Daily Dose Of Jazz…

Thomas Penn Newsom was born in Portsmouth, Virginia on February 25, 1929 and earned degrees from the Norfolk Division of the College of William & Mary, the Peabody Conservatory of Music, and Columbia University. He went on to serve in the United States Air Force during the Korean War where he played in the band.

He toured with the Benny Goodman Orchestra and performed with Vincent Lopez in New York. Newsom joined the Tonight Show Band in 1962, and left it when Carson retired in 1992. In addition to Carson’s orchestra, he performed with the orchestra for The Merv Griffin Show.

Well known within the music industry as an arranger as well as a performer, he arranged for groups as varied as the Tonight Show ensemble and the Cincinnati Pops Orchestra, and musicians Skitch Henderson, Woody Herman, Kenny Rogers, Charlie Byrd, John Denver, and opera star Beverly Sills.

He won two Emmy Awards as a music director, one in 1982 with Night of 100 Stars, and in 1986 for the broadcast of the 40th Annual Tony Awards. He also recorded six albums as a bandleader and another four as a sideman.

On April 28, 2007 saxophonist Tommy Newsom, who was nicknamed Mr. Excitement by Johnny Carson and was the band’s substitute director, died of bladder and liver cancer at his home in Portsmouth. He was 78 years old.

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Daily Dose Of Jazz…

Jan Verwey was born on February 24, 1936 in Vlissingen, The Netherlands. A self-taught harpist, he created his own style on this characteristic instrument. He is the only one who plays octaves on the harmonica.

Very much a bebopper and his unique self-developed instrumental technique, he boldly brings about his desired harmony and melody to his solo’s. During his first visit to the United States in 1990 he was immediately rushed into the recording studio by producer Bill Goodwin, Phil Woods drummer, to record The Dutch Connection which led to a performance at the North Sea Jazz Festival in the Netherlands.

In 1991 he was back in the States being the only European invited to play at the festival Celebration Of The Arts in Watergap, as a soloist. He also gave a duo concert with pianist Hod O’brien who recorded with Chet Baker at The Dearhead Inn. In 2007 he was playing at festivals in Medicine Hat and Calgary in Canada. He has toured Europe, playing in Copenhagen, Denmark as well as Frankfurt, Hamburg, Dusseldorf, Rhede and Darmstadt in Germany.

He has a nomination for the Pall Mall Export Award, was a guest soloist with the Metropole Orchestra, in addition to guest performances on television- and radio shows. As a composer he has written for television series, documentaries and commercials.

He has recorded eight albums as a leader with his last being his 2019 The Music of Horace Silver. Harmonica player Jan Verwey, who plays bebop and cool jazz, continues to perform.

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Daily Dose Of Jazz…

Moto Fukushima was born in Kobe, Japan on February 23, 1978 and received the Outstanding Performer Award before graduating Summa Cum Laude from Berklee College of Music. His musical style is a unique combination of Western classical music, Japanese traditional music, and African-inspired music of South America, which is evident in his jazz improvisation. His playing is characterized by a remarkable blend of finesse, subtlety, and power.

He is a co-leader of the Brooklyn-based power trio, House of Waters. The band has released two albums on the Grammy Award-winning group Snarky Puppy’s GroundUp label, with the first album reaching #2 on the iTunes World Music chart, and the second album hitting #4 on the iTunes Jazz chart.

His music has been featured in the Sports Emmy Award-winning piece on ESPN’s E60, and he won 3rd place in the International Songwriting Competition in 2014. He has also been the recipient of the ASCAP Plus Award.

Moto has collaborated with Mike Stern, Leni Stern, Karsh Kale, Dave Weckl, Dave Eggar, Big Apple Circus, Alex Skolnick, and Gil Goldstein. Six-string bass player, composer, and shamisen player Moto Fukushima, currently based in New York City, continues to perform and record.

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The Jazz Voyager

Flying West to visit once again that city by the bay and upon landing heading to go down Lombard Street, then hop on a cable car to Fisherman’s Wharf, and take a walk through Golden Gate Park. The ultimate destination for this Jazz Voyager is the 700 seat SFJazz Center’s Miner Auditorium to be in the audience to catch another amazing concert. Rain gear will be required as the weather will be warmer than Michigan but inclement off and on during my stay.

This go round I will be witnessing the vocal talents of the venerated Grammy winning vocalist Dianne Reeves. Whether putting a personal stamp on lilting Brazilian standards, exploring contemporary fare by Ani DiFranco and Stevie Nicks, interpreting American Songbook classics by the Gershwin, Porter, and Berlin, or breathing fresh life into holiday chestnuts. This lady always gets to the heart of a song. Had it not been more than two generations having passed since jazz stars took on aristocratic titles, Dianne Reeves would surely be known as The Queen.

The venue is located at 201 Franklin Street, San Francisco, California 94102. For those who are requiring more information go to https://notoriousjazz.com/event/dianne-reeves.

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Daily Dose Of Jazz…

Henry “Bass” Edwards was born on February 22, 1889 in Atlanta. Georgia and by 14 he began playing in local Odd Fellows’ Band, and subsequently studied music at Morris Brown College and Morehouse College.

During the first World War he played in the U.S. Army Bands, including a spell with Lt. J. Tim Brymn’s 350th FA. Band. From 1919 to 1920 he played in Philadelphia, Pennsylvania with various concert orchestras, including working with Sam Wooding.

1921 saw him playing for the next four years with several dance bands in the Philadelphia-Atlantic City, New Jersey area. In mid-1925, Bass joined Duke Ellington, but only remained with the band until spring 1926. He then joined Leon Abbey in New       York City and toured South America during the spring 1927. Returning to the city, he joined the Allie Ross Orchestra, which played for the Blackbirds shows.

In 1929, he joined Noble Sissle’s band on brass bass, and sailed to Europe with him. On his return Edwards worked with Fats Waller, James P. Johnson, and Eubie Blake, before rejoining Allie Ross for the Rhapsody in Black show. His last major jazz position was with the Charlie Matson Orchestra during 1933. He then worked mainly on string bass with various light and classical orchestras.

Tubist and bassist Bass Edwards died in New York, New York on August 22, 1965.

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