Jazz Poems

BIX BEIDERBECKE (1908~1931)

January, 1926

China Boy. Lazy Daddy. Cryin’ All Day.

He dreamed he played the notes so slowly that

they hovered in the air above the crowd

and shimmered like a neon sign. But no,

the club stayed dark, trays clattered in the kitchen,

people drank and kept on talking. He watched

the smoke drift from a woman’s cigarette

and slowly circle up across the room

until the ceiling fan blades chopped it up.

A face, a young girl’s face, looked up at him,

the stupid face of small-town innocence.

He smiled her way and wondered who she was.

He looked again and saw the face was his.

He woke up then. His head still hurt from drinking.

Jimmy ws driving. Tram was still asleep.

Where were they anyway? Near Davenport?

There was no distance in these open fields–

only time, time marked by a farmhouse

or a barn, a tin-topped silo or a tree,

some momentary silhouette against

the endless, empty fields of snow.

He lit a cigarette and closed his eyes.

The best years of his life! The Boring “Twenties.

He watched the morning break across the snow.

Would heaven be as white as Iowa?

DANA GIOIA

from Jazz Poems ~ Selected and Edited by Kevin Young

SUITE TABU 200

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Terence Michael “Terry” Clarke was born August 20, 1944 in Vancouver, Canada. He studied percussion with Jim Blackley and played with Chris Gage and Dave Robbins early in his career. From 1965 to 1967 he toured in a quintet with John Handy, and joined The Fifth Dimension in 1967, remaining until 1969.

In 1970, he moved to Toronto, Canada where he began a longstanding association with Rob McConnell’s group, Boss Brass. He also played with Ed Bickert, Ruby Braff, Jim Galloway, Sonny Greenwich, Jay McShann, Emily Remler, and Frank Rosolino. In 1976, he toured with Jim Hall for the first time and in 1981 did an international tour with Oscar Peterson.

Relocating to New York City in 1985 he played or recorded with Toshiko Akiyoshi, Eddie Daniels, Oliver Jones, Roger Kellaway, Helen Merrill, Ken Peplowski, and Joe Roccisano, among others. He played with the Free Trade ensemble in 1994, a quintet composed of Clarke, Ralph Bowen, Neil Swainson, Renee Rosnes, and Peter Leitch.

Returning to Toronto in 1999, he joined The Rob McConnell Tentet. His 2009 debut album It’s About Time won a Juno Award for Traditional Jazz Album of the Year. Drummer Terry Clarke, who recorded 29 albums as a sideman and was appointed a Member of the Order of Canada in 2002, continues to perform and record.

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Ric Powell was born on August 19, 1942 in New Orleans, Louisiana. He attended and initially studied music at St. Augustine High School in New Orleans, before his family moved to the Bronx, New York where he went to Morris High School.  Upon graduating he went on to study at New York School of Music in Manhattan, then in the U.S. Naval School of Music in Washington, D.C. and finally matriculated through Howard University in Washington, D.C.

He beganhis professional life as a member of the youth percussion ensemble Kalypso Kids, then became a member of the Apollo Theatre House Band under the direction of Ruben Philips. He toured with the Jimmy Castor Band before becoming a studio and freelance musician in New York City and Chicago, Illinois.

He formed a trio under his own name featuring Donny Hathaway, became a member of the CBS Staff Orchestra in Chicago, and then a record producer for Atlantic, Atco and Stax. Drummer Ric Powell, who formed Don-Ric Enterprises and is an Adjunct Professor of Percussion at Northwestern University, continues to perform.

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Requisites

The Sound Of The Wide Open Spaces ~ James Clay and David “Fathead” Newman | By Eddie Carter

This morning’s album from the library brings together two Texas tenor saxophonists for the first of two recordings together. The Sound of The Wide Open Spaces (Riverside RLP 12-327/RLP 1148) is a 1960 release that marks the debut of James Clay and the second album by David “Fathead” Newman. The album’s title refers to the vast landscape of the Lone Star state. This hard bop blowing session allows both musicians to have a superb showcase in which to work. Wynton Kelly on piano, Sam Jones on bass, and Arthur Taylor on drums complete the quintet. My copy is the 1986 U.S. Original Jazz Classics Stereo reissue (Riverside OJC-257).

