mercer Ellington, Warren Vache and many more. Bill has released seven recording as a leader.
Ameen Saleem is an allround artist. A native of Washington DC, since the start of his career his great compositional and technical skills have been instantly recognized. Although mainly grounded in jazz, Saleem’s music cannot be strictly defined as pertaining to a particular genre but, rather, as a uniquely personal style that spans a vast musical geography.
Universally recognized as one of the great drummers in jazz history, Lewis Nash’ illustrious career now spans over four decades. Nash is one of jazz’s most recorded musicians, appearing on over 500 recordings including 10 Grammy winners and numerous Grammy nominees. Nash toured, recorded and performed with many of jazz’s most celebrated icons, and his resume reads like a “who’s who” of jazz royalty.
Seating is limited. It is highly recommended buying your ticket in advance.
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