Daily Dose Of Jazz…
Edgar “Puddinghead” Battle was born on October 3, 1907 into a musical family in Atlanta, Georgia. In 1921 while a student at Morris Brown University he started playing trumpet and formed his own band, the Dixie Serenaders. A few years later the group changed their name to Dixie Ramblers.
Battle played with Eddie Heywood Sr., and toured with the 101 Ranch Boys traveling show. During the 1920s he worked with Gene Coy, Andy Kirk, Blanche Calloway, Ira Coffey, and Willie Bryant. A move to New York City in the early Thirties saw him doing short stints with Benny Carter and Sam Wooding before joining George White’s ensemble on Broadway.
Over time, he began doing more work as a studio musician and arranger, writing charts for Cab Calloway, Paul Whiteman, Fats Waller, Earl Hines, Rudy Vallee, and Count Basie. During World War II, Edgar held a position as an electrician in a shipyard, while simultaneously running a big band with Shirley Clay.
In the 1950s, he founded Cosmopolitan Records and continued to play in big bands part-time through the 1960s. Among his numerous jazz compositions are the pieces Topsy, co-composed with Eddie Durham and Doggin’ Around with Herschel Evans.
Trumpeter, trombonist, saxophonist and pianist Edgar “Puddinghead” Battle, who was also a composer and arranger, transitioned in New York City on February 6, 1977, at the age of 69.
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Requisites
Something For Lester ~ Ray Brown | Carl Anthony
This week I am standing in for our regular Requisites host and writer Eddie Carter, who is on an anniversary vacation. He will return next Sunday with another prolific review of an album for your collection.
This week I have selected Something for Lester, an album by bassist Ray Brown that was recorded on June 22, 23 & 24 1977 at Contemporary’s Studio in Los Angeles, California. The session was recorded in the bop and cool jazz genres and was released on the Contemporary label the following year.
The producers on the sessions were John Koenig and Lester Koenig. The photograph was taken by Bret Lopez, the design was provided by George Kershaw, with liner notes by Leonard Feather and the recording and sound was performed by the Koenig brothers and Roy DuNann.
Of the seven compositions presented here by the trio, four are classics, two are by Cedar Walton and one was composed by Brown. The conversation between the players is easy and comfortable as they navigate through each song. If you enjoy small group sessions you’ll find these consummate musicians will deliver what you like.
Tracks | 41:10
- Ojos de Rojo (Cedar Walton) – 5:16
- Slippery – 7:27 (Ray Brown)
- Something in Common (Walton) – 4:50
- Love Walked In (George Gershwin, Ira Gershwin) – 5:25
- Georgia on My Mind (Hoagy Carmichael, Stuart Gorrell) – 7:11
- Little Girl Blue (Richard Rodgers, Lorenz Hart) – 6:17
- Sister Sadie (Horace Silver) – 4:54
- Ray Brown – bass
- Cedar Walton – piano
- Elvin Jones – drums
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Daily Dose Of Jazz…
Barbara Paris was born on October 2, 1954 in Denver, Colorado and from an early age listened to Nat King Cole, Dinah Washington, Mel Torme and Frank Sinatra. Constantly listening to the radio she memorized every song she heard. She sang with her church choir, played violin, took piano lessons and began playing the guitar at 15. She started out singing folk music but gravitated to jazz.
After high school graduation at 16, she moved to Boulder, Colorado and began a successful hairdresser career. However, it was on vacation in St. Thomas that she met Louis Armstrong veteran Eddie Shu and subsequent encouragement led her to the stage.
Barbara made her debut as a jazz singer while in Paris, France. There an acquaintance told her about Denver resident pianist Joe Bonner and upon her return tracked him down and a 23 year musical partnership commenced. She has worked with Freddie Hubbard, Junior Mance, Joe Pass, and recorded with Nancy Wilson’s rhythm section, pianist Llew Matthews, bassist John B. Williams and drummer Roy McCurdy, among numerous others.
Vocalist Barbara Paris continues to pursue performing, composing, recording, and clinics.
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Daily Dose Of Jazz…
Graham Burbridge was born on October 1, 1933 in Stepney, London, England. He started drumming about the age of six, playing things like British Grenadiers with Boy Scouts Bands. It was only after the war when he was around twelve that he found jazz and progressed from Spike Jones through Spanier, Bunk Johnson to Lennie Tristano. It was a fairly rapid musical education that sat him on the modern side of the fence in his genre choice.
Graham played drums in the RAF with a Military Band, but also managed to get into the dance band. Back in civilian life in 1954 he worked a daytime job and played in a trio in the evening with Pete Elderfield and Maurice Hinson. His early interests in jazz led him to all the clubs, sitting in whenever he could. One night in Humph’s he was invited to play with the Sandy Brown Band and the next day was asked to join the band full time, and his professional career took off. He played with Brown until Sandy retired.
Joining the Chris Barber Band in 1957 was fortuitous, as the relationship lasted nearly two decades. Off stage Burbridge’s interests ran towards new and antique guns, and building model aircraft, something that had been a part of his life for a long time. His interest in guns was a new endeavor but also helped to re-energize and replace the nervous energy used on stage.
Drummer Graham Burbridge transitioned in 2003.
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