Daily Dose Of Jazz…
Joe Gordon was born Joseph Henry Gordon on May 15, 1928 in Boston, Massachusetts and took up trumpet in his youth. His first professional gigs were in Boston in 1947 and he would later play with Georgie Auld, Charlie Mariano, Lionel Hampton, Charlie Parker, Art Blakey and Don Redman into the mid Fifties.
In 1956 he toured the Middle East with Dizzy Gillespie’s big band soloing on “A Night In Tunisia”. Following this Gordon played with Horace Silver and then moved to Los Angeles. During his California stay over the next five years he recorded with Barney Kessel, Benny Carter, Harold Land, Shelly Manne, Donald Byrd, Dexter Gordon and Thelonious Monk.
Trumpeter Joe Gordon would record two studio sessions and one live album as a leader prior to his death in a house fire on November 4, 1963 in Santa Monica, California.
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Daily Dose Of Jazz…
Klaus Doldinger was born on May 12, 1936 in Berlin, Germany. By age eleven he entered a Dusseldorf conservatory originally studying piano and then clarinet, graduating in 1957. During his student years, he gained professional performing experience in 1953 with the German Dixieland band The Feetwarmers, recording with them in 1955. Later that same year he founded Oscar’s Trio, modeled on Oscar Peterson’s work.
During the 1960s Klaus worked as a tenor saxophonist, working with visiting American jazz musicians and recording in his own right. Doldinger is perhaps best known for his film scores to the acclaimed German U-boat film Das Boot and The Never Ending Story. He was an honored recipient of the Bavarian Film Awards in 1997.
Doldinger created a recurring jazz project Passport in 1971 that mirrors Weather Report and still enjoys huge success in Germany. He has worked with Johnny Griffin, Brian Auger, Ernst Stroer, Pete York and Michael Hornek among others. Saxophonist Klaus Doldinger died on the evening of October 16, 2025 at his home in Icking, Germany at the age of 89.
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Daily Dose Of Jazz…
Shirley Valerie Horn was born on May 1, 1934 in Washington, D.C. and was encouraged by her grandmother to begin piano lessons at age four. At twelve she studied piano and composition at Howard University and later majored there in classical music. Unable to afford to attend, Shirley was forced to decline an offered a place at the Juilliard School. Forming her first jazz piano trio when she was twenty, her early piano influences were Errol Garner, Oscar Peterson and Ahmad Jamal that moved away from her classical background.
She then became enamored with the famous U Street jazz area of Washington, sneaking into jazz clubs before she was of legal age. She was most noted for her ability to accompany herself with nearly incomparable independence and ability on the piano while singing, the rich, lush, smoky contralto gave an unprecedented expression to every song she sang. Although she could swing as strongly as any straight-ahead jazz artist, Horn’s reputation rode on her exquisite ballad work.
She recorded with Stuff Smith in 1959, and on small labels into the Sixties. Horn first achieved fame in 1960, when Miles Davis discovered her and his public praise was a rare commodity. She eventually landed on Mercury and Impulse and over the course of her career she recorded some four-dozen albums both as leader and sideman.
Following the arrival of the Beatles, Horn scaled down performances to her native D.C. clubs, raised her daughter and worked full time in an office. Recording sporadically from 1965 through the late 80s, by the early Nineties her resurgence came with “Here’s To Life” and the albums began to flow, nearly one a year until 2003.
The small setting performer, singer and pianist Shirley Horn kept her same trio for twenty-five years. In the early 200s due to health issues she cut back her schedule, and battling diabetes and breast cancer passed away on October 20, 2005. She was nominated for a Grammy 9 times and won for “I Remember Miles”, performed for several White House invites, received an honorary Doctorate from Berklee College of Music and was given a NEA Jazz Master Award.
Daily Dose Of Jazz…
Ray Barretto was born on April 29, 1929 in New York City of Puerto Rican descent. Raised in Spanish Harlem he was influenced by his mother’s love of music and the jazz of Duke Ellington and Count Basie. At 17 he was in the Army, met Belgium vibist Fats Sadi and realized his true calling when hearing Chano Pozo and Dizzy Gillespie play Manteca.
After his return in 1949 Barretto started joining in on jam sessions perfecting his conga style, played with Charlie Parker, Jose Curbelo and Tito Puente, with whom he would play for four years. He was soon sought by other jazz bandleaders and as a result of Ray’s musical influence, Latin percussionists started to appear in jazz groups.
By 1960, Barretto was a house musician for the Prestige, Blue Note, and Riverside labels. He also recorded on Columbia Records with jazz flautist Herbie Mann. New York had become the center of Latin music in the U.S. from which “pachanga” arose as the Latin music craze of the time. In 1961, Barretto recorded his first hit, “El Watusi” that became the first Latin song to enter the Billboard charts. He would go on to record 41 records as a leader, 11 with the groups Guarare and New World Spirit and seven as a sideman working with Dizzy Gillespie, Yusef Lateef, Herbie Mann, Celia Cruz, Red Garland and Kenny Burrell.
Ray became musical director of Fania All Stars, played with the Rolling Stones, and Bee Gees, was nominated for three Grammys, won one for Ritmo en el Corazon was crowned Conga Player of the Year in 1980 and inducted into the International Music Hall Of Fame. On February 17, 2006 conguero and percussionist Ray Barretto passed away from heart failure.
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Daily Dose Of Jazz…
Herman Foster was born on April 26, 1928 in Philadelphia, Pennsylvania and began his musical career before age ten playing the violin, clarinet, saxophone, and piano. A self-taught pianist, Foster created a distinguished earthy sound. When his family moved to New York City in 1947, Herman began to attend jam sessions and then played with Eric Dixon, Dick Carter and the big band of Herb Jones.
His success came when he met Lou Donaldson and the two played together for thirteen years from 1953 to 1966. During the 1950s he worked with King Curtis, Bill English and Seldon Powell, in the 1960s with Al Casey, in addition to playing with his own trio over the next decade. He returned to work in Donaldson’s quartet in the 1980s.
He released four records as a leader for Epic, Argo and Timeless Records and as a sideman recorded nineteen albums with Lou Donaldson, Gloria Lynne, Johnny Hartman, Hisayo Tominaga, George V. Johnson Jr., Joan Shaw, Al Casey and King Curtis.
On April 3, 1999, bebop pianist Herman Foster passed away in New York City.
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