Daily Dose Of Jazz…

Herbert Frederick Hunt was born September 21, 1923 in London, England to musician parents. A self taught pianist, he started playing at the age of 13 and played local gigs before joining the Royal Air Force.

After demobilization, he began his musical career playing semi-professionally with Mike Daniels and the Cy Laurie Four in 1951. He then became professional and went on to join the Alex Welsh Band from 1954 to 1962 and again from 1964 to 1974.

As Welsh’s primary pianist and a featured soloist, he became one of Britain’s leading trad jazz musicians. He recorded with Eddie Davis, Bud Freeman, Eddie Miller, and Ben Webster in 1967. His work with Alex Welsh did not stop him from accompanying visiting Americans, including recording with the four-tenor group, Tenor Of Jazz, featuring Ben Webster and Eddie “Lockjaw” Davis, which toured in the late 60s.

After leaving Welsh in 1974, he played in Copenhagen, Denmark and South Africa, then after 1976 split his time between Britain, Denmark and Germany. He led a trio featuring drummer Lennie Hastings from 1978 although Hastings died that year. In 1979 the German label Erus Records released a live recording titled Yesterdays, featuring the Fred Hunt Trio, with Hunt on piano, bassit Brian Mursell and drummer Roger Nobes.

In the late Seventies Hunt toured with Wild Bill Davison and played with Welsh once more in the early 1980s. He retired due to failing health after being incapacitated and confined to wheelchair, though he worked frequently at London’s PizzaExpress Jazz Club until his death. Pianist Fred Hunt, who played in both modern and trad jazz musical settings, passed away in Weybridge, Surrey, England at the age of 62 on April 25, 1986.

More Posts: bandleader,history,instrumental,jazz,music,piano

Daily Dose Of Jazz…

Teddi King was born Theodora King on September 18, 1929 in Boston, Massachusetts. She won a singing competition hosted by Dinah Shore at Boston’s Tributary Theatre, which led to her beginning to work in a touring revue involved with “cheering up the military in the lull between World War II and the Korean conflict. Improving her vocal and piano technique during this time, she first recorded with Nat Pierce in 1949, later recording with the Beryl Booker Trio as well as with several other small groups from 1954–1955. These recordings were available on three albums for Storyville.

She went on to tour with George Shearing for two years beginning in the summer of 1952, and for a time was managed by the famed George Wein. For a time she was a Las Vegas performer. Teddi ultimately signed with RCA, recorded three albums for the label, beginning with 1956’s Bidin’ My Time. She also had some minor chart success with the singles Mr. Wonderful, Married I Can Always Get and Say It Isn’t So. Her critically praised 1959 album All the Kings’ Songs found her interpreting the signature songs of contemporary male singers like Frank Sinatra and Nat King Cole, the “kings” of the title.

In the Sixties she opened the Playboy Club, where she often performed. After developing lupus, she managed to make a brief comeback with a 1977 album featuring Dave McKenna, and with two more albums recorded for Audiophile released posthumously.

Vocalist Teddi King, who was influenced by Lee Wiley, Mildred Bailey and Mabel Mercer, recorded twelve albums as a leader, passed away from lupus on November 18, 1977.

More Posts: bandleader,history,instrumental,jazz,music,vocal

Daily Dose Of Jazz…

Arvell Shaw was born on September 15, 1923 in St. Louis, Missouri and learned to play tuba in high school, but switched to bass soon after. In 1942 he worked with Fate Marable on the Mississippi riverboats before serving in the Navy from 1942 to 1945. After his discharge he played with Louis Armstrong in his last big band, from 1945 to 1947. He and Sid Catlett then joined the Louis Armstrong All-Stars until 1950, then he broke off to study music. Returning to play with Armstrong in 1952, he performed with vocalist Velma Middleton, and in the 1956 musical, High Society.

He then worked at CBS with Russ Case, did sometime in Teddy Wilson’s trio, and played with Benny Goodman at the 1958 Brussels World’s Fair. After a few years in Europe, he played again with Goodman on a tour of Central America in 1962. From 1962–64 Arvell again joined Armstrong, and occasionally accompanied him through the end of the decade. The Seventies saw him mostly freelancing in New York City.

Bassist Arvell Shaw, who recorded only once as a leader, a live 1991 concert of his Satchmo Legacy Band, kept playing until he passed away on December 5, 2002 in Roosevelt, New York.

More Posts: bandleader,bass,history,instrumental,jazz,music

Three Wishes

When Pannonica inquired about three wishes if given to Art Simmons he answered with his the following: 

1. 1. “Sex.”
   2. “Music. I can’t think of anything else but those two!Well, there really isn’t anything else but those two. What else is there?”
   3. “Music takes more than just music: to me it’s God! What is God? All the beauty there is in the world. All the love. God is music, and sex, too! I don’t mean sex the way Americans mean it _ not the rabbit kind. The Americans don’t understand about sex, not the way they do in France. I very soon found that out. Sex and music, and everything that is beautiful, it is all the same thing, really.And that is all that matters.”

More Posts: baroness,history,instrumental,jazz,music,pannonica,piano,three,wishes

Daily Dose Of Jazz…

William Richard Berry was born on September 14, 1930 in Benton Harbor, Michigan. The son of a bass player in a touring dance band, he spent his early years traveling with his parents sleeping in the bass case under the bandstand when he was only a few months old. From the age of five, he took piano lessons at home in South Bend, Indiana. In high school in Cincinnati, Ohio he switched to trumpet, and played in a Midwest band led by Don Strickland, after which he served four years in the Air Force.

He studied at the Cincinnati College of Music and Berklee College of Music in Boston, Massachusetts then played trumpet with the Woody Herman and Maynard Ferguson orchestra. In 1961, he became one of the Duke Ellington orchestra’s first white members. After his working with Ellington, he played with the Thad Jones-Mel Lewis Jazz Orchestra and led his own big band in New York.

In 1965 he joined The Merv Griffin Show, where he remained for fifteen years, moving to Los Angeles, California with Griffin and reforming his group as the L.A. Big Band in 1971. Among the most successful of his own 1978 recording Shortcake, an album of jazz for small groups in the Ellington style. He appeared on many albums by other musicians, including Rosemary Clooney, Scott Hamilton, Jake Hanna, and Coleman Hawkins.

He recorded four albums as a leader and fifty-five as a sideman with Frank Capp, Duke Ellington, Maynard Ferguson, Thad Jones/Mel Lewis, Ruth Brown, Benny Carter, Ray Charles, Chris Connor, Randy Crawford, Bing Crosby, Dave Frishberg, Woody Herman, Earl Hines, Johnny Hodges, Milt Jackson, Irene Kral, Trini Lopez, Johnny Mathis, Gary McFarland, Dave Pell, Herb Pomeroy, Jimmy Rowles, Jack Sheldon, Patty Weaver, and Joe Williams.

More Posts: bandleader,history,instrumental,jazz,music,trumpet