Daily Dose Of Jazz…
Charli Persip was born Charles Lawrence Persip on July 26, 1929 in Morristown, New Jersey. The drummer became known as Charlie but in the 1980s dropped the “e” to become Charli.
He played with Tadd Dameron in 1953, then toured and recorded with Dizzy Gillespie’s big and small bands between 1953 and 1958 before joining with Harry “Sweets” Edison quintet. He followed this stint with the Harry James Orchestra before forming his own group, the Jazz Statesmen, with Roland Alexander, Freddie Hubbard and Ron Carter in 1960.
During this period Persip also recorded with Lee Morgan, Dinah Washington, Melba Liston, Kenny Dorham, Zoot Sims, Red Garland, Gil Evans, Don Ellis, Eric Dolphy, Rahsaan Roland Kirk and Gene Ammons among others.
Charli would go on to record on the legendary “Eternal Triangle”, with Sonny Rollins and Sonny Stitt on “Sonny Side Up” and from 1960 to 1973 toured as a drummer and conductor with Billy Eckstine. As an educator has given drum and music instruction for Jazzmobile, Inc. in New York since 1974 and is currently an Associate Professor at the New School for Jazz and Contemporary Music.
In the mid 1980s Persip led Superband that evolved into Suppersound, his jazz big band. Supersound’s first album recorded for Stash titled Charli Persip and Superband was followed by Superband 11, No Dummies Allowed and Intrinsic Evolution. Drummer Charli Persip recorded 27 albums as a leader and a sideman and continued to record and perform until he died on August 23, 2020, at Mount Sinai Morningside in New York City at the age of 91.
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Daily Dose Of Jazz…
Bill Perkins was born on July 22, 1924 in San Francisco, California, grew up in Chile, moved to Santa Barbara and served in the military during World War II. While living in Santa Barbara after his discharge, he studied music and engineering at Cal-Tech at the University of California and a Westlake College.
Bill started out performing in the big bands of Woody Herman and Jerry Wald. He also worked for the Stan Kenton orchestra, a move that subsequently led to his entry into the cool jazz idiom. He became one of the coolest and a major influence in the cool school on the West Coast jazz scene.
Perk, as he was known, started recording as a leader in 1956 with John Lewis on Grand Encounter and sessions with Art Pepper, Bud Shank and Richie Kamuca, to name just a few. During the 60s he held had a dual career as a studio musician and recording engineer. From 1970-1992 he held a chair in The Tonight Show band and a member of the Bud Shank Sextet.
Though he played baritone, alto, soprano and flute he was best known for his tenor and most remembered for his baritone and tenor work with The Lighthouse All-Stars. Over the course of his career Bill Perkins recorded twenty-three albums as a leader and sideman up until the time of his death on August 9, 2003.
Daily Dose Of Jazz…
Sonny Clark was born Conrad Yeatis Clark on July 21, 1931 in Herminie, Pennsylvania, learned to play the piano and by age 12 was living in Pittsburgh. When visiting an aunt in California at age 20, he decided to stay and began working with saxophonist Wardell Gray. Clark went to San Francisco with Oscar Pettiford and after a couple months, began working with clarinetist Buddy De Franco in 1953, subsequently touring the U.S. and Europe until 1956. It was then he became a member of The Lighthouse All-Stars, led by bassist Howard Rumsey.
Wishing to return to the east coast, Clark served as accompanist for singer Dinah Washington in 1957, allowing him to relocate to New York City. He became an often-requested sideman partly because of his rhythmic comping. Frequently recording for Blue Note Records, Sonny held a sideman chair for such luminaries as Kenny Burrell, Donald Byrd, Paul Chambers, John Coltrane, Dexter Gordon, Art Farmer, Curtis Fuller, Grant Green, Philly Joe Jones, Hank Mobley, Charles Mingus, Lee Morgan and Billie Holiday among a host of others.
As a leader Clark recorded albums Dial “S” For Sonny, Sonny’s Crib, Sonny Clark Trio with Paul Chambers and Philly Joe Jones, Cool Struttin’ and Sonny Clark Trio with George Duvivier and Max Roach.
Pianist Sonny Clark, who mainly worked in the hard bop idiom, died of a heart attack in New York City on January 13, 1963. It is thought by some commentators that his drug and alcohol abuse contributed to his premature death.
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Daily Dose Of Jazz…
Nat Pierce was born on July 16, 1925 in Somerville, Massachusetts. Learning to play piano as a child he went on to attend the New England Conservatory. After graduation he worked as an amateur musician around Boston, then led his own band featuring Charlie Mariano from 1949-51. He would go on to play with Woody Herman through 1966 as chief arranger and asst. road manager.
Taking up residence in New York City, Nat freelanced with musicians such as Pee Wee Russell, Lester Young, Emmett Berry and ruby Braff, to name a few. From 1957-1959 Pierce led his second band off and on which featured Buck Clayton, Gus Johnson and Paul Quinichette. He recorded with a number of other well-known musicians as well, including Quincy Jones, Coleman Hawkins and Pee Wee Russell.
Pierce arranged the music for The Sound of Jazz, a 1954 CBS television special hosted by John Crosby. Most of the pieces he composed and arranged were predominantly created for the use in big bands. Pianist Nat Pierce passed away on June 10, 1992.
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Daily Dose Of Jazz…
Paulo Moura was born on July 15, 1932 in Sao Jose do Rio Preto, Brazil. His father, a maestro of a marching band, encouraged his son to train as a tailor but Paulo instead studied in the National Music School and performed with the Brazilian Symphonic Orchestra.
He was the first black artist to become first clarinetist in the Municipal Theatre Orchestra. He appeared at Bossa Nova night at Carnegie Hall in 1962 with Sergio Mendes and both were featured on Cannonball Adderley’s 1962 album, Cannonball’s Bossa Nova.
From 1997 to 1999, Paulo was on the State Council of Culture in Rio de Janiero, a Councillor of the Federal Council of Music, and President of the Museum Foundation of Image and Sound. In 2000, Moura became the first Brazilian instrumentalist to win the Latin Grammy.
He won the Sharp Award for the most popular instrumentalist of the year in 1992. His CD “Paulo Moura e Os Oito Batutas” was listed by Barnes & Noble as one of the top 10 recommendations of the year for 1998. Clarinetist and saxophonist Paulo Moura passed away of lymphoma on July 12, 2010 just three days before his 78th birthday.