The Jazz Voyager
The Jazz Voyager is jetting across the country once again, leaving Southern Cal for Southern Florida to check out for the very first time tomorrow, jazz vocalist Cécile McLorin Salvant at the Adrienne Arsht Center for the Performing Arts. She will be performing selections from her latest album Ghost Song. Opening the evening is the Christian Sands Trio.
A child of Haitian/French heritage, Salvant returns home to wow the audience with her talents. She won the first prize in the Thelonious Monk International Jazz Competition in 2010, released her first album, Cécile, shortly thereafter. Her sophomore album, WomanChild, was nominated for a Grammy for Best Jazz Vocal Album, and three of her albums For One to Love, Dreams and Daggers, and The Window have been awarded Grammy Awards for Best Jazz Vocal Album. She has received a Macarthur Genius Grant and the Jazz Journalists Association’s Jazz Award for Female Vocalist of the Year in 2022.
The performance will take place in the center’s Knight Concert Hall located at 1300 Biscayne Boulevard, Miami, 33132. If you have the time, inclination and opportunity to catch this Friday performance, I suggest you do not hesitate to grab a couple of tickets. This rare appearance by this international artist in her hometown is not to be missed.
The center’s number is 305-949-6722. If you want to get more information visit https://notoriousjazz.com/event/cecile-mclorin-salvant.
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Daily Dose Of Jazz…
Johnny Hawksworth was born in London, England on February 2, 1924 and initially trained as a pianist, but also played double bass in the Ted Heath Orchestra during the early 1950s and through the 1960s. Becoming one of the most popular jazz bassists in the UK, he won numerous polls and was often featured as a soloist on Heath concerts and recordings.
As a composer Johnny wrote many television themes including Salute to Thames, Thank Your Lucky Stars, Roobarb, Man About the House and George and Mildred. He contributed some of the incidental music used in the 1967 Spider-Man cartoon, and his composition, Er Indoors, was frequently used in SpongeBob SquarePants. While working on films, he scored The Naked World of Harrison Marks, The Penthouse, and Zeta One.
Hawksworth has also written many pieces of stock music for the De Wolfe Music library. He also provided the hypnotic musical soundtrack to Geoffrey Jones’s classic British Transport Films Snow and has composed American-style blues-based material under the name Bunny J. Browne and classically-based material under the name John Steinway.
Bassist and composer Johnny Hawksworth transitioned on February 13, 2009 in Sydney, Australia at the age of 85.
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Daily Dose Of Jazz…
James Norbert Black was born on February 1, 1940 in New Orleans, Louisiana. He played piano and trumpet during his youth and studied music at Southern University in Baton Rouge, Louisiana. He first started working in R&B ensembles as a drummer in the late 1950s, but took a job drumming with Ellis Marsalis in the New Orleans Playboy Club, leading to further work in jazz idioms.
A move to New York City in the mid-Sixties and worked in jazz idioms during the decade with Nat Perrilliat, Roy Montrell, Ellis Marsalis, Nat Adderley and Cannonball Adderley, Joe Jones, Horace Silver, Lionel Hampton, Yusef Lateef, Freddie Hubbard, and Eric Gale.
Returning to New Orleans near the end of the 1960s, playing there with Dr. John, James Booker, Fats Domino, Professor Longhair, Charles Neville, James Rivers, Earl Turbinton and the Dukes of Dixieland. Scram Records brought James on as a session musician, and can be heard on Eddie Bo’s single Hook and Sling. In the 1980s he worked with Cassandra Wilson, Wynton Marsalis, and Germaine Bazzle.
Black was a composer and received two grants from the National Endowment for the Arts. Among his works are Monkey Puzzle and Dee Wee, both of which were recorded by Ellis Marsalis’s ensemble in the early 1960s. Recordings under his name were compiled by Night Train Records and released on CD as I Need Altitude: Rare and Unreleased New Orleans Jazz and Funk, 1968-1978.
Drummer James Black, closely associated with the New Orleans jazz scene, transitioned on August 30, 1988.
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Three Wishes
Jaki Byard was given the opportunity by Nica to express his three wishes and his response was:
- “If I could be financially able to do anything I wanted to, I’d have two or three clubs. I wouldn’t want three wishes, I’d only need one. Gee, that’s the only wish I ever had! To have three or four clubs, in the same New York vicinity, and let the clubs run themselves. That’d take care of all the different types of music. Does that make sense? That’s my only wish and I think that’s good enough.
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Daily Dose Of Jazz…
William Thornton Blue was born on January 31, 1902 in St. Louis, Missouri and grew up playing in local bands in his hometown, where his father was a part-time music instructor.
He played with Wilson Robinson’s Bostonians, a territory band, where he was introduced to the rigors of the road. In 1924 he worked with Charlie Creath, then went to New Orleans, Louisiana and joined Dewey Jackson in the middle of the 1920s. This association eventually took Blue back to St. Louis as part of the touring schedule but Blue didn’t stay long. Heading to New York City later that decade he had an extended stint working with Andrew Preer’s Cotton Club Orchestra. This led to a European tour as a member of Noble Sissle’s ensemble.
Remaining for a brief time in Paris, France he collaborated with bassist John Ricks. When Bill returned to New York City, he joined The Missourians, led by Cab Calloway, then worked with pianist Luis Russell.
Due to failing health he played very little in the late Thirties and afterwards. Clarinetist and alto saxophonist William Thornton Blue, sometimes credited as Bill Blue, transitioned in 1968 after spending the last several years of his life in a New York sanatorium.
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