Daily Dose Of Jazz…

Eric Delaney was born on May 22, 1924 in Acton, London, England. Learning to play early in life by age sixteen, he won the Best Swing Drummer award and later joined the Bert Ambrose Octet which featured George Shearing on piano.

Between 1947 to 1954 he appeared with the Geraldo Orchestra and filled his time with regular session work in recording studios and on film, TV and radio. In 1954 he formed his own band and later signed with the new Pye Records label. Two years later he made three appearances on the Royal Variety Show, the first in 1956.

Specializing in up-tempo dance hall music, often carrying a rock and roll label due to the rise of The Beatles. However, Delaney was able to remain active touring in the UK in holiday resorts. He was held in high regard by his musical peers, drummer Louie Bellson with whom he recorded on the 1967 album Repercussion. Originally released in high quality stereo on the Studio2Stereo label, it was re-released on the Vocalion label in 2011.

Although best known as a swing drummer, Eric was a multi-percussionist. Classically trained as a timpanist, his unique approach turned the ‘timps’ into a lead & solo instrument. He also played xylophone, glockenspiel, military snare drum, tubular bells, Chinese and orchestral gongs, which is exhibited in his showmanship routines, such as Persian Market.

Apart from his showmanship, Delaney could be occasionally found behind a minimal kit, sitting in with a jazz quartet, and letting others take the spotlight. 1990s onward, he would also make guest appearances with bands across the UK. Another facet of his work was his playing on the soundtrack of The Longest Day, where his snare opens the movie.

Drummer and bandleader Eric Delaney, who was popular in the Fifties and early 1960s, died of a brain haemorrhage on July 14, 2011 at 87.

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Jazz Poems

SHAKING HANDS WITH MONGO

Mongo’s open hands

huge soft palms

that drop the hard seeds

of conga with a thump,

shaken by the god of hurricanes,

raining mambo coconuts

that do not split

even when they hit the sidewalk,

rumbling incantation

in the astonished dancehall

of a city in winter,

sweating in a rush of A-train night,

so that Chano Pozo,

maestro of the drumming Yoruba heart,

howling Manteca in a distant coro,

hears Mongo and yes,

begins to bop

a slow knocking bolero of forgiveness

to the nameless man

who shot his life away

for a bag of tecata

in a Harlem bar

forty years ago

Martín Espada | 1957

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Daily Dose Of Jazz…

Yuko Okamoto was born in Miyagi, Japan on May 21, 1984 and started playing piano at age 5 but changed to Electone, a synth organ, at age 7. When she was in junior high school she won the Miyagi Prefecture first prize of the Yamaha Junior Electone Festival. She was chosen as a semifinalist of the Interntational Yamaha Electone Competition at Akasaka Britz in 2002 and Shibuya AX in 2004. In 2003 she won first prize of ‘Yamaha Electone Competition Expert Division and she earned a high evaluation on her performance and charm.

At age 18, she started studying jazz piano and composition under Kiminori Atsuta and Masa Matsuda. She also played in various jazz clubs, restaurants and bars with great bands and popular artists. In 2006 she entered Berklee College Of Music in Boston, Massachusetts. She studied composition, arranging, and performance under George Russell Jr, Walter Besely, John Arcaro, and Bill Eliott among others.

In 2008 she played her original music at Carnegie Hall in NewYork City and performed at Boston City Hall with different bands. She co-stared with One Voice Children’s Choir lead by Masa Fukuda. She has composed for film music and short image video music,

Pianist Yoko Okamoto Now she moved to New York City and is fully engaged as a composer, arranger, and performer.

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Daily Dose Of Jazz…

Ferenc Nemeth was born on May 20, 1976 in Keszthely, Hungary and at 14 left home to study classical percussion at the Richter János Conservatory in Győr, Hungary. Following this he attended the Franz Liszt Academy of Music and then received a scholarship to the Berklee College of Music in Boston, Massachusetts. He later enrolled in the graduate program at the New England Conservatory. In 2001 he became the first Hungarian to be accepted into the Thelonious Monk Institute of Jazz, studying there until 2003.

He has played with Herbie Hancock, Wayne Shorter, Christian McBride, John Patitucci, Terence Blanchard, John Abercrombie, Joshua Redman, Dave Samuels, Mark Turner, Ron McClure, Chris Cheek, Aaron Goldberg, Eli Degibri, and Illayaraja.

He is a founding member of Gilfema with Lionel Loueke and Massimo Biolcati. Since the group’s debut album as a leader he has released six more albums, and his sophomore release Night Songs being nominated for the 7th Annual Independent Music Awards for Jazz Album of the Year.

Based in New York City, drummer and composer Ferenc Nemeth, who has also recorded as a sideman, continues to perform, record and compose.

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Requisites

CONCEPTION: THE GIFT OF LOVE | BOBBY HUTCHERSON

Conception: The Gift of Love is a post bop album by vibraphonist Bobby Hutcherson. The album was  recorded over a two day period on March 15 & 16, 1979 at A&R Recording Studios in New York City and at the Van Gelder Studio in Englewood Cliffs, New Jersey. The 37 minute, 52 second album was produced and arranged by Cedar Walton and released on the Columbia Records label.

Vibraphonist Bobby Hutcherson’s quintet includes pianist George Cables, bassist James Leary, drummer Eddie Marshall and percussionists Bill Summers and Kenneth Nash. He brings a stellar horn section to the session with flutist Hubert Laws, trumpeters Jon Faddis, Danny Moore, Anthony Tooley, Joseph B. Wilder, tenor trombonists Robert Alexander, John Gale, Urbie Green, bassoon and bass clarinetist Romeo Pinque, alto saxophone Lenny Hambro, and tenor saxophonists Daniel Trimboli and Frank Wess.

The seven originals were composed by the band members. Side One opens with the leader’s composition No Siree Bob (7:00), followed by Clockwise by Cedar Walton (6:39), and closes with James Leary’s Remember to Smile (5:38). Side Two commences with Dark Side, Light Side by George Cables (4:06), then another Leary composition Hold My Hand (3:58), Eddie Marshall’s Dreamin’ (6:07) and closes with a second Cable composition titled Quiet Fire (4:24).

Though some critics have claimed this album to be one of his lesser releases with nothing memorable occuring, there are some who state it is a masterpiece of lyrical, straight ahead jazz that is melodically beautiful. I found it to be an enjoyable escape and leave it to you to discover for yourself.

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