Daily Dose Of Jazz…
Dill Jones was born Dillwyn Owen Paton Jones on August 19, 1923 in Newcastle Emlyn, Carmarthenshire, Wales. He was brought up in New Quay on the Cardiganshire coast. Music was in the family, his mother a pianist and his aunt played organ at the Methodist Tabernacle. He was exposed to jazz as a 10-year-old by hearing records by Fats Waller and Bix Beiderbecke on the radio.
After leaving college, Jones followed his father into banking but was called up by the Royal Navy for wartime service in the Far East. When the war ended he enrolled at Trinity College of Music in London, England but did not complete the course, preferring the informality of late night jazz sessions.
Joining the Harry Parry Sextet and Vic Lewis’ Orchestra before plying his trade as ship’s pianist on the luxury liner, the Queen Mary, he sailed between New York City and Southampton. This gave Dill the chance to hang out in New York’s jazz clubs and hear Coleman Hawkins and Lennie Tristano, among others. After forming the Dill Jones Quartet in 1959, he emigrated to the United States in 1961, settling in New York City. He became an expert in the Harlem stride style. was soon in demand, earning his reputation playing with the likes of Gene Krupa, Jimmy McPartland and Yank Lawson.
Between 1969–1973, Jones was a member of the JPJ Quartet with Budd Johnson, Oliver Jackson and Bill Pemberton. A double CD anthology of Dill Jones` work was released in 2004, entitled Davenport Blues – Dill Jones plays Bix, Jones and a Few Others.
Pianist Dill Jones, who was instrumental in bringing jazz to British television when he hosted the BBC Jazz Club, passed away from throat cancer in a New York hospital on June 22, 1984. He was 60
Daily Dose Of Jazz…
Bobby Orr was born Robert on August 15, 1928 in Cambuslang, Scotland and began playing drums at the age of three, encouraged by his father, a drum major. From the age of 16 he started playing the trumpet, as a member of Basil Kirchin’s band; however, he had difficulties with his embouchure and returned to the drums.
In the 1950s and 1960s, Orr was a fixture on the London jazz scene, including as a founder member of Joe Harriott’s quintet, which he left and subsequently rejoined, and played for Tubby Hayes among others. He also served as a house drummer at Ronnie Scott’s Club, backing top American visitors such as Zoot Sims, Al Cohn, Milt Jackson, and Dizzy Gillespie.
He had three tours with Benny Goodman, then as a freelance musician from 1970, he also toured with Billy Eckstine and Sammy Davis Jr., as well as Tommy Whittle and Don Lusher. In the 1990s, Bobby toured extensively with the UK Glenn Miller Tribute Band.
Over the course of his career he recorded with Sandy Brown, George Chisholm, Digby Fairweather, and Shake Keane. Drummer and session musician Bobby Orr, who played on many recording sessions for pop and rock artists such as Donovan and Dusty Springfield, passed away on March 12, 2020.
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Daily Dose Of Jazz…
Bruz Freeman was born Eldridge Freeman on August 11, 1921 in Chicago, Illinois. With his brothers, guitarist George Freeman and tenor saxophonist Von Freeman, he played for several years in the house band at the Pershing Hotel.
In 1950, he was a member of John Young’s trio with LeRoy Jackson on bass, and recorded with Young’s orchestra backing vocalist Lurlean Hunter. That same year with his brothers George and Von, originally misidentified as Claude McLin, LeRoy Jackson, and Chris Anderson, he played with Charlie Parker shortly before his death, at a jam session recorded at Bird’s apartment which was released in 1960 by Savoy Records.
The mid-1950s saw him as a member of the Hampton Hawes Quartet, with Red Mitchell and Jim Hall, and with line-ups led by Herb Geller. In 1977-8, he joined a short-lived band based in California, led by Kenny Mann and with Britt Woodman on trombone. Drummer Bruz Freeman, who was also known as Buzz and the uncle of Chico Freeman, the son of Von Freeman, passed away in 2006.
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Three Wishes
Upon receiving the question of three wishes from the Baroness, Frank Rehak responded with:
“Improvement of the caliber of recorded music. In general, the public has been exposed – via radio, TV, disc-jockeys, etc. – to bad sounds for many years, which in turn has caused a yardstick of poor music to measure by. If, on the other hand, good music had been given the same exploitation, the taste of John Q. Public would have been made vastly more musical, if by nothing more than the repeated playing and hearing of music worthwhile. I.e.: If any person is exposed to any sound continuously, and for a long period of enough time, it will begin to sound musical to him.
Classic example: The audience hisses, booed, and left the auditorium when Bach first used the sixth in addition to a triad-which of course is now one of the most common sounds used in any type of music. Ditto the dominant seventh which, when first employed, was considered completely distasteful, dissonant, and disgusting to the uneducated ear.
To sum this rambling up, I wish that more good music could be brought across to the general public via any medium. It would make we musicians’ jobs so much more fun and educational.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
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Daily Dose Of Jazz…
Eddie Lee McFadden was born on August 6, 1928 in Baltimore, Maryland and as a small child tried the piano but later settled on guitar. After his military service, he concentrated on jazz guitar. By the 1950s the guitarist was playing in Philadelphia, Pennsylvania clubs. From 1957-58 he was in organist Jimmy Smith’s band and recorded a dozen albums with Smith as part of a trio and sextet. The trio included Donald Bailey on drums.
Staying with organists he next joined Johnny “Hammond” Smith and during the period 1960–63 and one more in 1966, McFadden made eight recordings. Two further sideman appearances on albums came to fruition in the late 1970s.
In November 1967, the Al Grey & Eddie McFadden Quartet played at Count Basie’s Lounge in New York. During the late Seventies he recorded with Sonny Phillips and Don Patterson.
Guitarist Eddie McFadden, who also wrote music for some of his bands, passed away on September 23, 1992 in Philadelphia.
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