The Jazz Voyager

Heading to the place known as the Gate City of the South, A~Town or The A for another adventure in jazz. It’s a place where Blacks have historically come to enroll in higher education at Morris Brown College, Clark Atlanta University, the Interdenominational Theological Center, Morehouse and Spelman colleges. It’s where Sweet Auburn was the center of Black business and prosperity. The city is Atlanta, the capital of Georgia.

This time it’s a venue called The Commons. The thirty-seven hundred square foot event space is located downtown and has all the amenities to transform this space into a concert hall from green room and rehearsal spaces, full sound and lighting systems to seating and risers. An excellent acoustic venue to establish the atmosphere every concert requires.

On stage will be one of the most promising male jazz singers around. Vocalist, lyricist, and composer Sweet Lu Olutosin embraces a philosophy unflinchingly on his journey to becoming a top 20 international Jazz recording artist. Comprising his quintet with him is pianist Louis Heriveaux, bassist Ramon Pooser, drummer Charles Marvray, and saxophonist Derrick James.

The venue’s address is 125 Ellis Street NE, 30303. For those who are requiring more information go to https://notoriousjazz.com/event/sweet-lu-olutosin.

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Daily Dose Of Jazz…

Ronald V. Myers, Sr. was born February 29, 1956 in Chicago, Illinois but moved with the family to Milwaukee, Wisconsin when his parents became employed as teachers in the Milwaukee Public Schools. He attended Rufus King High School in Milwaukee and was a soloist in the high school jazz ensemble on trumpet and piano.

Attending the University of Wisconsin–Madison he majored in Black Studies and was a member of the Experimental Improvisational Black Music Ensemble, under the mentorship of trombonist and professor Jimmy Cheatham. He graduated from the University of Wisconsin Medical School in 1985 and completed his residency in Family Medicine at LSU Medical Center’s Washington St. Tammany Parish Charity Hospital in Bogalusa, Louisiana in 1988.

He took part-time courses at Reformed Theological Seminary at Mississippi Valley State University in 1989 and 1990 and was ordained by Pilgrim Rest Missionary Baptist Church in Milwaukee, and commissioned by the Wisconsin Baptist Pastors Conference as a medical missionary to the Mississippi Delta.

Pianist and trumpeter Ron Myers, who was instrumental in solidifying Juneteenth as a national holiday and chairman of the National Association of Juneteenth Jazz Presenters, died on September 7, 2018.

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Daily Dose Of Jazz…

William Douglass was born on February 28, 1923 in Sherman, Texas. His extended family relocated to Los Angeles, California when he was six months old in an effort to escape Jim Crow laws. As a member of a musical family he took an early interest in music and when he heard drummer Gene Krupa performing Sing, Sing, Sing on the radio his path was set. He met and befriended Dexter Gordon while attending McKinley Junior High School in Los Angeles, at which point he first began playing drums.

At Jefferson High School, both he and Gordon began taking band under teacher Lloyd Reese, and took private keyboard instructions. Never taking private drum lessons, Bill eventually made the acquaintance of drummer Cozy Cole, who allowed him to watch him practice. What he learned by watching him and other drummers helped him evolve a style of his own.

While  still in schoo he, Dexter and Lammar Wright, Jr. he began playing in Central Avenue night clubs. Eventually he began drumming for pianist Gerald Wiggins, along with double bass and tuba player Red Callender, until he and Callender left to form a trio with blind pianist Art Tatum.

In 1941 upon graduating from high school he enlisted in the United States Army and was assigned to the Black 10th Cavalry Regiment at Camp Lockett. This led to his start to seeing the world being stationed in Casablanca, Oran, Algiers, Naples and Rome. During these travels, Bill became drum major of his 28-piece ensemble, a position he attributed to his great height.

Leaving the service he went on to a  stint with Benny Goodman, where he was at the time the only black member of the band. Bill eventually became part of the union struggle for integration and equality. Even as a working musician, Douglass expanded into teaching drums at Drum City. Among his students, were Ray Brown, Jr., Karen Carpenter, and Ella Fitzgerald.

Drummer and educator Bill Douglass, who was an active proponent of desegregation in the American Federation of Musicians, died on December 19, 1994.

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Jazz Poems

SNAKE-BLACK SOLO

For Louis Armstrong, Steve Cannon, Miles Davis & Eugene Redmond

with the music up high

boogaloo bass down way way low

up & under eye come slidin on in mojoin

on in spacin on in on a riff

full of rain

riffin on in full of rain & pain

spacin on in on a sound like coltrane

my metaphor is a blues

hot pain dealin blues is a blues axin

guitar voices whiskey broken niggah deep

in the heart is a blues in a glass filled with rain

is a blues in the dark

slurred voices of straight bourbon

is a blues dagger stuck off in the heart

of night moanin blike bessie smith

is a blues filling up the wings

of darkness is a blues

& looking through the heart

a dream can become a raindrop window to see through

can become a window to see through this moment

to see yourself hanging around the dark

to see through

can become a river catching rain

feeding time can become a window

to see through

Quincy Troupe

From Jazz Poems | Selected and edited by Kevin Young

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Daily Dose Of Jazz…

Jesse Powell was born in Smithville, Bastrop County, Texas, on February 27, 1924. He received his formal music training before he began his professional career at age eighteen, when he toured with fellow Texan, Oran “Hot Lips” Page beginning at the age of eighteen during 1942–43.

During the war years he went on to play with Louis Armstrong in 1943–44, then with the Luis Russell Orchestra in 1944–45. He replaced fellow Texas tenorist Illinois Jacquet in the Count Basie Band for a tour of California in 1946. At this time Powell also worked with blues singers Champion Jack Dupree and Brownie McGhee.

1947 saw Jesse joining Curly Russell’s band, and in 1948 he formed his own band in New York City. That same year he performed with trumpeter Howard McGhee at the first international jazz festival in Paris. In 1949–50, he was a member of the Dizzy Gillespie Big Band, with whom he recorded a solo on Tally Ho. In 1953 he once again formed another jump-rhythm band, and in 1964 a Powell quintet played at Birdland in New York City.

Tenor saxophonist Jesse Powell died on October 19, 1982 in New York City.

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