The quintet starts Side One with the opening ensemble to Wide Open Spaces by Babs Gonzales. David gets right down to business first. James takes the baton and gives an exhilarating interpretation; then Wynton comes in for a spirited reading. Clay and Newman return to share an energetic exchange ahead of the closing chorus. The front line eases up on the gas to begin They Can’t Take That Away From Me by George and Ira Gershwin. James steps into the opening statement with extreme confidence. David returns the compliment on the following reading, and then Wynton closes things out with masterful ease, leading to the theme’s reprise and ending.

Side Two begins with the rhythm section’s introduction to Some Kinda Mean by Keter Betts ahead of the front line’s laid-back theme. James is up first and moves leisurely through the opening solo. David is equally easygoing in the following reading. Wynton’s carefree interpretation precedes the theme’s restatement and the trio’s climax. James switches to the flute for the Johnny Burke, Bob Haggart standard, What’s New? The trio opens gently ahead of David’s tender melody. James leads the way with an emotionally sensitive statement. Wynton comes in next for a beautiful reading, and David delivers a gorgeous finale leading to the polite ending.

Figger-ration by Babs Gonzales takes off with the rhythm section’s quick introduction to the front line’s brisk melody. David is off to the races in the opening solo, then James takes a vigorous romp next. Wynton illustrates his agility in the following interpretation. Sam takes a short walk leading to a vigorous exchange by both horns ahead of the reprise and close. Julian “Cannonball” Adderley produced The Sound of The Wide Open Spaces and Jack Higgins was the recording engineer. The sound quality of this OJC reissue is exceptional, with an excellent soundstage allowing the instruments to come through your speakers vibrantly, as if the musicians are playing in front of your sweet spot, providing an immersive experience for the listener.

The Sound of The Wide Open Spaces by James Clay and David “Fathead” Newman is an overlooked, but wonderful album that, in my opinion, is a perfect place to start if you’re beginning your journey into either musician’s discography. Its got good tunes with great solos by five remarkable musicians who together have created an album that should appeal to any jazz collector and become a welcome addition to any jazz fan’s library!

~They Can’t Take That Away From Me, What’s New? – Source: Jazz Standards.com

© 2024 by Edward Thomas Carter



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David Bryan Benoit was born in Bakersfield, California on August 18, 1953. He studied piano at age 13 with Marya Cressy Wright and continued his training with Abraham Fraser, who was the pianist for Arturo Toscanini. He attended Mira Costa High School and went on to focus on theory and composition at El Camino College, studying orchestration and later took film scoring classes at UCLA. He went on to study music conducting and worked with Jeffrey Schindler, Music Director for the UC Santa Barbara symphony orchestra.

He began his career as a musical director and conductor for Lainie Kazan in 1976, before moving on to similar roles with singer/actresses Ann-Margret and Connie Stevens. His GRP Records debut album, Freedom at Midnight in 1987, led his roster of top ten albums he has released. He has recorded tribute albums to pianist Bill Evans, Peanuts creator Charles Schulz and Leonard Bernstein’s West Side Story. Collaborators included the chorus group Take 6, guitarist Marc Antoine and trumpeter Chris Botti.

Benoit has arranged, conducted, and performed music for Russ Freeman and the Rippingtons, Kenny Loggins, Michael Franks, Patti Austin, Dave Koz, Kenny Rankin, Faith Hill, David Lanz, Cece Winans, David Pack, David Sanborn, The Walt Disney Company and Brian McKnight.

Pianist David Benoit, who has three Grammy nominations, has performed three  times at the White House, and has a morning program on jazz radio station KKJZ in Long Beach, California, continues to perform and record..

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