The Jazz Voyager
Saying farewell to DC always gives me a melancholy feeling having spent so many years there having so much fun. This week the Jazz Voyager is heading for a little jazz in the Buckeye State and for those who don’t know I’m talking about Ohio. The city is Cincinnati and it sits at the confluence of Licking and Ohio Rivers, the latter which has the city looking at Kentucky.
The venue is Caffè Vivace, a coffee house by day and a jazz lounge by night. It provides a space for Queen City residents to gather, work, socialize and herald the musical art form of jazz and a destination for jazz lovers. Located in the Walnut Hills neighborhood and has gained a reputation that hosts the area’s finest local jazz musicians, young and old, as well as the occasional regionally or nationally known artists.
So tonight I will be in the audience to check out vocalist Mandy Gaines who has been singing since an early age, getting her initial training school and church. She then continued studies with private vocal instruction and an assortment of workshops that enhanced her skillset. Joining her is pianist Sergio Pamies from Spain who fuses traditional jazz language with flamenco music of his childhood. He has takenhis knowledge and became a college professor at several universities in America, Europe and Asia.
The venue is located at 975 E McMillan Street, 45206 and for more information you can visit https://notoriousjazz.com/event/mandy-gaines-sergio-pamies
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Daily Dose Of Jazz…
Elmer “Sonny” Dunham was born November 16, 1911 in Brockton, Massachusetts and attended local schools, taking lessons on the valve trombone at the age of 7. He changed to the slide trombone at the age of 11, and was playing in local bands at 13. He began his musical career as a trombone player in the Boston, Massachusetts area.
By the late 1920s he had moved to New York City where he played with Ben Bernie for six months before moving on in 1929 to Paul Tremaine’s Orchestra. He remained there for two years and while working as an arranger and vocalist with Tremaine’s group he switched to the trumpet.
In 1931 he left Tremaine and for a few months led his own group, calling it Sonny Dunham and his New York Yankees. That same year along with clarinettist Clarence Hutchenrider, trombonist-singer Pee Wee Hunt and singer Kenny Sargent, he was recruited by Glen Gray for Gray’s Casa Loma Orchestra. During the golden years of Casa Loma, he was a popular soloist, scoring a big hit with his trumpet work on Memories of You. He stayed until 1936, when he formed another more unusual group, Sonny Lee and The New Yorkers Band, which featured 14 pieces, with ten of his musicians doubling on trumpet.
Moving to Europe for three months, he then returned to the Casa Loma Orchestra, remaining until 1940 when he tried again to form his own group, this time, with more success. They debuted in 1940 at the Glendale Auditorium in Los Angeles, California and toured and held talent searches throughout the United States. After returning to New York in 1941, they were on nightly radio broadcasts at the Roseland Ballroom, and the Meadowbrook at Cedar Grove, New Jersey.
On the road in California the band played Los Angeles, were featured in the Universal picture Behind the Eight Ball with the Ritz Brothers and he served as musical director for this film, and was part of a vaudeville revue. Over the next couple of decades he would divide his time between New York and Los Angeles with stints in Chicago, Illinois. Dunham briefly experimented with dual female vocalists, Mickie Roy and Dorothy Claire, which did not turn out due to professional temperament.
Dissolving the band in 1951 Sonny joined Tommy Dorsey’s band as trumpet player, then reorganized the next year, remaining active until the decline of the big-band business. By the 1970s obscurity set in, however, he recorded playing trombone on a few LPs with Don Goldie’s Dixieland revival bands.
In the 1980s trumpeter, trombonist and bandleader Sonny Dunham, who was living in a trailer in Miami, Florida and still involved in booking bands for cruises and playing occasionally, transitioned from cancer on July 9, 1990, aged 78.
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Daily Dose Of Jazz…
Neil James Sinclair Swainson was born November 15, 1955 in Victoria, British Columbia, Canada. He started his career in his hometown when he supported visiting American musicians Herb Ellis, Barney Kessell, and Sonny Stitt, among others. In 1976 he moved to Vancouver, British Columbia and after playing with the Paul Horn Quintet, he led a band for two years. He moved to Toronto, Quebec in 1977
In the 1980s he played with local and visiting acts including Tommy Flanagan, Rob McConnell, Ed Bickert, Slide Hampton, James Moody, Jay McShann, Moe Koffman, Lee Konitz, Joe Farrell, George Coleman, and Woody Shaw. He went on to collaborate with Woody Shaw appearing on two of his recordings: In My Own Sweet Way and Solid. He toured with Shaw often in New York City and on many European tours.
A collaboration between Swainson and pianist George Shearing would form in 1986, after he replaced Don Thompson in 1988. Their relationship continued until Shearing’s passing in 201 and during their time together they toured across North America, Great Britain, Europe, Australia, Hong Kong, and Japan. They played with musicians including Joe Williams, Nancy Wilson, Diana Krall, Robert Farnon and Mel Tormé.
Together the two recorded eight recordings and he recorded his own album; 49th Parallel on Concord Jazz in 1987. His recordings feature Woody Shaw on trumpet, and Joe Henderson on saxophone along with numerous other musicians such as Jay McShann, Geoff Keezer, Doc Cheatham, Sam Noto, Don Thompson, Peter Leitch, Pat LaBarbera, Joe LaBarbera, Rob McConnell, Ed Bickert, Lorne Lofsky, Kirk MacDonald and JMOG, a cooperative band featuring, Kevin Dean and Pat LaBarbera.
Swainson has also recently toured worldwide with the singer Roberta Gambarini and as well with pianist Gene DiNovi in Japan. As an educator he works at Humber College as a professor in the Bass department after receiving a music degree. Bassist Neil Swainson continues to compose music and freelance in Toronto.
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Jazz Poems
JAZZ FANTASIA
Drum on your drums, batter on your banjoes,
sob on the long cool winding saxophones
Go to it, O jazzmen.
Sling your knuckles on the bottoms of the happy
tin pans, let your trombones ooze, and go husha-
husha-hush with the slippery sand-paper.
Moan like an autumn wind high in the lonesome tree-
tops, moan soft like you wanted somebody terrible, cry
like a racing car slipping away from a motorcycle cop,
bang-bang! you jazzmen, bang altogether drums, traps,
banjoes, horns, tin cans-–make two people fight on the
top of a stairway and scratch each other’s eyes in a
clinch tumbling down the stairs.
Can the rough stuff… now a Mississippi steamboat
pushes up the night river with a hoo-hoo-hoo-oo… and
the green lanterns calling to the high soft stars… a red
moon rides on the humps of the low river hills… go to
it, O jazzmen.
CARL SANDBURG
from Jazz Poems ~ Selected and Edited by Kevin Young
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Daily Dose Of Jazz…
George Fierstone was born in London, England on November 14, 1916. He played with a traveling revue in 1931, then played around the city with such bandleaders as Bert Ambrose, Harry Roy, Sid Millward and the Heralds of Swing through the rest of the decade.
The Forties then saw him playing with Frank Weir and Harry Hayes. During this time he also did copious studio work. He worked in an RAF dance band during World War II, and after the war’s end this ensemble performed and recorded as The Skyrockets from 1946 to 1953.
George accompanied Ella Fitzgerald and Frank Sinatra, among others. He continued to work freelance into the 1980s.
Drummer George Fierstone transitioned on April 13, 1984 in his hometown.
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