
Three Wishes
Charlie Byrd told Pannonica his three wishes were:
- “I’d like to play scales like Sabicas.”
- “I’d like to get a tone like Segovia.”
- “And rhythmic drive like Wes Montgomery. And it’s an impossibility to have all that, but that’s what I wish.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
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Daily Dose Of Jazz…
Eugene Sufana Allen was born on December 5, 1928 in East Chicago, Indiana. He began playing clarinet and piano as a child, and was playing with Louis Prima at age 15 in 1944. He stayed in Prima’s band until 1947, then worked with Claude Thornhill for two years in 1949, and from 1951 to 1953 he played with Tex Beneke.
In 1953 he began playing with the Sauter-Finegan Orchestra, playing with them intermittently until 1961, and also worked with Tommy Dorsey, Benny Goodman, and Hal McKusick in the 1950s. Toward the end of the decade, and into the early 1960s, Gene worked with Gerry Mulligan, Manny Albam, Woody Herman, Thelonious Monk, and Bob Brookmeyer.
His later associations include work with Urbie Green, Mundell Lowe, Rod Levitt, and Rusty Dedrick. In the calendar year of 1963, Allen successfully played in and recorded with the big bands of Benny Goodman, Thelonious Monk, and Woody Herman.
Baritone saxophonist and bass clarinetist Gene Allen passed away on February 14, 2008.
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Daily Dose Of Jazz…
George Robert “Rob” Swope was born on December 2, 1926, in Washington, D.C., the younger brother of trombonist Earl Swope. In 1947 he played with Buddy Rich and recorded with Jerry Wald before playing and getting in the studio with Chubby Jackson in 1948-49.
He worked with Gene Krupa in 1949-50, then with Elliot Lawrence in 1950-51. Swope led his own trio in the D.C. area in the early 1950s, and was a member of The Orchestra, the band which accompanied Charlie Parker in 1953 and Dizzy Gillespie in 1955.
Spending time in New York City in the latter half of the Fifties, he played with Larry Sonn, Boyd Raeburn, Claude Thornhill, Jimmy Dorsey, and Louie Bellson. In the 1960s he worked in Washington, D.C. again, often as a leader. Trombonist Rob Swope passed away on January 9, 1967 in Washington, D.C.
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Daily Dose Of Jazz…
Jolyon Hunter was born on December 1, 1926 in Ealing, London, England and moved with his actor parents to America in 1935. He studied the French horn at two military schools before switching to trumpet. By 1943 he returned home to Britain and attended the Royal College of Music before joining the war effort in the British Army.
In 1950 Jo left Army service and joined the Kenny Graham Afro Cubists, working with them off and on until 1957. Departing the group, he then worked for a short time with Roy Fox, followed by a five year residence with the Jack Parnell Big Band. He went on to play with Oscar Rabin, replacing Jimmy Deuchar.
Moving to Brighton, he worked with local bands and was an active freelancer on both trumpet and piano. In his later years he worked on cruise ships and played harmonica. Trumpeter and pianist Jo Hunter, who also played pianist and harmonica, passed away on August 14, 2016 at the age of 89.

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Daily Dose Of Jazz…
Paul Desmond was born Paul Emil Breitenfeld on November 25, 1924 in San Francisco, California. His father was a pianist, organist, arranger, and composer who accompanied silent films in movie theaters and produced musical arrangements for printed publication and for live theatrical productions. He started his study of clarinet at the age of twelve and continued while at San Francisco Polytechnic High School. During high school he developed a talent for writing and became co-editor of his high school newspaper.
As a freshman at San Francisco State College he began playing alto saxophone, however, he was drafted into the U.S. Army, where he spent three years in the Army band stationed in San Francisco. After his discharge in 1946 he legally changed his name to Desmond. Working in the San Francisco Bay Area as a backing musician, occasionally with Dave Brubeck.
Following a breakup and a reunion with Brubeck, the quartet became especially popular with college-age audiences, often performing in college settings like on their ground-breaking 1953 album Jazz at Oberlin at Oberlin College. The group played until 1967, when Brubeck switched his musical focus from performance to composition and broke the unit up. During the 1970s Desmond joined Brubeck for several reunion tours, with Brubeck’s sons Chris, Dan and Darius.
He worked several times during his career with baritone saxophonist Gerry Mulligan, guitarist Jim Hall, Chet Baker, and Ed Bickert. Alto saxophone and composer Paul Desmond, who was one of the most popular musicians to come out of the cool jazz scene, passed on May 30, 1977, not of his heavy alcohol habit but of lung cancer, the result of his longtime heavy smoking.
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